He told Charlie about his new gallery then, and Charlie whistled. “How did that happen? I can't believe you finally got off your duff and found a gallery to sell your work. It's about goddamn time.” Charlie was delighted for him.
“Yeah, I thought so too.” He didn't give Sylvia credit for it yet, but he intended to the next time he and Charlie met. He didn't want to talk about it over the phone.
“How about lunch one of these days? I haven't seen you since the boat,” Charlie said. He was going to a concert with Adam later that week. It was harder to get together with Gray. He tended to get involved in his work, and isolate himself for weeks on end. But he sounded in good spirits these days, and if he had signed up with a major gallery, things were obviously going well for him.
“I'd love to have lunch with you,” Gray said quickly. “When?” It was rare for him to be that anxious or enthusiastic about getting together. Most of the time, he had to be pried from his lair and dragged from his easel. Charlie didn't comment. He assumed that Gray was ebullient about the deal he'd made.
Charlie quickly consulted his book. He was swamped with meetings for the foundation, many of which included lunch. But he had an opening at lunchtime the following day. “How's tomorrow?”
“Sounds good to me.”
“The Yacht Club?” It was Charlie's favorite venue for lunch, either that or one of his other clubs. Gray found the Yacht Club painfully stuffy at times, as did Adam, but they humored him anyway.
“That sounds fine,” Gray said, sounding pensive.
“See you at one,” Charlie confirmed, and both men went back to work.
Gray told Sylvia the following morning that he and Charlie were having lunch, and she looked at him over the stack of pancakes he had just made.
“Is that good or bad?” she asked, looking nervous.
“Good, of course.” He sat down across the table from her with a plate of pancakes of his own. He loved cooking for her. He was becoming the breakfast chef, and she cooked for him at night, or they went out. Everything was falling into place, and they had settled into an easy routine. He left in the morning to go to his studio, where he no longer slept. She went to the gallery, and they met back at her place around six, when they both got home. He usually brought a bottle of wine, or a bag of groceries. He had bought lobsters for them over the weekend, which reminded them both of the golden days on the boat. He hadn't officially moved in with her, but he was sleeping there every night.
“Are you going to tell him about us?” she inquired cautiously.
“I thought I would. Is that still okay with you?” Knowing how independent she was, he tried not to step on her toes.
“It's okay with me,” she said easily. “I'm just not so sure it will be okay with him. It might be a bit of a shock, you know. He might have liked me fine as a passing face in Portofino, but he may be a little less enthused at the thought of this becoming a full-time deal,” which clearly it had become in the four weeks since Gray got home. And it was more than fine with them. Very, very fine.
“Don't be silly. He'll be happy for me. He's always been interested in the women I've been with.”
Sylvia laughed as she poured him a cup of coffee. “Yeah, because they were no threat to him. He probably figured they'd wind up in jail or an institution before they could cause a lot of trouble between the two of you.”
“Are you planning to cause trouble?” Gray asked with interest, looking slightly amused.
“No, of course not. But Charlie could perceive it that way. The three of you have been inseparable for ten years.”
“Yeah. And I'm still planning to see them. There's no reason why they can't see me with you.”
“Well, see what Charlie says. Maybe we should have him over for dinner. I've actually thought of that a couple of times recently. And Adam too, if you want,” although she liked him a great deal less. “I'm just not too crazy about having dinner with women the same age as my kids. Or younger, in Adam's case. But I'll do whatever you think is a good idea.” To Sylvia, it seemed like the diplomatic thing to do.
“Why don't we have Charlie over on his own first,” Gray suggested amiably. He knew she didn't approve of Adam, and he didn't want to push it. At least not quite so soon. But he liked the idea of including her with his two friends. They were an important part of his life, and so was she.
Both of them knew that including friends in their private world was going to be important to the health of the relationship in the long run. They couldn't sit there alone forever, holding hands, watching movies on TV, and spending their weekends in bed, although they both loved it, and it was certainly fun. But they needed more people in their life than that. Adding friends to the mix was yet another step toward achieving some kind of stability between them. Sylvia always felt as though there was some kind of rule book somewhere about relationships, and others knew its contents better than she. First you slept together, then he spent the night, eventually with increasing frequency. At some point, he needed to have a closet and some drawer space, they hadn't gotten there yet, and his clothes were hung all over her laundry room. She knew she was going to have to do something about that one of these days. After that he'd get a key, once you were sure that you didn't want to date anyone else, in order to avoid awkward moments, if he arrived at the wrong time. She had already given him one, there was no one else in her life, and sometimes he came home from the studio before she got back from the gallery. There was no point having him sit on the front stoop, waiting for her. She wasn't sure what came after that. Buying groceries, he had done that. Dividing up the bills. Answering the phone. She was definitely not there yet, in case she got calls from her kids, who knew nothing about Gray. Asking him to live with her, changing his address, putting his name on the mailbox and bell. Friends were a part of all that. It was going to be important that they like at least some of the same people. And in time, her kids. She wanted Gray to meet them too. She knew he was uneasy about that. He had said as much to her. She knew that was the easy part. Her kids were great, and she was sure he would love them too. All Emily and Gilbert wanted was for her to be happy. If they saw that he was kind to her, and they loved each other, then Gray would be welcomed into the family. She knew her kids.
They still had a long way to go, but they were on their way. Some of the hurdles ahead still frightened her, and she wasn't ready for them yet, and neither was he. But she knew that telling Adam and Charlie was a big one for him. She had no idea how they'd react to the news that she and Gray were as serious as they were. She hoped that Charlie wouldn't discourage him, or frighten him about her kids. She knew that that was Gray's one big Achilles' heel. He was phobic about kids, not only about having his own but about relating to someone else's. It didn't seem to matter to him that hers were adults and no longer children. He was panicked about getting attached to anyone to that degree. For a man who had spent a lifetime nurturing some of the most dysfunctional women on the planet, the one thing that terrified him was meeting, dealing with, or relating to their kids. To Sylvia, it appeared to be a completely irrational fear. But to Gray, it was real.
Gray helped her clean up the breakfast dishes, and he left for the studio first. She had some calls to make before she left for work. She wanted to call Emily and Gilbert. With the time difference, it was usually too late to call them when she got home from work. She hadn't said anything to them about Gray yet. Neither of them was coming home till Christmas. Sylvia thought there was plenty of time between now and then, three months in fact, to see how things were going with Gray, before she said anything to them. Both were out when she called that day, and she left loving messages on their answering machines. She stayed in close touch with her kids.
By the time Sylvia left for the gallery that day, Gray was already at the Yacht Club with Charlie. They were seated at his favorite table. It was an enormous elegant dining room, with vaulted ceilings, portraits of previous commodores, and ship models under glass around the room. Gray thought Charlie looked terrific, tan, fit, and rested.
“So how was the end of the trip?” Gray asked conversationally, after they both ordered chef's salads.
“It was fine. We didn't really go anywhere after you left. I had work to do, and the crew started doing some repairs. It was just nice to be on the boat, instead of here in the apartment.” He had been finding it lonely and depressing of late, and he was feeling restless. “So tell me about the gallery you signed with. Wechsler-Hinkley, isn't it?” It was an impressive name in the art world. “How did that happen? Did they just find you?” Charlie was happy for him. No one deserved it more than Gray. He had an enormous talent. “Or did you find them?” Charlie was smiling broadly in anticipation of the story.
“Actually, a friend gave me an introduction,” he said cautiously. Sylvia had made him nervous about Charlie's reaction, which he knew was silly. But now he felt anxious, and he looked it.
“What kind of friend?” Charlie asked with interest. He didn't know what or why, but there was something smoky about the story.
“A friend friend …you know… actually…a woman,” Gray said, feeling like a schoolboy reporting to his father.
“Now there's a twist,” Charlie said, looking amused. “What kind of woman? Do I know her? Is there a new wounded bird in your nest these days? One who works at a gallery, with good connections? If so, how clever of you,” Charlie praised him. But it wasn't what he thought. Gray wasn't dating some secretary who had asked her boss to see him. There was no wounded bird in Gray's nest, but rather a dynamo who had taken him under her wing, and flown like an eagle.
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