He laughed.

'The question is,' he said, 'what is madness? I don't suppose it is rabbit-mad.'

'Don't you think it is?' she asked.

'No. That's what it is to be a rabbit.'

There was a queer, faint, obscene smile over his face. She looked at him and saw him, and knew that he was initiate as she was initiate. This thwarted her, and contravened her, for the moment.

'God be praised we aren't rabbits,' she said, in a high, shrill voice.

The smile intensified a little, on his face.

'Not rabbits?' he said, looking at her fixedly.

Slowly her face relaxed into a smile of obscene recognition.

'Ah Gerald,' she said, in a strong, slow, almost man-like way. '-All that, and more.' Her eyes looked up at him with shocking nonchalance.

He felt again as if she had torn him across the breast, dully, finally. He turned aside.

'Eat, eat my darling!' Winifred was softly conjuring the rabbit, and creeping forward to touch it. It hobbled away from her. 'Let its mother stroke its fur then, darling, because it is so mysterious-'




CHAPTER XIX.

MOONY

After his illness Birkin went to the south of France for a time. He did not write, nobody heard anything of him. Ursula, left alone, felt as if everything were lapsing out. There seemed to be no hope in the world. One was a tiny little rock with the tide of nothingness rising higher and higher She herself was real, and only herself—just like a rock in a wash of flood-water. The rest was all nothingness. She was hard and indifferent, isolated in herself.

There was nothing for it now, but contemptuous, resistant indifference. All the world was lapsing into a grey wish-wash of nothingness, she had no contact and no connection anywhere. She despised and detested the whole show. From the bottom of her heart, from the bottom of her soul, she despised and detested people, adult people. She loved only children and animals: children she loved passionately, but coldly. They made her want to hug them, to protect them, to give them life. But this very love, based on pity and despair, was only a bondage and a pain to her. She loved best of all the animals, that were single and unsocial as she herself was. She loved the horses and cows in the field. Each was single and to itself, magical. It was not referred away to some detestable social principle. It was incapable of soulfulness and tragedy, which she detested so profoundly.

She could be very pleasant and flattering, almost subservient, to people she met. But no one was taken in. Instinctively each felt her contemptuous mockery of the human being in himself, or herself. She had a profound grudge against the human being. That which the word 'human' stood for was despicable and repugnant to her.

Mostly her heart was closed in this hidden, unconscious strain of contemptuous ridicule. She thought she loved, she thought she was full of love. This was her idea of herself. But the strange brightness of her presence, a marvellous radiance of intrinsic vitality, was a luminousness of supreme repudiation, nothing but repudiation.

Yet, at moments, she yielded and softened, she wanted pure love, only pure love. This other, this state of constant unfailing repudiation, was a strain, a suffering also. A terrible desire for pure love overcame her again.

She went out one evening, numbed by this constant essential suffering. Those who are timed for destruction must die now. The knowledge of this reached a finality, a finishing in her. And the finality released her. If fate would carry off in death or downfall all those who were timed to go, why need she trouble, why repudiate any further. She was free of it all, she could seek a new union elsewhere.

Ursula set off to Willey Green, towards the mill. She came to Willey Water. It was almost full again, after its period of emptiness. Then she turned off through the woods. The night had fallen, it was dark. But she forgot to be afraid, she who had such great sources of fear. Among the trees, far from any human beings, there was a sort of magic peace. The more one could find a pure loneliness, with no taint of people, the better one felt. She was in reality terrified, horrified in her apprehension of people.

She started, noticing something on her right hand, between the tree trunks. It was like a great presence, watching her, dodging her. She started violently. It was only the moon, risen through the thin trees. But it seemed so mysterious, with its white and deathly smile. And there was no avoiding it. Night or day, one could not escape the sinister face, triumphant and radiant like this moon, with a high smile. She hurried on, cowering from the white planet. She would just see the pond at the mill before she went home.

Not wanting to go through the yard, because of the dogs, she turned off along the hill-side to descend on the pond from above. The moon was transcendent over the bare, open space, she suffered from being exposed to it. There was a glimmer of nightly rabbits across the ground. The night was as clear as crystal, and very still. She could hear a distant coughing of a sheep.

So she swerved down to the steep, tree-hidden bank above the pond, where the alders twisted their roots. She was glad to pass into the shade out of the moon. There she stood, at the top of the fallen-away bank, her hand on the rough trunk of a tree, looking at the water, that was perfect in its stillness, floating the moon upon it. But for some reason she disliked it. It did not give her anything. She listened for the hoarse rustle of the sluice. And she wished for something else out of the night, she wanted another night, not this moon-brilliant hardness. She could feel her soul crying out in her, lamenting desolately.

She saw a shadow moving by the water. It would be Birkin. He had come back then, unawares. She accepted it without remark, nothing mattered to her. She sat down among the roots of the alder tree, dim and veiled, hearing the sound of the sluice like dew distilling audibly into the night. The islands were dark and half revealed, the reeds were dark also, only some of them had a little frail fire of reflection. A fish leaped secretly, revealing the light in the pond. This fire of the chill night breaking constantly on to the pure darkness, repelled her. She wished it were perfectly dark, perfectly, and noiseless and without motion. Birkin, small and dark also, his hair tinged with moonlight, wandered nearer. He was quite near, and yet he did not exist in her. He did not know she was there. Supposing he did something he would not wish to be seen doing, thinking he was quite private? But there, what did it matter? What did the small priyacies matter? How could it matter, what he did? How can there be any secrets, we are all the same organisms? How can there be any secrecy, when everything is known to all of us?

He was touching unconsciously the dead husks of flowers as he passed by, and talking disconnectedly to himself.

'You can't go away,' he was saying. 'There IS no away. You only withdraw upon yourself.'

He threw a dead flower-husk on to the water.

'An antiphony—they lie, and you sing back to them. There wouldn't have to be any truth, if there weren't any lies. Then one needn't assert anything—'

He stood still, looking at the water, and throwing upon it the husks of the flowers.

'Cybele—curse her! The accursed Syria Dea! Does one begrudge it her? What else is there—?'

Ursula wanted to laugh loudly and hysterically, hearing his isolated voice speaking out. It was so ridiculous.

He stood staring at the water. Then he stooped and picked up a stone, which he threw sharply at the pond. Ursula was aware of the bright moon leaping and swaying, all distorted, in her eyes. It seemed to shoot out arms of fire like a cuttle-fish, like a luminous polyp, palpitating strongly before her.

And his shadow on the border of the pond, was watching for a few moments, then he stooped and groped on the ground. Then again there was a burst of sound, and a burst of brilliant light, the moon had exploded on the water, and was flying asunder in flakes of white and dangerous fire. Rapidly, like white birds, the fires all broken rose across the pond, fleeing in clamorous confusion, battling with the flock of dark waves that were forcing their way in. The furthest waves of light, fleeing out, seemed to be clamouring against the shore for escape, the waves of darkness came in heavily, running under towards the centre. But at the centre, the heart of all, was still a vivid, incandescent quivering of a white moon not quite destroyed, a white body of fire writhing and striving and not even now broken open, not yet violated. It seemed to be drawing itself together with strange, violent pangs, in blind effort. It was getting stronger, it was re-asserting itself, the inviolable moon. And the rays were hastening in in thin lines of light, to return to the strengthened moon, that shook upon the water in triumphant reassumption.

Birkin stood and watched, motionless, till the pond was almost calm, the moon was almost serene. Then, satisfied of so much, he looked for more stones. She felt his invisible tenacity. And in a moment again, the broken lights scattered in explosion over her face, dazzling her; and then, almost immediately, came the second shot. The moon leapt up white and burst through the air. Darts of bright light shot asunder, darkness swept over the centre. There was no moon, only a battlefield of broken lights and shadows, running close together. Shadows, dark and heavy, struck again and again across the place where the heart of the moon had been, obliterating it altogether. The white fragments pulsed up and down, and could not find where to go, apart and brilliant on the water like the petals of a rose that a wind has blown far and wide.