Having spent the whole day avoiding him—or as much as one could avoid someone sitting next to one in the confines of a coach—Amy was utterly unprepared for the wave of disappointment that swept over her as she watched Lord Richard flee into his carriage and rapidly clatter out of the courtyard.

Gradually, Amy realized that Edouard was trying to steer her inside, jabbering away all the while. “So nice of Selwick to bring you—watch that step there—I trust you had a good journey?”

Amy pushed all thoughts of Lord Richard to a cupboard in the back of her head emphatically marked DO NOT OPEN. “What does the journey matter now that we’re here?” she exclaimed a little too cheerfully. She gave her brother’s arm a quick, affectionate squeeze. “Thank you so much for inviting us, Edouard! I’ve been wanting to come home for the longest time and . . . oh my goodness.”

“Isn’t it splendid?”

In contemplation of his front hall, Edouard’s agitation momentarily ebbed. His waistcoat threatened to explode as he puffed out his chest with pride.

“Incredible might be the better word,” Miss Gwen commented sharply.

“It’s . . . it’s . . .” Amy groped for words. “It’s quite the thing, I’m sure,” she finished weakly.

Gone was the elegantly appointed foyer of her youth. Only the sweeping marble staircase remained the same. The tapestries and gilded mirrors had been stripped from the walls, the Louis XV tables from their posts on either side of the stairs, and the classical statues from their niches. In their place . . . Amy’s eyes bugged out. Was that really a sarcophagus in the corner of the room? Imitation obelisks flanked the entry to the east wing and mock sphinxes guarded the staircase. Unobtrusively, Jane placed a comforting hand on Amy’s shoulder.

Edouard beamed, at ease for the first time since Amy had arrived. “Retour d’Egypte is all the rage,” he said complacently.

Amy stared incredulously about her. “Do we have to answer the sphinx’s riddle before we can go upstairs to bed?”

Edouard looked blank. “Are you tired?”

“Don’t you remember the story Papa used to tell about—oh, never mind,” said Amy. “Are the new draperies also Egyptian in theme?”

“New draperies? Oh. Right. Um, no.” Edouard stiffened again. He waddled over to one of his faux sphinxes and began absently stroking its stone head. “Um, Amy, about Mama’s room . . .”

“It was so thoughtful of you to offer it to me.”

Edouard tugged uncomfortably at his immense cravat. “About that . . . It might be best to wait a week or two before you move to Mama’s room. The west wing’s rather a mess. Lots of dust and, uh, rats. Yes, definitely rats. So, um, you might not want to go into the west wing at all. Dangerous. And dirty. Very dirty,” Edouard stammered.

“If you think it’s unsafe . . .”

“Oh, it is! Maid will show you to your rooms—bring you dinner on a tray—theater engagement—must go—good evening!” Edouard shouted for servants, aimed two kisses in the general direction of Amy’s cheeks, nearly toppled himself over bowing hastily towards Jane and Miss Gwen, and fled in the direction of the west wing.

“Most odd,” commented Miss Gwen.

Amy couldn’t help but concur. She would have to inspect the west wing at the first opportunity.

The first opportunity presented itself quite quickly. Miss Gwen, Mysteries of Udolpho firmly tucked under one arm, pronounced that she was having an early night and closed the door behind her with an emphatic clack that rattled the vase perched on a table outside her room and caused the footman following them to drop three hatboxes.

From her bedroom door, Amy paused and considered her route. The Hotel de Balcourt had been built, like so many houses of the seventeenth century, in a square around a central courtyard, with the wings sticking out in front just enough to create the small cobblestone courtyard they had driven in through. Once she had figured that out, it was surprisingly easy to make her way towards the west wing. As long as she could see the greenery of the courtyard through the windows to her left, there was no way she could possibly get lost. Amy’s own bedroom was on the bit that jutted out to form the stone courtyard. Turning, she retraced her steps along the corridor towards the back of the house, past Jane’s and Miss Gwen’s rooms, past the closed doors of guest bedrooms, past a narrow servants’ stair.

After an age, the hallway finally turned, leading her into what, she thought, must be the north wing. A half-open door revealed a large suite that could only be Edouard’s. A heavy reek of cologne wafted through the doorway. Inside, Edouard’s valet hummed a bawdy ballad as he brushed his master’s frock coats. Amy tiptoed past very, very quickly.

More closed doors. Amy hadn’t realized quite how large the house was; by now, she had counted at least fifteen bedrooms, and she still hadn’t reached the west wing. But at bedroom seventeen, the hallway just stopped. Amy put her hands on her hips and advanced on the wall. The simpering shepherdesses in a large tapestry to her left shook their crooks at her and laughed at her perturbation. Amy disregarded them and stared at the plain red wall ahead of her. There had to be another wing there! Bearing in mind Edouard’s valet down the hall, she tapped lightly at the red wallpaper. Ouch. Amy nursed her bruised knuckles. The wall was decidedly solid. In fact, she was quite sure that had been stone under the red wallpaper.

Amy wandered back to the window overlooking the central courtyard. Ha! To her right, there was most definitely another set of windows. One was so close that she could probably climb from her current post onto the sill of the other. . . . No. Amy discarded the idea. The courtyard below was elegant and flowering, but the shrubbery did not look like it had been designed to break a fall. There had to be an easier way in.

Of course! On the other side of the hall, the turn had occurred right after the window. Amy gave the immense tapestry another look. The rococo splendor of gazebos and gardens and lovers was really quite out of step with the cool classicism of the rest of the hallway. The red paper with its frieze on the top was designed to suggest Pompeii and ancient pottery. The few paintings scattered along the wall were classical scenes in the style of David, all bold colors, strong lines, and not a garden, gazebo, or lover among the lot.

Yet here the shepherdesses and their swains remained locked in eternal flirtation next to . . . a unicorn? That couldn’t be right! What were eighteenth-century lovers doing next to a medieval unicorn hunt? And on the other side of the unicorn hunt, the scene switched again, to a classical tragedy, where a lady in a charred white robe cried out in grief against a relief of burning temples. Troy, Amy’s mind automatically provided. Hecuba. My goodness, it wasn’t one tapestry, but three! All hung side by side—and rather clumsily at that, now that she knew what to look for—as if to hide something.

Amy burrowed in the dusty fabric at the point where Patroclus seemed to be pointing his spear at a mangy unicorn. Groping for a door, she practically fell into the room behind the tapestry.

“Papa . . . ,” Amy murmured. “Oh, Mama . . .”

Amy stumbled into her parents’ suite, dizzy with memory. There were no dust sheets. Under a gray film of disuse, everything had been left exactly as it was fifteen years before when she and Mama departed for England, leaving Edouard and Papa behind. Her mother’s writing case lay open on her escritoire, the ink dry and caked at the bottom of the well. In her father’s dressing room, Papa’s wigs still perched in a row on their stands. Amy clenched her eyes shut, fighting off waves of recollection. Any moment now, Mama would scoop her up, and . . .

Amy could understand why Edouard had closed off their parents’ rooms.

Steeling herself, she followed the small spiral staircase down from her father’s study to the floor below. The boards creaked slightly under her slippers, but they held her weight. She was in what had once been the library, before the Revolution had intervened. The dusty books called to her—through the grime, Amy could see the works of Homer in Greek, and a whole shelf of Latin works in elegantly tooled bindings. They could only have been Papa’s, Papa who used to snuggle her in his lap in Mama’s sitting room and tell her fabulous tales of centaurs and heroes and maidens turned into trees.

Amy scrubbed furiously at her damp cheeks and hurried into the next room. Papa’s books would have to wait for another time; now, her mission was to explore the west wing before Edouard returned.

Why, this was the ballroom! All of the furniture, a series of elegant couches and chairs, was pushed to the sides of the room, clearing the center of the floor for dancing. The immense room stretched most of the length of the wing, and had a series of French doors opening onto the flowering courtyard on one side. At least Amy assumed they opened onto the courtyard. The glass was opaque with fifteen years’ filth. Squinting in the darkness, Amy wished she had thought to bring a candle. Along the walls, cobwebs draped candle sconces like lace, and spiders swayed inside their creations to the tunes of music only they could hear. At the very end of the room was a little raised area, which the musicians must once have occupied. It still contained a harpsichord, a harp—and a pile of brown-paper packages.

Amy crossed the room at a run, slipping and skidding on the parquet floor.

Those were the mysterious packages! And there were others, too: big wooden crates of all sizes stacked against the wall, next to more and more of the floppy paper parcels. Amy’s imagination thundered away like post-horses pounding down the Calais road. Draperies, ha! More likely disguises for the League of the Purple Gentian!