Gerrard smiled. “Thank you. We will.” The charm behind his smile worked its usual magic; Mrs. Carpenter’s face eased, and Treadle unbent a fraction.

“This is Mr. Adair.” Gerrard introduced Barnaby, who with his usual air of genial bonhomie nodded to the two servants and Cunningham.

Gerrard looked at Cunningham.

Who seemed suddenly on edge. “Ah…if you’ll come this way, I’ll introduce you to the ladies, and inform Lord Tregonning that you’re here.”

Gerrard let his smile grow a fraction more intent. “Thank you.”

Cunningham turned and preceded them to the double doors leading into what Gerrard had surmised must be the drawing room.

He was right. They stepped into a room long enough to boast three separate areas for comfortable conversation. At one end, no longer by the window but gathered about the chairs angled before a large fireplace, was the group of ladies and the young man who’d peered out at them, and one other, middle-aged lady he hadn’t previously seen.

Directly ahead, on the chaise that faced the doors, were two matrons, one of whom was eyeing Barnaby and him with incipient disapproval.

Although he didn’t glance her way, Gerrard was instantly aware of the single lady, standing alone and regarding them levelly from the other end of the room.

Suppressing his impatience, he halted beside Cunningham, who’d paused a yard over the threshold. Barnaby halted just behind his shoulder. Gerrard looked at the bevy of young misses, waiting to see which one came forward-which of the three he was going to hate to have to paint. To his surprise, they all hung back.

The middle-aged lady, a welcoming expression on her face, started toward them.

As did the lone lady on his left.

The middle-aged lady was too old; she couldn’t be his subject.

The younger lady drew nearer; he could no longer resist, but looked directly at her.

And saw her, her face, for the first time in good light.

He met her eyes, and realized his error.

Not a governess. Not a companion.

The lady his fingers were already itching to paint was Lord Tregonning’s daughter.

2

With a lady approaching from either side, Cunningham dithered over whom to introduce first. The decision was taken out of his hands by the middle-aged lady, who swept up with a smile. “I’m Millicent Tregonning, Lord Tregonning’s sister.” She held out her hand. “Allow me to welcome you to Hellebore Hall.”

Brown haired, well dressed, but severe both in style and expression, Millicent Tregonning was saved from appearing overly hard by the softness of her hazel eyes. Clasping her hand, Gerrard bowed. “Thank you.”

He introduced Barnaby; stepping aside so his friend could greet the elder Miss Tregonning brought him closer to the younger lady-Lord Tregonning’s daughter, his subject, she who would be one focus of his artistic attention for the next several months.

She’d halted beside her aunt; of average height, clad in a gown of apple-green muslin enticingly displaying generous breasts, and hinting at a slender waist, nicely curved hips, and legs perfectly gauged to satisfy his critical eye, she calmly waited while Barnaby exchanged greetings. Momentarily free, Gerrard studied her.

Turning her head, unruffled, she met his gaze. Her eyes, a medley of gold, amber and green, were large, well spaced under delicately arched brown brows. Her hair was glossy teak with lighter shades streaked through it, neatly confined in a topknot with just a few ten-drils flirting about her ears. The pale oval of her face was bisected by a straight nose; her complexion was flawless, ivory tinged with a healthy glow, while her lips had been drawn with a subtle hand, full feminine curves yet exquisitely mobile-elementally expressive. He already knew where to look for hints of her real thoughts, her real feelings.

At present, her eyes were calm pools of quiet confidence; she was observing, assessing, totally contained. Totally unperturbed and unthreatened. Despite his presence, and Barnaby’s for that matter, he could detect not the slightest hint of feminine fluster.

She wasn’t seeing them as gentlemen-as men-but as something else.

The truth came to him as her gaze deflected to her aunt. She was viewing him solely as a painter.

“And this is my niece, my brother’s daughter, Miss Jacqueline Tregonning.”

Jacqueline turned to Gerrard Debbington. Smiling, she held out her hand. “Mr. Debbington. I hope your journey down was pleasant-it’s such a long way.”

He again met her gaze, then took her hand, the long fingers she’d remarked earlier closing, not too tightly yet firm and sure, about her slender bones. He bowed gracefully, his eyes never leaving hers. “Miss Tregonning. I’m grateful your father sought me out. The journey was indeed long, yet, had I not made it, I would certainly have lived to regret it.”

She barely registered his words. The tone of his voice, low, masculine, slid over her like a caress; the strength in his fingers, a sense of male power, spread over her skin and set her nerves flickering. His gaze held hers, intent with an interest she couldn’t name. Her fingers quivered in his-shocked, she stilled them.

His face, lightly tanned skin stretched over high cheekbones, the angular planes aristocratically austere, remained impassive, his expression politely detached-it was that intentness in his eyes, glowing brown, rich and alive as they held hers, that shook her.

That forced her to look again, and truly see.

She’d dubbed him society’s lion and he was unquestionably that, yet his polished elegance wasn’t a guise adopted for the world but a reflection of himself; it exuded from him, a tangible shield. His lightly waving hair, a darker brown than her own, was fashionably cut, framing his wide forehead and deep-set eyes; his brows were dark, well arched, his lashes long and thick.

He was tall, almost a head taller than she, broad of shoulder and long of limb; although he was lean rather than heavy, his graceful movements screamed of muscled strength camouflaged by stylish manners. That sense of innate strength was echoed in his face, in the hard lines of brow, nose and chin.

No fop, no self-absorbed popinjay. A lion, albeit a subtle one-in thinking him that she’d been right. He was dangerous, more dangerous than she’d imagined any man might be. Just by holding her hand, meeting her eyes and uttering a few words-what the devil had he said?-he’d made her lungs seize.

The realization rattled her; determinedly, she drew breath and politely inclined her head. “Indeed.” She hoped the old standby fitted; it usually did, regardless of what the preceding comment had been.

He smiled-briefly, tantalizingly-a genuine smile of such rampant charm she was distracted all over again. With an effort, she turned to his friend; Gerrard Debbington relinquished her hand, which aided considerably in her battle to focus her wits.

The tawny-haired god smiled at her. “Barnaby Adair, Miss Tregonning. I’m delighted to make your acquaintance.”

She managed a smile and gave him her hand-and waited. Yet while Adair appeared cut from the same cloth as Gerrard Debbington, the clasp of his fingers had no discernible secondary effects; his eyes-a merry blue-were simply a pair of laughing eyes, and his voice held no power to make her forget his very words.

Relieved, she welcomed him, then stood back as Mitchel and Millicent made to usher the two gentlemen to the chaise, there to continue the introductions.

Mitchel, Millicent and Adair started off. Gerrard Debbington hesitated; she sensed him looking down at her. She looked up and met his eyes. With the lightest of gestures, the faintest lift of his brows, he indicated he expected her to accompany them. Acquiescing-she wasn’t entirely sure why, but quibbling was clearly ineligible-she stepped out in her aunt’s wake.

He prowled by her side.

By the simple expedient of not moving until she did, Gerrard kept Jacqueline Tregonning beside him throughout the introductions. He had no interest whatever in those he met, yet he was adept at the social niceties; part of his mind dealt with them, responding appropriately, placing names with faces, noting the connections. None of those with whom he spoke would have guessed his entire attention was riveted on the woman by his side.

He could barely believe his luck. Far from being a hated and deeply detested chore, painting Lord Tregonning’s daughter was going to be…precisely the sort of challenge he relished.

She’d captured every last shred of his awareness; there was so much about her to learn. Put simply, she fascinated him.

He was distantly conscious that elements of that fascination were similar to those elicited by ladies who sexually rather than artistically caught his eye, yet given Jacqueline Tregonning was the first lady he’d decided to paint to whom he was not in some way related, he wasn’t sure that wasn’t to be expected. He saw women as they were, as whole, complete, sexual beings; that was one of the reasons behind his portraits’ success.

With Jacqueline Tregonning, he’d struck painter’s gold-a subject who had depth, who had layers of emotions and feelings, cares and concerns, all residing behind a face that in itself was intriguing. Just one glance into her beautiful eyes and he’d known what he was looking at-a subject who embodied the vital thing he needed to create a true work of art. She was an enigma.

She was too young to be as she was. Ladies of her years did not normally possess depths, let alone hidden depths; they hadn’t lived long enough, hadn’t experienced enough of life’s tragedies to have acquired them. Yet Jacqueline Tregonning was the epitome of a person of whom it was said: still waters run deep. She was a still, deep pool, calm and glossy smooth on the surface, but with strong currents, strong emotions, running beneath.