His fingers were flicking open the buttons at his waist as he moved to stand directly behind her. Awareness of all he’d blocked out rushed back. He was rigid, aching; it was an inexpressible relief to withdraw his fingers from her body, and replace them with that part of his anatomy he’d been ignoring for the last hour.

Untold relief to sink his throbbing staff into the heated heaven between her thighs.

He groaned, the sound revealing more than he’d expected. He cracked open lids that had fallen closed, and in the mirror found her eyes. Still watching him.

A small, slight smile curved her lips.

He tightened his hands about her hips, lifted her up, onto her toes, drew back, and plunged in.

She asked for no quarter, neither with words, sobs or moans; if anything, she pressed back against him, meeting his thrusts and urging him on.

He rode her deep, hard, unrestrained, freed from the shackles of the conventional-by her. By her willingness to give him all he wished, by her openness, her unlimited honesty in this, in the enjoyment she took, the pleasure she found, in engaging in sex with him, in taking him into her body, and lavishing pleasure on him.

Her face showed it all, eyes now closed, a witchy little smile curving her parted lips, a small, luscious indent between her brows as she concentrated, her senses wholly focused on where they joined.

On the hot pleasure of his filling her.

The peak beckoned, loomed ever nearer, then she was there. He thrust harder, deeper, prolonging the moment, with her through every panting gasp-then the rippling contractions of her surrender caught him; she tightened about him, and took him with her.

Over the edge and into sheer delight.


He had no idea how he managed to keep them upright, but eventually he withdrew from her, swept her up in his arms and carried her to the bed. He went back to douse the lamps, then stripped and joined her beneath the covers.

She murmured, a soft, sleepy declaration of contentment; lips still curved, she settled in his arms.

He lay back, listening to the heavy beat of his heart as it slowed from the thundering cadence of a sexual adventure that had extended far beyond his expectations. He’d set the stage, his aim crystal clear; she’d accepted his challenge, yielded all he’d asked, but then something else had overtaken them.

It wasn’t the first time that had occurred. With no other woman had he found himself, not out of control yet under the direction, or so it seemed, of some power greater than himself.

Not that he was complaining.

Closing his eyes, he sank into the mattress, felt deep and complete satiation claim him, and let his own lips curve. He’d achieved what he’d set out to do-to create sexual, sensual chains between them, and bind her to him. The concept was primitive, frankly possessive, but that suited his mood. Even more importantly, with her and him, the chains were real; they would work. Because she was so freely ardent, so open and honest in her passions, he could bind her through her senses’ delight. Through pleasure.

Through the very act of possession-hers…and, it occurred to him, his. The realization drifted across his mind as sleep slipped in and drew him down.

16

If she was bound to him, then, ipso facto, he was equally bound to her. Gerrard wondered why he hadn’t seen that before. He was even more astonished that, having now realized, he didn’t actually care.

After rising early, then eventually escorting a sated and sleepy Jacqueline back to her room, he’d felt too awake, too alive to return to bed. He’d dressed and come down for an early breakfast.

To his surprise, Barnaby joined him.

“What ho?” Strolling into the parlor, Barnaby headed for the sideboard. “Is it your devotion to the painting that has you up so early, or did something else disturb your slumber?”

Refusing to react to the none-too-subtle glint in Barnaby’s eyes, Gerrard shook his head. “I can’t paint in the morning-the light’s too deceptive. I was thinking of going for a walk to refresh my memory of the Garden of Night.”

Plate in hand, Barnaby came to the table. “Are you using it as the setting, then?”

“Yes, the lower entrance. It’s appropriate, therefore evocative.”

Engaged with a sausage, Barnaby nodded his understanding.

When they’d both satisfied their hunger, they rose and ambled out onto the terrace. The air was cool, but held the promise of warmth; the gardens lay before them, serene and inviting.

“Just think what we’d be doing if we weren’t here.”

As they strolled, they tossed comments back and forth, the usual banter about acquaintances and events that would have filled such an interlude in the capital. They were very much men-about-town, as distinct from country squires.

Reaching the north end of the terrace, they eschewed the path to the Garden of Hercules, opting for the pleasanter path through the orchards of the Garden of Demeter, then from the wooden pergola angling along the upper boundary of the Garden of Apollo, lying basking in the early morning sunshine, and so through the Garden of Poseidon to the lower entrance to the Garden of Night.

Barnaby dawdled. Hands in his pockets, with his eyes he followed the line of the tinkling brook as it ran through the Garden of Poseidon and then down the valley; lifting his gaze, he squinted toward the cove.

Leaving him observing, Gerrard walked on toward the Garden of Night. Ten paces from the entrance, heavily wreathed in creepers, he paused to examine the layering of the leaves and branches.

He’d captured the effect correctly on his canvas; satisfied, he walked on. Halting just before the arched entrance, hands on his hips, he looked up, head back as he studied the detail of the leaves.

Unmoving, he ran his eyes down, confirming the way the different creepers intertwined. Noticing a new shoot, pale, almost white, thrusting up through the densely packed leaves just above the ground, he lowered his arms and crouched to examine it.

Whizz-rustle-crump!

He tensed to spring up, but before he could an arrow tumbled out of the vines and fell at his feet.

“Go inside!”

He swiveled to see Barnaby frantically waving him into the Garden of Night. Then Barnaby pelted off back up the path in the direction from which the arrow had come.

For one second, Gerrard remained frozen, then, the arrow in his hand, he smoothly rose and walked into the humid enclosure of the Garden of Night.

Rampant growth solidly screened the area; no one could shoot at him while he was inside, not without him seeing them. And whoever it was didn’t intend being seen, which most likely meant he had met them.

Gerrard paused by the grotto’s pool, deep in the garden, half overhung by the terrace. He felt decidedly odd. Detached. There was no doubt in his mind that had he not bent down to examine the new creeper shoot, the arrow would have lodged in his back.

Would he have died? Possibly. There was a good chance he’d have lost the ability to paint-for him, another, potentially worse death.

Chilled, he turned and sat on the stone coping edging the pool. Leaning his elbows on his thighs, he studied the arrow, twisting it between his hands. It was well made, decently fletched, and carried a killing point, one that would have sliced through muscle, deflected off bone, and lodged deep. The sort of point used to slay deer.

His jaw set. He was sure Barnaby wouldn’t see anyone, let alone catch them. The arrow could have come from a considerable swath of the gardens along the northern slope. Still…he waited for Barnaby to return.

His gaze wandered across the clearing before him, the central portion of the Garden of Night. The grotto behind him was the principal focus of interest, drawing the eye; the stream filled the pool, then ran underground beneath the clearing to the winding path, then along a rocky culvert beside it, eventually emerging into the sunlight as the path entered the Garden of Poseidon.

Without conscious direction, his artist’s eye noted the lines, measured distances; in his mind, a plan of the garden took shape, much as the designer would have laid it out. Sitting on the pool’s edge, swinging the arrow between his fingers, he looked across the clearing, and frowned.

For balance, there should have been something there-a statue in an alcove or some such thing. Instead, the side opposite the pool was a dense mass of creeper…or was it?

He rose and crossed to look more closely. Once within arm’s reach of the apparently dense mound, he saw it was in fact two weeping trees, their canopies overgrown by the vines; it was easy to push aside the creeper veil and look in…to what had clearly been intended as a serene and pleasant bower in which to sit and observe the fountain in the grotto pool.

Gerrard glanced back and forth, checking the angles. He felt sure he was right; that was what the original design had been. Now, however, the creepers had grown rampant and converted the bower to a green chamber, secret and concealed…and in use.

The moss planted there had withered long ago, but there was a thick cushion of straw covered by a layer of soft, dried moss, with dried flowers, heads of lavender and other herbs mixed in.

It was a trysting place.

The flowers and herbs weren’t that old, and the thick layer of moss had recently been disturbed.

Footsteps sounded on the path, heading his way. Barnaby.

Gerrard let the creeper curtain fall. He could guess who used the green chamber to meet with her lover after dark.

Barnaby came through the archway. He grimaced. “No luck.”

Gerrard’s lips twisted. “It was a long chance.”