Why are you telling him this? Do you think this will make him like you more? In all your life, telling people these things about you has never once made them like you more. Don’t you know this by now?

“Wow.” Char pursed his lips. “So you’re, like, a genius?”

“No,” I said. “I’m precocious, and I work hard. It’s not the same.”

“All of that was in the past,” he said. “The middle school textbooks and all that. What precocious things are you up to these days, Elise?”

I tried to think of my answer to his question. The last thing I had really studied with that sort of vigor, the last thing I had thrown myself into so wholeheartedly and whole-mindedly, thrown myself into until I was covered in it, breathing it in until I almost drowned. The last thing was how to be normal.

“I’m not really doing that anymore,” I told Char. “I’m too old to be precocious.”

“Pshh. You’re a baby,” he said, and I felt that same pang again, deep in my stomach. “I am too old to be precocious. But I’ll keep claiming it anyway.” He turned back to his computer and clicked around some more. “All right, if you’re so smart, help me out here. What should I play next?”

“Well, what do you have?” I asked, trying to peer at his song list over his shoulder.

“I have everything,” he told me.

“‘Cannonball,’” I suggested. That had been the last song I was listening to on my headphones as I walked over here.

“The Breeders? Sure.” I watched as he pulled up the song on his computer, then put on his headphones and fiddled with the turntables in front of him.

Pippa came over and tugged on Char’s pant leg. He bent down to speak with her briefly, then stood up and said to me, “Hey, can you do me a favor? I’m going outside with Pippa for a sec. Take these”—he plopped his headphones around my neck—“and then, when this song ends, take this slider here and push it over to the other side.”

“What?” I said.

“It’s really easy. It’s already cued up. Just move this thing here, and it will transition into the next song. I’ll be back before you have to do anything else.” Char laughed. “Don’t look so panicked, Elise.”

I looked out at the room of dancing, kissing, drinking people and asked, “But what if I screw up?”

Char placed his hands on my shoulders and looked into my eyes. “You won’t screw up. I believe in you.”

Then he hopped down from the booth, linked hands with Pippa, and ran out of the room with her. It was just me, standing alone, overlooking the party.

Anyone who said I believe in you obviously didn’t know me very well.

The Primal Scream song was nearing its end. I could hear the music beginning to fade out, and I could see on Char’s computer program that only twenty seconds remained. I took a deep breath, and then I shoved the slider over, as fast and as far as it would go.

The response from the crowd was instantaneous. As soon as the opening chords of “Cannonball” came out, everyone in the room screamed as one. People raised their hands and their drinks to the ceiling. A big group of boys in the center of the room started jumping up and down like they were on a trampoline.

The disco ball overhead scattered a million little lights over me, and I felt like I was sparkling from every inch of my body.

“Oh my God,” Vicky said right into my ear. I had been so focused on the crowd, I hadn’t even noticed her climbing into the DJ booth next to me. “Not you, too!”

“Not me, too, what?”

“You’re smiling,” Vicky said accusingly. “You’re smiling like a crazy person. Are you in love with Char now, too? Does everyone just have to go and fall in love with him on sight?”

I was smiling like a crazy person because I had just made a hundred people dance, I had just made a hundred people scream, I had just made a hundred people happy. I, Elise, using my own power, had made people happy. But I didn’t try to explain this to Vicky. All I said was, “I’m not in love with Char. I don’t even know him.”

“You see why they call him This Charming Man now, though, don’t you?” Vicky demanded.

I thought about Char for a moment as I stared out over the party. I thought about the way he smiled at me, the way he touched me when we were dancing, the way he said I believe in you. “I guess he could be kind of charming,” I conceded.

“Oh, ha,” Vicky replied sarcastically. “Ha, ha, ha.”

* * *

My entire childhood, I embarked on projects. Big, all-encompassing projects. When I was eight years old, my project was a dollhouse. I was everything to this dollhouse: contractor, architect, carpenter, electrician, furniture maker, and, once it was ready for dolls to live in it, I also played the roles of Mother, Father, and Baby.

When I was eleven I became fascinated by collages. My bedroom was filled floor to ceiling with catalogs, magazines, and fabric samples. I spent hours every day gluing paper to paper, and I was very happy.

When I was thirteen my big project was stop-motion animation. I spent most of my time writing scripts, crafting characters and scenery, filming them, editing the film, and uploading them to the Internet, where roughly three people watched them—my dad, my mom, and Steve.

My last big project was becoming cool. That one didn’t work so well. I don’t know why, exactly. I put as much effort into becoming cool as I ever put into my collages, but my collages turned out beautiful, while becoming cool turned out ugly and warped. Since then I focused on smaller projects. Waking up in the morning. Doing my homework. Walking around at night. Breathing.

I liked projects where I could take things apart and figure out exactly how they worked. The problem is, you can’t do that with people.

Even though it had been months since my last big project, my parents were still accustomed to them. So when I asked my father for DJ equipment, he didn’t ask why.

Because Dad works at a music store, he was able to get me turntables and a mixer for cheap. He brought them home for me on Friday evening, and I immediately ran up to my room and spent the rest of the night trying to figure out how to work the equipment. I didn’t even go downstairs for dinner.

That’s one of the nice things about my dad’s house: there is no official Dinnertime Conversation. If my mother’s house is filled with chatter and arguments and dog barks, my father’s house is filled with music and newspapers and books. Other people’s words, not our own. If I want to spend all night trying to transition between songs without leaving a gap in the music, then my dad spends all night alphabetizing his record collection, and we are both content.

The problem with my dad’s house, of course, is that it’s miles and miles away from Start. Which meant I had to come up with a way out of there for next Thursday night. Already some of the shininess I’d felt was disappearing from memory, my sparkle flaking off me like chipped nail polish. Friday morning, six hours after I’d left Start, I strode into Glendale High like no one could touch me. I saw Amelia Kindl looking at me out of the corner of her eye all through English class, and I didn’t even flinch. I thought about that moment of power, playing “Cannonball” for a room of strangers, and I thought, Amelia Kindl, you cannot hurt me.

That was the morning. But by noon, my armor had already started to wear away. At lunch, Emily Wallace paused at my table next to the bathroom and said, “You know you’re wearing my vest, right?”

I said, “Excuse me?”

She smirked and pointed. “That vest. It’s mine. I donated it to Goodwill last year.”

“Oh,” I said. I looked down and touched the buttons on my vest, which had looked so pretty and normal when I put it on earlier. I wanted to say to Emily, So what? I tried to call upon the power of Start, to remind myself of that moment when it was just me and the music and a roomful of people loving me and the music.

But that seemed so far away from me and Emily in this fluorescent-lit cafeteria right now. So I said only, “Oh,” while my friends, Chava and Sally, stared at their celery sticks and said nothing at all.

So, no, I couldn’t wait to go to Start again.

On Wednesday evening, as I prepared myself a mug of hot chocolate, I asked my father, “Is it okay for me to spend tomorrow night at Mom’s this week?”

Dad looked up from his newspaper. “Why?”

I’d been hoping he wouldn’t ask why. I didn’t mind lying by omission. Like how I’d just never gotten around to mentioning that I spent hours every night roaming the streets of Glendale. But I preferred not to lie directly.

“Because I have a big history project that I need to finish working on and hand in on Friday,” I answered. “It’s at Mom’s, and it would be a huge hassle to bring it over here.” Dad didn’t respond for a moment. “It’s a diorama,” I offered.

Dad nodded at that. He knows from experience how big my dioramas can get. “All right,” he said. “I hope Mr. Hendricks appreciates it.” He pulled out his phone and switched the dates on the Elise Calendar, and that was that.

And it’s a good thing he did, too, because Thursday … Thursday was bad. Thursday, I really needed Start.

6

Sometimes you just have those days. When you know, from the moment you wake up, that everything you touch you will break, so the less you touch, the better.

Thursday was one of those days.

My alarm didn’t go off, so I didn’t have time to shower before school. Dad was in a grumpy mood because his band’s show the next week had been canceled, and then he was in an even grumpier mood after I missed the bus and he had to drive me all the way to school. In Chem I realized I had forgotten my lab report, even though I had been working on it until midnight, so that was an automatic ten-point deduction. And then we had scoliosis testing.