Koda skids around the corner of the building, Kirsten on her heels, running flat out now that the cramp in her leg as loosened. The wailing sound comes again, fainter now with the angle of the building in between. Behind Koda, Beatha shouts, “Windows! Go for the glass!”

The side entrance was also, apparently, once the emergency entrance. As they pound up the ramp, Koda can make out the sheen off the sliding pocket doors and beyond them the second pair that leads into the wide receiving bay. She shifts her rifle in her hands as she reaches the head of the incline, ready to smash through the doors with its butt. To her shock, the doors simply slide open on their well-oiled rails, and she half stumbles into the airlock space between the two entrances, Kirsten and the other women barreling into her from behind. “Well,” says Kirsten as she regains her balance. “That’s convenient. They’re expecting us?”

“Or dead sure they’re not expecting anybody,” Beatha adds. “Whole damned atmosphere’s pretty casual.”

“Whole damned town’s pretty dead.” Koda lowers her gun and stands for a moment before the inner doors. “Trap, maybe?”

From somewhere toward the front of the building comes the sharp rattle of automatic weapons fire, punctuated by a high-pitched scream. Koda cannot tell if the sound signals pain or triumph. They do not have time to think about it, nor about a trap. Koda takes two steps forward, and the glass panels slide back.

Heat rolls over them, the pent up heat of a closed building that has stood for months in the summer sun without air conditioning. With it comes, faint but discernable, the distinctive odor of human infant, a hint of warm milk and the riper smell of unchanged diapers. And under it all, fainter still, runs the stench of blood and rotting flesh.

Kirsten coughs, a small, strangled sound. This clinic must bring back the horror of Craig, the hideous confirmation of the incinerator at Salt Lake , but there is no time to take or give comfort. Motioning the others to stillness, Koda stands for long seconds, letting her senses expand into the space around her. Hunter-sight, shaman-sight. Along with the odors that signal the presence of live infants and the underlying stink of death comes the sharper tang of alcohol, the acid-tinged smell of formaldehyde. She has no sense of physical human presence in the rooms stretched out before them; the only living things, it seems to her, must be further down the corridor, perhaps in the rooms on the other side of the main entrance at the center. But there is something, something. . . .

Something not living but conscious, waiting for them to move down the corridor. Something with death on its mind.

“All right,” she says softly, switching on her flashlight. “We’re going down that hall, checking each room as we go. They already know we’re here. There’s no point in secrecy now.”

The beam of yellow light precedes them down the corridor, sliding over a bulletin board with tattered announcements still dangling from bright red pushpins, over the fire extinguisher in its glass box on the wall, over a floor that shows hardly a mote of dust. So the facilities in this wing are still in use, which means that women are still delivering here. Rape does not need a clean floor. Neither does the butchery of infants.

A door opens off the hall to her right; a quick sweep of the room with the torch shows the a low table and a tangled witch’s cradle of black cables snaking down from the ceiling: Radiology. The door opposite remains closed and locked; playing the light through the narrow, wire-reinforced window, Koda sees only shelves of neatly ranged bottles and boxes. Beatha, on tip-toe behind her, whispers, “Pharmacy?”

Koda nods. “We need to come back here and collect as much as we can before we blow the place up.”

On the other side of the hall, Kirsten leans into a room whose door stands ajar. She says softly, “Koda. Over here.”

“Over here” is a delivery room. Koda sweeps the light around its tiled floor and walls, all spotlessly kept still. An autoclave stands on a counter to one side, its LED bright crimson in the semi-darkness. She touches it and draws her hand sharply away. Still hot, still in use. Carefully she unlocks and lifts the lid; forceps, clamps, hemostats, scalpels, all neatly ranged inside, ready for use. Kirsten, staring down into the sterilizer as if she is gazing into the pit of hell, says in a flat voice. “So what do they do with the women after they deliver? Send them back to the34 jails to breed again?”

“Are they even that organized?” Beatha asks. The controlled substances cabinet swings open to her touch, not locked or even latches. Androids, after all, cannot become addicted.

“We’d better check the incinerator out back,” Koda says grimly. “Look for adult remains, too.”

Despite the sterile atmosphere, the stink of decay is stronger here. Nothing in the room seems to be the source of it. Koda plays the light over the acoustic tiles of the ceiling; it is possible, just possible, that a possum or other uninvited resident has gotten into the roof space or the air conditioning ducts and died. But if that were the case, here on the downside of summer, there would be flies. There are none. “Something,” she says quietly, “something—”

“Is dead,” Kirsten finishes for her. “Somewhere close.”

“Next room,” Beatha says. “Let’s try there.”

The smell hits them full force as they push open the door to the adjoining examination room. Kirsten gives a small, strangled choking sound; Beatha gags, covering her mouth and nose with her free hand, sweeping the room with the muzzle of her rifle with the other. Nothing.

At first glance, the small space seems as clean as the delivery room. Table, counter, blood pressure cuff dangling from the wall, oxygen tank, all spotless. A steel trash receptacle stands by the table, its lid down. The edge of a red plastic bag shows under the edge of the top. A five-gallon can, it might hold bloody bandages, used dressings, discarded gloves.

Except that the room is otherwise spotless. Except that they have seen no humans that might need such things. Certainly no one would walk into a place like this as if it were a neighborhood med station, wanting a sprained ankle bandaged or a cut stitched.

Bloody bandages. Used dressings. Discarded gloves.

A very small human body.

Steeling herself, Koda crosses the room and, not giving herself time to think, steps on the pedal of the receptacle. The smell pours upward out the can, and she turns away for a moment, choking on the stench and on the realization that there can now be no possible mistake about what they found in the incinerator in Salt Lake City .

The light shows her a small, rounded bundle, the curve of head and shoulders and updrawn knees clear under the plastic. Leaning down, she slips a hand between legs and belly; the flesh beneath, even in the heat, is chill to the touch. Dead some time, then.

“Is it—?” Kirsten asks.

“Yeah. It is.” Koda lets the lid fall. No time now to examine the corpse.

The rest of the corridor appears clear. No sound comes from the other side of the building, the other women presumably going there from room to room as they are doing here in the east wing. At the double swinging doors that lead from the service wing into the reception area, Koda pauses, hunching down below the eye-level ports. The other women range themselves behind her against the wall, hardly breathing. Koda concentrates on the small sounds that come to her through the wood and metal; a voice, not so distant now in the far corridor; a whimper that might be a living child; the clink of metal on metal as someone shifts her gear. She can distinguish nothing that she can identify as distinctively android.

“They’re there,” Kirsten says suddenly.

“What? Who?”

“The androids. They’re in the center section.” Kirsten moves forward to crouch with Koda beside the doors. One hand is raised to her temple, her fingers white-knuckled in the light of the flash. “I can hear them.”

“What—? How the hell?”

A downward slash of Koda’s hand cuts off Beatha’s question as effectively as if she had slapped the woman. “Implants,” Kirsten answers. “I’m deaf.”

“How many?” Dakota whispers.

“Three, I think. One near the front door. The other two further back.”

“Okay, then. Everybody lie flat. Let’s do a little differential diagnosis here.” Koda stretches out on the tiles, her small party face-down behind her, and, with the muzzle of her rifle, gently nudges one of the swinging panels open an inch or so. Withering machine gun fire answers her, shattering the lexan panes and tearing through the upper portion of the door where human heads and torsos would be if they were not plastered to the corridor floor. About five feet up on the walls, the light from the torch shows long gashes in the hospital-green paneling. From across the reception area, then, comes a high yell of “Amazai! Amazai!” and a cacophony of fire breaks out, the Amazai firing into the reception area and droids answering.

Koda levers her feet under her, pulling one of the incendiaries loose from her belt. “High-low, Beatha!” she shouts. “Annie, cover us!”

With that she kicks the door wide, crouching low, and as Kirsten’s gun sprays the room, she lights the fuse and lobs the container of homemade napalm at the nearest shape, a droid with an M-16 at its shoulder, firing down toward the bottom of the ward door opposite. It takes the android on the shoulder, and flame spills down its back and flowers up through its dynel hair and over its optical sensors, where it will cling and burn through to the circuits below. Her second, arcing through the air in a fiery pinwheel with Beatha’s, lands at its feet, sending a column of flame up its uniform trousers. Others spin across the room from the opposite door, landing at the droids’ feet, taking one in the face. And still they continue to fire, wheeling blindly as the bullets spray from their M-16’s, eerily silent as the incendiaries burn away their uniforms to expose the metal plates and sensor arrays below.