The Venetian was irritated by what at first he accounted a buffoonery of the French academies as practised by an Englishman. This was not fencing as he understood it. In his irritation he swore to himself that he would not be made to go dancing off like this before these charging thrusts. He would stop the next one with a time lunge that should put an end to the comedy. But his time lunge when it came was eluded by a demi-volte, followed by a riposte delivered from the flank. Vendramin twisted precipitately to parry. At a disadvantage the movement was an awkward and ungainly one. He succeeded in deflecting the thrust, but so narrowly that the sweat started from his brow in panic. Then he leapt back again out of reach, in spite of his resolve to give no more ground. Only thus could he regain his poise, mental and physical.

His surprise was shared by the seconds. But with a difference. There had been an instant in Marc-Antoine's execution of that movement when his opponent was entirely uncovered to him. But in that instant he had seemed to hesitate; and in this hesitation his chance had been lost.

Had Marc-Antoine been untrammelled in this duel, had his aim been merely to wound without recking whether he slayed, there would have been no hesitation; the mechanics of his manœuvre would have been completed, and his blade would have gone through his adversary's flank before Vendramin could effect his clumsy recovery. But even as Marc-Antoine checked the completing thrust, he perceived how and where it should be delivered so as to serve his purpose. Because this was unforeseen, there was that hesitation which had saved his opponent.

Marc-Antoine, however, was now instructed. He saw his way. Confidence surged up in him. He was this man's master. What had been done once could be done again. Nor did it even prove necessary to be strategic so as to create the occasion. Vendramin himself created it, made rash by anger.

His poise recovered, he bounded forward to attack relentlessly, to make an end. Before his fury, it was Marc-Antoine who now fell back, lightly, nimbly, just eluding that hard-driven vicious point, and so making his opponent feel that his reach was never quite long enough, so luring him to extend himself again in a lunge that should end the business. And at last it came. Again it was eluded by that treacherous demi-volte. But now there was no hesitation to give leisure for recovery. This time Marc-Antoine riposted with the speed of lightning and Vendramin's weapon fell from suddenly numbed fingers. His opponent's sword had skewered the muscles of his sword-arm.

He uttered an 'Ai!' of pain as the blade was withdrawn; then he reeled away, his nether lip in his teeth, to come to rest against Androvitch who had sprung to his aid.

It was not only pain that turned his face drawn and livid. There was the discomfiture, the shame of this defeat to a man of his mastery. And then he heard Sanfermo addressing his principal in a buoyant tone.

'The most magnanimous thing I have ever witnessed, sir. I am proud to have been out with you.'

It needed only this: that it should be bruited through Venice that he owed his life to the magnanimity of his adversary. He steadied himself. Sanfermo, who had kept his principal's coat over his left arm, was now holding it for Marc-Antoine.

'What are they supposing?' Vendramin asked Androvitch. 'This is not over yet. This is no first-blood affair. I fence as well with my left arm as my right. Tell them that it is my intention to continue.'

'Continue? You are in no case to continue. You are bleeding horribly.'

'What then? Can't you patch me up? Can't you make a bandage? Tear up my shirt, man.'

But here Sanfermo intervened. 'We do not continue, Colonel Androvitch. My friend came out solely to prove a courage which had been called in question. If Messer Vendramin is not lying dead at this moment, that is due entirely to Messer Melville's clemency, as you yourself have seen.'

'You lie, Sanfermo,' shouted Vendramin. 'And if you have the audacity to repeat it, I'll prove it on your body.'

Sanfermo made a little bow to Androvitch. 'Let me suggest that you restrain your friend. He is in no case to provoke resentments, and I am not disposed to take notice of him. But there are decencies to be observed. And, anyway, I am taking my friend off the ground. This matter is at an end.'

It was indeed at an end as became suddenly plain to Vendramin's swimming senses. He was faint from loss of blood and in need of immediate attention.

Sanfermo's enthusiasm for his principal's conduct led to Mr. Melville's finding himself that same afternoon at the Casino del Leone in a celebrity which he was far indeed from desiring.

But in one quarter he found himself the object of reproaches. Momentarily alone with the Vicomtesse, he confronted an unusual hardness in her glance.

'So, you broke faith with me,' she said. 'And I thought you a man whom one might trust.'

'That was the reproach I had for you,' he answered.

'What?' He thought there was more than surprise in her face. 'Are you telling me that he paid you? A thousand ducats?'

'I should not have met him else. And are you telling me that you did not give him the money?'

'I certainly did not.'

They looked at each other in mutual unbelief.

CHAPTER XVIII

THE BRIDGE OF SAN MOISÉ

At a stormy meeting of the Grand Council on the last Monday in October, Leonardo Vendramin signally proved once more that, although nothing in himself, and contemptible in the eyes of almost every patrician of account, yet, by a queer irony which the oligarchic system made possible, he wielded a power which might well give him control of the destinies of the State.

The proceedings were opened by Francesco Pesaro, a leading member of the Senate, who from the outset had vigorously striven for armed neutrality. He came sternly to indict the policy of drift pursued in spite of undertakings wrung from the Doge at their last assembly. He pointed to the fruits of this in the contempt with which the French armies overran the Venetian provinces, trampling with impunity on their every right. Thence he came to a passionate plea that even at this late hour they should take up arms so that they could bring to account those who presumed to violate the neutrality Venice had assumed.

He was answered with well-worn financial arguments; with the old assertion that this war was not in any sense the quarrel of Venice; and with pleas that it was better to bear with resignation the ills resulting from their provinces having become the cockpit of this campaign, rather than sow the seed of greater distress in the future by a reckless squandering of the shrunken substance of the State.

To those who urged these arguments of pusillanimity and avarice came Vendramin to answer. Pale from the blood he had lost, and refined by his pallor to an air of asceticism, his injured arm so craftily slung under his patrician toga that its condition was not to be perceived, he stood in the tribune tall and dominant before his brother-oligarchs. He began by a slow, emphatic announcement of the fatal error of assuming that the independence of Venice was not menaced. It was well within the knowledge of some, and he had reason to believe that His Serenity the Doge was amongst this number, that if the French should emerge victorious from their contest with the Empire, the independence of Venice might well be placed in jeopardy. Having dwelt at length upon the intransigence of Bonaparte, he asked them whether they could really suppose that if that man were ultimately victorious in Italy he would withhold his brigand's hands from the treasures of the Most Serene Republic.

With that, protesting that already more words had been used in that hall than the occasion justified, he demanded that the vote be taken upon the motion presented to them by the Senator Francesco Pesaro.

The barnabotti, of whom there was a full muster present, voted solidly as their leader indicated. It is possible even that Vendramin's advocacy swayed some of the more solid patricians who were hesitating, for when the votes were counted it was discovered that, in spite of a hundred abstentions, there was a majority of over one hundred in favour of the motion. By this the Senate was required to proceed with the utmost dispatch to increase the armaments so that the Serenissima should be in a position to declare that, in view of the abuses committed upon her territories and her subjects, she was constrained to pass from an unarmed to an armed neutrality, and to demand the evacuation of her provinces by the belligerent forces.

The meeting dispersed with the feeling that only at its peril could the Senate neglect to carry out a recommendation so strongly supported.

Once more Vendramin had given proof of his capacity, through his worthless barnabotti following, to sway decisions.

From this he derived a sense of consequence marred only by the memory of his defeat at the hands of Mr. Melville. Upon this, however, measures were being taken. Vendramin thanked God that he did not lack for friends, even if his associates in the Casino del Leone and other similar meeting-places were looking a little askance at him these days.

These good friends had the matter in hand.

On the Thursday of that week Marc-Antoine attended, with Sanfermo, Balbi, and another of his recent Venetian friends, a performance of Panzieri's ballet Odervik at the Fenice Theatre. The theatre was gaily filled, which was the rule at all theatres in Venice that winter; for the pleasure-loving Venetians did not suffer anxieties begotten by the political situation to deprive them of their gaieties.