'No need,' protested Marianne, who found herself both shocked and amused by Fortunée's complete absence of moral principles. 'No need. I do not want to meet any other men. If I did,' she added, pointing to a small rosewood writing-table on which was a pile of letters, 'I would only have to answer some of those.' The post brought them every day, along with great masses of flowers.

'Don't you even open them?'

Fortunée swooped on the pile and, using a slender Italian stiletto for a paper-knife, slit open several of the letters and, after a rapid glance at the contents, found the signatures and sighed.

'This is pitiful! My poor dear, half the Imperial Guard is in love with you! Look here: Canouville… Tobriant… Radziwill… even Poniatowski! Flahaut, the exquisite Flahaut himself is your slave! And you sit by the fire sighing at the clouds and the rain while his majesty rides to meet his Archduchess! Do you know who you remind me of? Josephine!'

The name of the repudiated Empress managed to get through the wall of bad temper with which Marianne had wilfully surrounded herself. Her green eyes flickered for a moment to her friend's face.

Why should you say that? Have you seen her? What is she doing?'

'I saw her last night. She is still in a wretched state. She should have left Paris days ago. Napoleon has given her the title of Duchess of Navarre and the vast estates around Évreux that go with it… on the unspoken understanding, naturally, that she withdraws there when the wedding takes place. But she has returned to the Elysée and is clinging to it like a drowning woman. Day after day goes by and Josephine is still in Paris. Yet she must go in the end, so why delay?'

'I think I understand her,' Marianne said with a melancholy smile. 'And isn't it hard to take her house away from her and send her away to a strange place, like an object one has no further use for? Surely he might have left her Malmaison when she loves it so?'

'Too close to Paris. Especially when the daughter of the Austrian Emperor is arriving. As for understanding her,' Fortunée continued, 'I don't know that you should. Josephine is clinging to the shadow of what she was – but she has already found consolation for her bruised heart.'

'What do you mean?'

Madame Hamelin burst out laughing, displaying the brightness of her small, sharp teeth. Then she sank into a chair beside her friend, enveloping them both in an overpowering scent of roses.

'That she has done what you should do, my pet, what any woman in her right mind would do in her case – and in yours. She has taken a lover!'

Too dumbfounded to answer, Marianne merely stared at Fortunée, making the gossip-loving Creole almost purr with satisfaction.

'You need not look so shocked,' she said. 'In my view, Josephine was quite right. Why should she be forced to spend her nights alone, which was already her fate for the most part at the Tuileries? She has lost a throne and found love. And if you ask me, it is no more than justice.'

'Perhaps. Who is he?'

'Count Lancelot de Turpin-Crissé, a magnificent, golden-haired Greek god of about thirty. He is her chamberlain which makes it more convenient.'

Marianne was forced to smile at her friend's sally.

'Novels are not always right, you see,' Fortunée went on. 'Why don't you do the same? Find someone to console you. Wait, I'll help you —' She was making for the writing-table again but Marianne stopped her with a gesture.

'No. It is no good. I don't want some young man muttering inanities into my ear. I love him too much, don't you see?'

'What does that matter?' Fortunée persisted. 'I adore Montrond but if I had to remain faithful to him all the time he is in Anvers I should have gone mad by now.'

Marianne abandoned the attempt to make her friend see her point of view. Fortunée's warm-blooded nature made her more in love with love than with men. The tale of her lovers was endless, the latest being the financier Ouvrard who, if his looks were inferior to those of the handsome Casimir de Montrond, amply made up for this deficiency by a vast fortune in which Madame Hamelin was revelling with innocent enjoyment.

Marianne said with a sigh: 'In spite of this marriage, I would not break with the Emperor.' Thinking that this would be an argument Fortunée could understand, she added quickly: 'He would be sure to hear of it and would never forgive me. Besides, let me remind you that somewhere I have a husband who may reappear at any minute.'

With an instant change of mood, Fortunée returned to her seat by Marianne and asked seriously: 'You have heard nothing?'

'Nothing. Only a note from Fouché last night telling me he had found no trace. Even the Vicomte d'Aubécourt seems to have vanished. Yet I believe Fouché is really looking for him. And Arcadius is scouring Paris and he knows the city as well as any professional sleuth.'

'It is odd, all the same —'

The door of the salon opened as she spoke and, as if conjured up by Marianne's words, Arcadius de Jolival appeared and bowed gracefully to the two ladies. He held a letter in his hand. He was dressed, as ever, with exquisite taste in a blend of olive green and grey relieved by the snowy whiteness of his shirt-front, above which twinkled the bright-eyed inquisitive countenance, with its small moustache and goatee, of Marianne's indispensable friend.

Fortunée greeted him amicably. 'Our friend has been telling me how you spend your time scouring the Paris underworld, yet here you are looking for all the world as if you have just sprung from a bandbox!'

Today,' Arcadius said, 'I have been nowhere more dreadful than Frascati's, eating a great many ices and listening to the chatter of a number of pretty girls. My greatest peril was from a pineapple sorbet which Madame Récamier let slip within an inch of my pantaloons.'

'Still no news?' Marianne's strained face formed a striking contrast to the smiling looks of her companions. Ignoring the anxiety in her voice, Jolival cast the letter he held negligently on to the pile of those already waiting and subjected the cameo ring on his left hand to a critical scrutiny.

'None,' he said casually. 'The man in blue seems to have vanished into thin air like the genie in the Persian fables. I did meet the director of the Théâtre Feydeau, however, and he is somewhat surprised to have heard nothing from you since Monday evening's triumph.'

'I sent a message that I was unwell,' Marianne interrupted pettishly. 'That ought to have satisfied him.'

'Unfortunately it did not. Put yourself in his place. The man discovers a new star of the first magnitude, only to have her vanish instantly. He is full of plans for you, each more Austrified than the last, naturally. He means to put on Die Entführung aus dem Serail followed by a concert composed entirely of lieder and—'

'Impossible,' Marianne snapped. 'Tell the man that to begin with I am not a regular member of the company of the Opera Comique. I was engaged for that one performance only —'

'As our friend well knows,' Arcadius sighed. 'Especially since he is aware of the other offers that have been made to you. Picard wants you for the Opera, for the celebrated "Bardes" which so delighted the Emperor, and Spontini makes your – what shall I say? – your Italianate quality his excuse for demanding you for Paesiello's Barber of Seville with the Italian company. Then there are the salons....'

'That's enough!' Marianne interrupted him irritably. 'I want to hear no more of the theatre for the present. I am quite incapable of working. I may confine myself to concerts.'

'I think it is better not to plague her,' Fortunée intervened at this point. 'She is in no state to bear it.'

She rose and kissed her friend affectionately before going on: 'Are you sure you will not sup with me tonight? Ouvrard is bringing some excellent company – including some very pretty young men.'

'No, really. I don't want to see anyone except yourself, and I don't feel frivolous. Come again soon.'

While Arcadius was seeing Madame Hamelin to her carriage, Marianne threw a cushion on to the floor in front of the fire and sank on to it with a weary sigh. She felt chilled and wondered if from pretending to be ill she was really becoming so. But the sickness was all in her heart, racked by doubts, anxieties and jealousy. Outside, a cold, wet night was setting in, so much in tune with Marianne's own mood that for a moment she glanced almost gratefully at the dark windows framed in gold damask curtains. Why must they talk to her of work? She was like a bird, only able to sing when her heart was light. Besides, she had no wish to fall into the conventional pattern of opera singers. Perhaps the truth was that she had no real vocation for the theatre. The offers made to her held no temptation. Or was it the absence of the man she loved that had caused this curious reluctance to accept?

Her gaze wandered from the window to the hearth and came to rest on the portrait that hung above it. Again, she shivered. All at once she seemed to read in the handsome colonel's dark eyes a kind of ironic pity, not unmixed with contempt for the wretched creature sitting at his feet. In the warm glow of the candlelight, the Marquis d'Asselnat seemed to be stepping out of his smoky background to shame his daughter for proving unworthy of him and herself. The silent condemnation of the portrait was so clear that Marianne blushed. Half in spite of herself, she muttered: 'You cannot understand. Your own love was so simple that I dare say to die together seemed to you a logical conclusion, the perfect consummation. But for me —'