She heard the sound of jeering laughter coming from the far side of the green, and when she turned to look, she saw a small knot of children, and a few older girls, taunting something obscured by their swaying bodies. She shook her head, thinking how often a gathering of idle children meant the misfortune of some other child, or animal, smaller than themselves. A girl shrieked in gleeful malice and Martha’s face turned grim, remembering that children can often be sweetest before they turn bad.
The group parted, scattering into differing tribes of girls and boys apart, and she saw what they had been tormenting. A woman, bolted fast in the stocks, her head pointing towards her toes, cried loudly and bitterly to be freed. She called for water, and for pity, but the children had moved on with their games and no one else on the green gave her any notice beyond a nod of annoyance. Martha turned back to the door, and with her hand poised to rap again, it swung widely open, revealing a slight man in well-worn but clean linen and vest, and with the milky eyes of the blind. His chin pointed beyond her shoulder but his head cocked as though following the sounds of her breathing. “Good day,” he said formally. There was a slight pause, and he added, “May I hear your voice? To place you, you understand.”
“I’m here for a lantern,” she answered, casting one last look at the woman in the stocks.
“Ah, yes, of course,” he said and stepped aside, allowing her to enter.
The room inside was as shaded as a cavern, and she realized, as she moved hesitantly over the threshold, that he must work in darkness, as there were no discernible windows set into the walls, the only light coming from the fire pot close to the bench, faintly glowing with copper soldering fragments. He promptly closed the door and she stood in the blackness in uncertain silence. He walked confidently to his workbench and bent over the fire pot, lighting a short taper which he fit into a reflecting lantern.
The startling light revealed a workroom, well swept and orderly, with lanterns of differing sizes pegged to the walls. Baskets fronted the walls, some with cups and long-tined forks, some with smaller workpieces not easily identifiable. The bench was filled with tools, in exacting rows, from the most brutish-size pliers down to smallest, hair’s-width dowels and punches. The smith stood at the desk, fingering the tools gently, as if to assure himself of their placement. She stared at his hands, fascinated by their restless creeping, as though the fingers, long as alder whips, had been fashioned with too many articulating joints.
“I do not know your voice.” He had waited to speak, talking only when she had drawn in a breath to inquire about the lantern.
“I am Martha Allen,” she said, beginning to feel the acrid burn of the soldering pot behind her tongue. The smith raised his brows expectantly but said nothing.
“I would like a lantern. For evenings.” She had added the last foolishly, as if he would not know a lamp would be useless in daylight.
There was a slight pursing of the lips, and the man’s eyelids fell more heavily towards closing, making him appear at once disappointed and yet self-satisfied. “For evening reading, perhaps? Or for the keeping of personal writings?”
At his insinuating tone, she stiffened, remembering the red book sewn into her pillow casing.
He moved assuredly to the wall with the lanterns and asked, “Which one would you choose?”
“I would have something that gives greater light than a candle might. For the writing of accounts, you see. A reflecting lantern, like the one on your bench.”
He clasped his hands together, the long fingers dangling loosely at his groin. “Ah, the pity is I have only one, which, as you can see, is mine own.” He placed the slightest pause before the word “see,” tilting his head to the opposing side, and waited.
“That is a pity,” she said after a moment’s hesitation. “Well, then. I thank you…. My cousin Goodwife Taylor waits for me…”
She turned to leave but he surprised her by saying, “If you wish, I could sell you mine.” He returned to his bench, his hands encircling the base of the lantern.
“I have only sixpence to pay for it,” she began. The large, mirrored lantern on the tinsmith’s table, she knew, was dearer by far than the coins she held in her apron.
“Well, the lantern is old. Stay but a moment and I’ll grease the hinges and polish the mirrors. Come sit while you wait.” He motioned to a stool next to the bench, his manner suddenly solicitous, his smile seemingly ingenuous.
His warmth disarmed her, and despite being disquieted over his initial aloofness, Martha walked to the stool and, balancing the woolen cloth over her lap, sat down.
“I did not realize you were family to the Taylors,” he said. He took out the candle that had been burning inside the reflecting lantern and placed it in a simple brass holder close by. He began to dismantle the lantern, laying the pieces carefully on the workbench. The lack of reflected light from the single, guttering candle diminished the scope of the room, crowding the corners into shadow again. “You are, I think, daughter to Goodman Allen of Andover.”
“You know of my family?” she asked.
The tinsmith pointed his face towards her, one corner of his mouth curling into a half smile. “I am blind, missus, not deaf. There is very little that escapes my attention. Mind you, I have never traded with your father, but I have heard enough to know the measure of Goodman Allen.” There was the faintest hint of mockery in his voice, but he had turned away to breathe moist air onto one of the mirrored panels. He rubbed it vigorously for a time with a cloth before asking, “How is it, your time spent with the Taylors?”
“It is all well enough. They are good to me.” The smoke from the fire pot had suddenly made her sleepy and she stifled a yawn.
“You do not find Goodwife Taylor a bit… a bit… how shall I say…” He paused and pointed his eyes towards the ceiling as though deep in thought. “Parsimonious?” He beamed at her broadly and she smiled in return, ducking her chin with the urge to laugh out loud.
With exaggerated seriousness he said, “I should not say such to you, as she is, above all, your cousin.” He smiled overly long at her, the opaque surface of his eyes unblinking, and, unnerved, she glanced away.
“The Taylor household is well turned-out, so I have heard,” he said, returning his attention to his work. “There are two landsmen on the settlement, are there not? One a Scotsman, the other a Welshman.” He paused a moment before adding, softly, distinctly, “Morgan by name.”
Martha looked up, surprised. “No. His name is Carrier. Thomas Carrier.”
“Carrier? Then perhaps I am mistaken. Though…” His voice trailed off and he shook his head once.
“Though…?” she echoed.
He leaned over the bench towards her, dropping his weight onto resting elbows, his face close to hers. “It’s been said that the Welshman got on the boat with one name and stepped off the boat with another. It’s common enough. Many of the first families have done it. Just after the Great War, when they had need of safe haven in the colonies.”
“Safe haven,” she said, her voice turning sharp and wary. “From what?”
The tinsmith’s lids came down, half-mast, over the pale, marbled surface of his eyes, his lips pursing suggestively. “The king’s justice, of course. He hunts, even now, for his father’s killers. All have been pardoned. All but those whose hands signed the death warrant, and those whose hands wielded the implement of death.” His fingers brushed over the tools, coming to rest on a small, needle-like screw turn. With a few exacting twists, the trap hinges on the lantern fell free with a clatter, making her jump. “Surely you know that Cromwell’s confederates yet live here, hiding in plain sight?”
His mouth twisted for a moment bitterly. “If I may use such a common phrase. There has been offered a generous bounty for the capture of these accused men. As you are not native to this town, you may not know that Thomas Carrier has long been suspected of being Thomas Morgan, the man who, for love of Cromwell’s cause, swung the ax, taking the life of an anointed king. It is said that after the blade came down, he held up the royal gourd for all to see.”
He waited for her to speak, and when she didn’t respond, he extended one arm over his head to demonstrate, adding, “He was chosen because he was so tall, you understand, so that when he reached out his hand, holding the still-dripping head, even those pressed to the very front of the platform could gaze upon it.” He dropped his arm and shrugged. “But this is only rumor. Perhaps, as you are a woman, I should speak no more on this…” One side of his mouth curled up, his voice trailing into silence.
A sudden recollection of the flat wooden piece in Thomas’s oak trunk was followed with the vision she had had of his shirt, stained and running with blood, and she felt a panic building in her head like mercury rising. She sensed the tinsmith listening to her quickened breaths, perhaps waiting for her to press him into revealing more about the regicides, questioning him about rumors that must have wafted through the workroom like smoke from the fire pot.
From her childhood she had heard stories, told as frequently as the coming of tides, from her father, and his cronies, that Cromwell’s cousin and son-in-law had long been hidden and fed by local Massachusetts farmers. The glories of the civil war, and Cromwell’s decadelong reign between the executed Charles the father and the restored Charles the son, were often burnished and constructed anew at night in secret when the fire was banked and the doors locked. It was a source of deep-seated pride to the New Englanders that not one man, woman, or child had taken the king’s bounty in arresting Edward Whalley and William Goffe, Cromwell’s kin and fellow regicides, and others besides, who had fought against the first Charles. The colonists were a thorny, resourceful, and resistant lot when it came to betraying one of their own to the Royalists, and they held a perverse pride that common men, for the sake of common rights, had had the temerity, and nerve, to pull down a king.
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