'Clare?' I say, puzzled. She's staring at me with pink cheeks, as though I've caught her stealing pens from the stationery cupboard.

'Listen,' she says in a rush. 'That conversation you heard me having just now… could you not mention it to Philip?'

I stare at her in bemusement. What's she talking about? Oh wow – is she having an affair? But then, why should Philip care? He's her editor, not herOh my God. She's not having an affair with Philip, is she?

'Clare, what's going on!' I say excitedly.

There's a long pause, as Clare blushes deep red. I can't believe this. A piece of office scandal at last! And involving Clare Edwards, of all people!

'Oh come on, Clare,' I whisper. 'You can tell me. I won't tell anyone.' I lean forward sympathetically. 'I might even be able to help.'

'Yes,' says Clare, rubbing her face. 'Yes, that's true. I could do with a bit of advice. The pressure's starting to get to me.'

'Start from the beginning,' I say calmly, just like an agony aunt. 'When did it all begin?'

'OK, I'll tell you,' whispers Clare, and looks nervously about. 'It was about… six months ago.'

'And what happened?'

'It all began on that Scottish press trip,' she says slowly. 'I was away from home… I said yes without even thinking. I suppose I was flattered, more than anything else.'

'It's the old story,' I say wisely. God, I'm enjoying this.

'If Philip knew what I was doing, he'd go crazy,' she says despairingly. 'But it's just so easy. I use a different name – and no-one knows!'

'You use a different name?' I say, impressed, in spite of myself.

'Several,' she says, and gives a bitter little laugh. 'You've probably seen some of them around.' She exhales sharply. 'I know I'm taking a risk – but I can't stop. To be honest, you get used to the money.'

Money? Is she a prostitute? 'Clare, what exactly are you-'

'At first it was just a little piece on mortgages in the Mail,' she says, as though she hasn't heard me. 'I thought I could handle it. But then I was asked to do a full-length feature on life insurance in the Sunday Times. Then Pension and Portfolio got in on the act. And now it's about three articles every week. I have to do it all in secret, try to act normally…' She breaks off and shakes her head. 'Sometimes it gets me down. But I just can't say no any more. I'm hooked.'

I do not believe it. She s talking about work. Work!

Only Clare Edwards could be such a disappointment. There I was, thinking she was having a steamy affair, ready to hear all the exciting details – and all the time it was just boring old…

Then something she's just said tweaks at my mind.

'Did you say the money was good?' I say casually.

'Oh yes,' she says. 'About three hundred quid a piece. That's how we could afford our flat.'

Three hundred quid!

Nine hundred quid a week! Bloody hell!

This is the answer. It's easy. I'll become a high-flying freelance journalist, just like Clare, and earn nine hundred quid a week. What I have to do is start networking and making contacts at events instead of always sitting at the back with Elly and giggling. I must shake hands firmly with all the finance editors of the nationals and wear my name badge prominently instead of putting it straight in my bag, and then phone them up discreetly when I get back to the office with ideas. And then I'll have ?900 a week. Hah!

So when I arrive at the press conference, I pin my name badge on firmly, take a cup of coffee (no champagne – blast) and head towards Moira Channing of the Daily Herald.

'Hello,' I say, nodding in what I hope is a serious manner. 'Becky Bloomwood, Successful Saving.'

'Hello,' she says without interest, and turns back to the other woman in the group. 'So we had the second lot of builders back, and really read them the riot act.'

'Oh, Moira, you poor thing,' says the other woman. I squint at her badge and see that she's Lavinia Bellimore, Freelance. Well, there's no point impressing her – she's the competition.

Anyway, she doesn't give me a second glance. The two chat away about extensions and school fees, completely ignoring me – and after a bit I mutter, 'Good to meet you,' and creep away. God, I'd forgotten how unfriendly they are. Still, never mind. I'll just have to find someone else.

So after a bit I sidle up to a very tall guy on his own, and smile at him.

'Becky Bloomwood, Successful Saving,' I say.

'Geoffrey Norris, Freelance,' he says, and flashes his badge at me. Oh, for God's sake. The place is crawling with freelancers!

'Who do you write for?' I ask politely, thinking at least I might pick up some tips.

'It depends,' he says shiftily. His eyes keep darting backwards and forwards, and he's refusing to meet my eye. 'I used to be on Monetary Matters. But they sacked me.'

'Oh dear,' I say.

Then the guy I've never seen before plonks himself down next to me. He's got dishevelled brown hair and smells of cigarettes, and is looking around with twinkling brown eyes.

'It's a joke, isn't it?' he murmurs, then meets my eye.

'All this gloss. All this show.' He gestures around. 'You don't fall for it, do you?'

Oh God. Another weirdo.

'Absolutely not,' I say politely and look for his name badge, but I can't see one.

'Glad to hear it,' says the man, and shakes his head. 'Bloody fat cats.' He gestures to the front, where three men in expensive suits are sitting down behind the table. 'You won't find them surviving on fifty quid a week, will you?'

'Well… no,' I say. 'More like fifty quid a minute.'

The man gives an appreciative laugh.

'That's a good line. I might use that.' He extends his hand. 'Eric Foreman. Daily World.'

'Daily World?' I say, impressed in spite of myself.

Gosh, the Daily World. I have to confess a little secret here – I really like the Daily World. I know it's only a tabloid, but it's so easy to read, especially if you're on a train. (My arms must be very weak or something, because holding The Times makes them ache after a while. And then all the pages get messed up. It's a nightmare.) And some of the articles in the 'Female World' section are actually rather interesting.

But hang on – surely I've met the Daily World's personal finance editor. Surely it's that drippy woman called Marjorie? So who's this guy?

'I haven't seen you around before,' I say casually. 'Are you new?'

Eric Foreman gives a chuckle.

'I've been on the paper for ten years. But this finance stuff isn't usually my scene.' He lowers his voice. 'I'm here to stir up a bit of trouble, as it goes. The editor's brought me on board for a new campaign we're running. "Can We Trust the Money Men?"'

He even talks in a tabloid voice.

'That sounds great,' I say politely.

'Could be, could be. As long as I can get past all this technical stuff.' He pulls a face. 'Never been good at figures.'

'I wouldn't worry,' I say kindly. 'You don't actually need to know very much. You'll soon pick up what's important.'

'Glad to hear it,' says Eric Foreman. He peers at my name badge. 'And you are…'

'Rebecca Bloomwood, Successful Saving,' I say, in my best networking manner.

'Glad to meet you, Rebecca,' he says, and fishes in his pocket for a business card.

'Oh, thanks,' I say, hastily reaching into my bag for my own business cards. Yes! I think triumphantly as I hand it over. I'm networking with the national newspapers!

I'm swapping business cards!

Just then the microphones all come on with a

screech of feedback, and a dark-haired girl at the

podium clears her throat. Behind her is a lit-up screen,

with the words SACRUM ASSET MANAGEMENT against a

sunset.

I remember this girl now. She was really Snotty to me at a press briefing last year. But Philip likes her, because she sends him a bottle of champagne every Christmas, so I'll have to give this new pension plan a nice write-up.

'Ladies and gentlemen,' she says. 'My name is Maria Freeman, and I'm delighted to welcome you all to the launch of the Sacrum Asset Management Pension Series. This is an innovative range of products designed to combine flexibility and security with the powerful performance associated with Sacrum.'

A graph appears on the screen before us, with a wiggly red line rising and failing above a thinner black one.

'As Graph 1 shows,' says Maria Freeman confidently, pointing to the wiggly red line, 'our UK Enterprise Fund has consistently outperformed the rest of its particular sector.'

'Hmm,' murmurs Eric Foreman to me, frowning at his brochure. 'So, what's going on here, then? I heard a rumour that Sacrum Asset Management wasn't doing too well.' He jabs at the graph. 'But look at this. Outperforming the sector.'

'Yeah, right,' I murmur back. 'And what sector would that be? The Crap Investments Sector? The Lose All Your Money Sector?'

Eric Foreman looks at me and his mouth twists slightly.

'You think they're fiddled their figures?' he whispers.

'It's not exactly fiddling,' I explain. 'They just compare themselves to whoever's worse than themselves, and then call themselves the winners.' I point to the graph in the brochure. 'Look. They haven't actually specified what this so-called sector is.'

'Well blow me,' says Eric Foreman, and looks up at the Sacrum team sitting on the platform. 'They're canny bastards, aren't they?'

Really, this guy has no idea. I feel almost sorry for him.

Maria Freeman is droning on again, and I stifle a yawn. The trouble with sitting near the front is you have to pretend to look interested and be writing notes, 'Pensions,' I write, and draw a swirly line underneath. Then I make the line into the stem of a vine and start drawing little bunches of grapes and leaves all the way along.