'Now I don't think you will send for the commandant,' he murmured. 'At least, not until I am well away from Turin.' He touched the fallen man with his toe contemptuously. 'Get up, canaille.' But even as he issued the command, his attention was caught by the queer, limp inertness of the body. The eyes, he perceived, were half-open. Looking more closely, he saw a spreading flow of blood upon the floor. And then the spike of an overturned andiron caught his eye. It was tipped with crimson. He realized at once that Lebel's head had struck it in his fall, and that it had pierced his skull.

With a catch in his breath, Mr. Melville went down on one knee beside the body, thrust his hand inside the breast of the coat, and felt for the heart. The man was dead.

He came to his feet again, shuddering, nauseated. For a moment, the shock of finding himself an unintentional murderer turned him numb. When presently he recovered the use of his wits, physical nausea was supplanted by panic. At any moment the landlord or another might walk into that room and find him with the body; and the body that of a man in high authority among the French, who, as Lebel had informed him, were virtually, if not officially, the masters here in Turin. He would have to face the French commandant, after all, and in no whit better case than if Lebel had summoned him. There were no explanations that would save or serve him. Investigation of his identity, if they troubled about that, would merely provide confirmation of the deliberate murderous intent with which it would be assumed that he had acted.

Only instant flight remained, and even of this the chances were dismayingly slender. He could announce that he had changed his mind, that he would pursue his journey that very night, at once, and demand his chaise. But whilst the horses were being harnessed and the postilion was making ready, it was unthinkable that no one should enter his room, that there should be no inquiry for the French representative who had gone to interview him. His very action in calling for his chaise must excite suspicion and inquiry. Yet he must take this monstrous chance. There was no alternative.

He stepped briskly to the door, and pulled it open. From the threshold, whilst putting out his hand to take his hat from the console, his eyes, those grey eyes that were normally so calm and steady, wandered in a last glance of horror to the supine form with its head by the hearth and its toes pointing to the ceiling.

He went out, mechanically pulling the door after him until it latched. He clattered down the stairs calling for the landlord, in a voice the harshness of which almost surprised him; and because of the confusion in his mind, French was the language that he used.

As he reached the foot of the stairs, the landlord emerged from a door on the left.

'Here, citizen-representative.' He advanced a step or two, and bowed with great deference. 'I hope the English gentleman has been persuaded to accommodate you.'

Mr. Melville was taken aback. 'To . . . to accommodate me?'

'To yield you his horses, I mean.'

The landlord was staring at him. Instinctively, not knowing yet what capital might be made of this unaccountable mistake, Mr. Melville averted his countenance a little. In doing so he found himself looking into a mirror on the wall, and the landlord's mistake became less unaccountable. He was wearing Lebel's wide-brimmed hat cocked á la Henri IV with its tricolour panache and tricolour cockade.

He braced himself, and answered vaguely: 'Oh, yes. Yes.'

CHAPTER II

DEAD MAN'S SHOES

In a flash Mr. Melville perceived all that he had contributed to the confusion of identities. His height and build were much the same as Lebel's. Like Lebel, he wore a grey riding-coat, and the landlord evidently overlooked the lack of the representative's tricolour sash. Both he and Lebel had arrived at nightfall, and had been seen only briefly in the dimly lighted passage. The most distinguishing feature between them so viewed was the panached hat of the representative; and this Mr. Melville was now wearing. Also, whereas on arrival Mr. Melville had spoken Italian, now, in summoning the landlord, he had used the language in which he had lately been speaking to Lebel. Therefore, even before seeing him, the landlord had persuaded himself that it was the Frenchman who called him.

All this he perceived in a flash, between saying 'Oh, yes,' and adding the second 'Yes.' From that perception Mr. Melville passed instantly to consider how best he could turn the landlord's error to account. The most imminent danger was that of an invasion of the room above-stairs whilst he was waiting for the chaise.

He must begin by averting this, and hope that in the leisure gained he would discover the next step. To this end he spoke promptly.

'You may order the horses to be harnessed and the postilion to be ready. I shall be departing presently. But first this English traveller and I have business together. A very fortunate meeting. We are not on any account to be disturbed.' He turned on the stairs as he spoke. 'You understand?'

'Oh, but perfectly.'

'Good.' Mr. Melville began to ascend again.

A waiter appeared, to inform the landlord that he was ready to serve the supper ordered by the gentleman above. Mr. Melville, overhearing him, paused.

'Let that wait,' he said, with the peremptory curtness that Lebel had used. 'Let it wait . . . until we call for it.'

Back in the room above-stairs, with the door now locked, Mr. Melville took his square jutting chin in his hand, and those cold, thoughtful, wide-set eyes of his considered the body at his feet without emotion. What was to do he by now perceived. Precisely how to do it might be suggested, he hoped, by the papers in the representative's dispatch-case.

He made a beginning by transferring the sash of office from Lebel's waist to his own. In adjusting it, he surveyed himself in the long gilt-framed mirror above the console. He took off the big cocked hat, and pulled his long black hair a little more about his face, so as to deepen the shadows in it. Beyond this he attempted no change in his appearance, and when it was done he went to work swiftly, and, all things considered, with a surprising calm. There was not a tremor in the hands with which he searched Lebel's pockets. He found some money: a bundle of freshly printed assignats, and a small handful of Sardinian silver; a pocket knife; a handkerchief; and some other trivial odds and ends; a bunch of four keys on a little silken cord; and a passport on a sheet of linen-backed paper.

Proceeding with method, he next emptied his own pockets, and from their contents made a selection of passport, notebook, soiled assignats and other loose money, a handkerchief, and a silver snuffbox engraved with a monogram of the letters M.A.V.M. which agreed nearly enough with the name on the passport. These objects he bestowed suitably in the pockets of Lebel.

To his own pockets he transferred all that he had taken from Lebel's, with the exception of the little bunch of keys, which he placed on the table, and the linen-backed passport, which he now unfolded. His eyes brightened at the terms of it.

It bore the signature of Barras and was countersigned by Carnot. It announced that the Citizen Camille Lebel, a member of the Council of the Cinque-Cents, travelled as the fully accredited representative of the Directory of the French Republic, One and Indivisible, on a mission of state; it commanded all subjects of the French Republic to render him assistance when called upon to do so; it warned any who hindered him that he did so at the peril of his life; and it desired all officers of whatsoever rank or degree, civil or military, to place at his disposal all the resources within their control.

It was not merely a passport. It was a mandate, and probably as formidable as any that had ever been issued by the Directory. It showed Mr. Melville the heights to which the dead rogue had climbed. A man to whom such powers were entrusted must himself be ripe for election as a director.

A description of the bearer was appended: Height 1.75 metres (which was within a couple of centimetres of Mr. Melville's own height), build slim, carriage erect, face lean, features regular, complexion pale, mouth wide, teeth strong and white, eyebrows black, hair black and thick, eyes black, distinctive signs none.

In all details save only that of the colour of the eyes, the description fitted Mr. Melville. But the eyes offered an awkward obstacle, and he did not see how the word 'noirs' was to be changed into 'gris' without leaving obvious and dangerous signs of tampering penmanship. Inspiration came, however. Writing materials were on the table. He sat down and made experiments. The ink was stale and deep in colour, a shade deeper than that on the document, he thinned it with water from a carafe, adding drop by drop until he was satisfied. Then he chose a quill, tested it, cut it, tested it again, and rehearsed with it on a separate sheet of paper. Finally satisfied, he addressed himself with confidence to the passport. It was a simple matter to lengthen the first limb of the n, so that it became a p; he appended a stroke to the o, so that it became an a, and added a circumflex above; he passed on to join the dot with the body of the next letter, so that the i was transformed into an l. Then a little curl above the r made it look like an e, and the final s remained intact. He let it dry, and then examined it. A magnifying-glass might reveal what had been done, but to the naked eye 'noirs' had been impeccably transformed into 'pâles'; a neat compromise, thought Mr. Melville.