'I think I do.'

'I like the sapphire,' he said.

'This?'

It was a rose-shaped, beautiful sapphire, with small brilliants.

'Yes,' she said, 'it is lovely.' She held it in the light. 'Yes, perhaps it IS the best-'

'The blue-' he said.

'Yes, wonderful-'

He suddenly swung the car out of the way of a farm-cart. It tilted on the bank. He was a careless driver, yet very quick. But Ursula was frightened. There was always that something regardless in him which terrified her. She suddenly felt he might kill her, by making some dreadful accident with the motor-car. For a moment she was stony with fear.

'Isn't it rather dangerous, the way you drive?' she asked him.

'No, it isn't dangerous,' he said. And then, after a pause: 'Don't you like the yellow ring at all?'

It was a squarish topaz set in a frame of steel, or some other similar mineral, finely wrought.

'Yes,' she said, 'I do like it. But why did you buy these rings?'

'I wanted them. They are second-hand.'

'You bought them for yourself?'

'No. Rings look wrong on my hands.'

'Why did you buy them then?'

'I bought them to give to you.'

'But why? Surely you ought to give them to Hermione! You belong to her.'

He did not answer. She remained with the jewels shut in her hand. She wanted to try them on her fingers, but something in her would not let her. And moreover, she was afraid her hands were too large, she shrank from the mortification of a failure to put them on any but her little finger. They travelled in silence through the empty lanes.

Driving in a motor-car excited her, she forgot his presence even.

'Where are we?' she asked suddenly.

'Not far from Worksop.'

'And where are we going?'

'Anywhere.'

It was the answer she liked.

She opened her hand to look at the rings. They gave her SUCH pleasure, as they lay, the three circles, with their knotted jewels, entangled in her palm. She would have to try them on. She did so secretly, unwilling to let him see, so that he should not know her finger was too large for them. But he saw nevertheless. He always saw, if she wanted him not to. It was another of his hateful, watchful characteristics.

Only the opal, with its thin wire loop, would go on her ring finger. And she was superstitious. No, there was ill-portent enough, she would not accept this ring from him in pledge.

'Look,' she said, putting forward her hand, that was half-closed and shrinking. 'The others don't fit me.'

He looked at the red-glinting, soft stone, on her over-sensitive skin.

'Yes,' he said.

'But opals are unlucky, aren't they?' she said wistfully.

'No. I prefer unlucky things. Luck is vulgar. Who wants what LUCK would bring? I don't.'

'But why?' she laughed.

And, consumed with a desire to see how the other rings would look on her hand, she put them on her little finger.

'They can be made a little bigger,' he said.

'Yes,' she replied, doubtfully. And she sighed. She knew that, in accepting the rings, she was accepting a pledge. Yet fate seemed more than herself. She looked again at the jewels. They were very beautiful to her eyes-not as ornament, or wealth, but as tiny fragments of loveliness.

'I'm glad you bought them,' she said, putting her hand, half unwillingly, gently on his arm.

He smiled, slightly. He wanted her to come to him. But he was angry at the bottom of his soul, and indifferent. He knew she had a passion for him, really. But it was not finally interesting. There were depths of passion when one became impersonal and indifferent, unemotional. Whereas Ursula was still at the emotional personal level-always so abominably personal. He had taken her as he had never been taken himself. He had taken her at the roots of her darkness and shame-like a demon, laughing over the fountain of mystic corruption which was one of the sources of her being, laughing, shrugging, accepting, accepting finally. As for her, when would she so much go beyond herself as to accept him at the quick of death?

She now became quite happy. The motor-car ran on, the afternoon was soft and dim. She talked with lively interest, analysing people and their motives-Gudrun, Gerald. He answered vaguely. He was not very much interested any more in personalities and in people-people were all different, but they were all enclosed nowadays in a definite limitation, he said; there were only about two great ideas, two great streams of activity remaining, with various forms of reaction therefrom. The reactions were all varied in various people, but they followed a few great laws, and intrinsically there was no difference. They acted and reacted involuntarily according to a few great laws, and once the laws, the great principles, were known, people were no longer mystically interesting. They were all essentially alike, the differences were only variations on a theme. None of them transcended the given terms.

Ursula did not agree-people were still an adventure to her-but-perhaps not as much as she tried to persuade herself. Perhaps there was something mechanical, now, in her interest. Perhaps also her interest was destructive, her analysing was a real tearing to pieces. There was an under-space in her where she did not care for people and their idiosyncracies, even to destroy them. She seemed to touch for a moment this undersilence in herself, she became still, and she turned for a moment purely to Birkin.

'Won't it be lovely to go home in the dark?' she said. 'We might have tea rather late-shall we?-and have high tea? Wouldn't that be rather nice?'

'I promised to be at Shortlands for dinner,' he said.

'But-it doesn't matter-you can go tomorrow-'

'Hermione is there,' he said, in rather an uneasy voice. 'She is going away in two days. I suppose I ought to say good-bye to her. I shall never see her again.'

Ursula drew away, closed in a violent silence. He knitted his brows, and his eyes began to sparkle again in anger.

'You don't mind, do you?' he asked irritably.

'No, I don't care. Why should I? Why should I mind?' Her tone was jeering and offensive.

'That's what I ask myself,' he said; 'why SHOULD you mind! But you seem to.' His brows were tense with violent irritation.

'I ASSURE you I don't, I don't mind in the least. Go where you belong-it's what I want you to do.'

'Ah you fool!' he cried, 'with your "go where you belong." It's finished between Hermione and me. She means much more to YOU, if it comes to that, than she does to me. For you can only revolt in pure reaction from her-and to be her opposite is to be her counterpart.'

'Ah, opposite!' cried Ursula. 'I know your dodges. I am not taken in by your word-twisting. You belong to Hermione and her dead show. Well, if you do, you do. I don't blame you. But then you've nothing to do with me.

In his inflamed, overwrought exasperation, he stopped the car, and they sat there, in the middle of the country lane, to have it out. It was a crisis of war between them, so they did not see the ridiculousness of their situation.

'If you weren't a fool, if only you weren't a fool,' he cried in bitter despair, 'you'd see that one could be decent, even when one has been wrong. I WAS wrong to go on all those years with Hermione—it was a deathly process. But after all, one can have a little human decency. But no, you would tear my soul out with your jealousy at the very mention of Hermione's name.'

'I jealous! I—jealous! You ARE mistaken if you think that. I'm not jealous in the least of Hermione, she is nothing to me, not THAT!' And Ursula snapped her fingers. 'No, it's you who are a liar. It's you who must return, like a dog to his vomit. It is what Hermione STANDS FOR that I HATE. I HATE it. It is lies, it is false, it is death. But you want it, you can't help it, you can't help yourself. You belong to that old, deathly way of living—then go back to it. But don't come to me, for I've nothing to do with it.'

And in the stress of her violent emotion, she got down from the car and went to the hedgerow, picking unconsciously some flesh-pink spindleberries, some of which were burst, showing their orange seeds.

'Ah, you are a fool,' he cried, bitterly, with some contempt.

'Yes, I am. I AM a fool. And thank God for it. I'm too big a fool to swallow your cleverness. God be praised. You go to your women—go to them—they are your sort—you've always had a string of them trailing after you—and you always will. Go to your spiritual brides—but don't come to me as well, because I'm not having any, thank you. You're not satisfied, are you? Your spiritual brides can't give you what you want, they aren't common and fleshy enough for you, aren't they? So you come to me, and keep them in the background! You will marry me for daily use. But you'll keep yourself well provided with spiritual brides in the background. I know your dirty little game.' Suddenly a flame ran over her, and she stamped her foot madly on the road, and he winced, afraid that she would strike him. 'And I, I'M not spiritual enough, I'M not as spiritual as that Hermione—!' Her brows knitted, her eyes blazed like a tiger's. 'Then go to her, that's all I say, GO to her, GO. Ha, she spiritual—SPIRITUAL, she! A dirty materialist as she is. SHE spiritual? What does she care for, what is her spirituality? What IS it?' Her fury seemed to blaze out and burn his face. He shrank a little. 'I tell you it's DIRT, DIRT, and nothing BUT dirt. And it's dirt you want, you crave for it. Spiritual! Is THAT spiritual, her bullying, her conceit, her sordid materialism? She's a fishwife, a fishwife, she is such a materialist. And all so sordid. What does she work out to, in the end, with all her social passion, as you call it. Social passion—what social passion has she?—show it me!—where is it? She wants petty, immediate POWER, she wants the illusion that she is a great woman, that is all. In her soul she's a devilish unbeliever, common as dirt. That's what she is at the bottom. And all the rest is pretence—but you love it. You love the sham spirituality, it's your food. And why? Because of the dirt underneath. Do you think I don't know the foulness of your sex life—and her's?—I do. And it's that foulness you want, you liar. Then have it, have it. You're such a liar.'