Janet Fitch - The Revolution of Marina M.

He knelt, waving his pole at me. “Baaah.”

“They’re chaining them to the workbench. It’s illegal to complain. If you do, it’s to the front with you.”

He groaned and flopped into the eiderdown, which inflated around him like a cloud. “No! Right from the Tagantsev Academy to the front?” He was laughing at me. “Will they give you a chance to change clothes?”

I pinched his nipple, and he grabbed for my wrist. We struggled until he had me pinned on the mattress, damp and fragrant. He straddled me, his face hovering above mine. “So now you’re a radical? Do I address you as Comrade Marina?”

“Yes!” I tried to roll out from under him.

“So it’s the workers you love now, not Kolya and his rapier?” Which was already alive again.

“I’m serious, Kolya.” But my claim sounded ridiculous even to me, lying there wet with my arms pinned, Kolya rubbing himself against me.

He switched to holding my wrists above my head with one hand while he put on a fresh prophylactic with the other. “I can see how serious you are. I’m so impressed.”

I struggled to throw him off me. “Stop it! Listen to me. This is important.”

He groaned and rolled off me. “Is this what you want? My last night? Okay, here it is. All the emperor cares about is the war. Workers in Petrograd are starving? Nobody cares. As long as they produce, to hell with them. And if it takes chaining them to their benches, that’s what will happen.”

I felt desire’s sharp ebb. The shock of what he’d said propped me on one elbow. “That’s what you think? Are you really so indifferent? I thought you were a good man.”

He got his cigar lit, exhaled the fumes, a man of the world. “Good or bad, it’s what’s happening. Nobody’s asking me.”

I sat up, looking down into his face. “I’m asking you.”

“As long as his armies are supplied, the emperor will send the country to the devil. And my job in this mess is just to see that the army’s supplied.” He exhaled away from me.

“Well there’s a safe job. When men are losing their lives.” I didn’t know what I was arguing about now, only that I wanted to hurt him for being so callous about the fate of the people. Or was it to punish him for taking Valentina to the ballet? Or because he was leaving me again? “Maybe you’re speculating yourself, while Volodya’s fighting in the cold.”

His rosy face went hard then. He started collecting his clothes. “You want me to get my head blown off? You’re asking me what I think—I think this country’s as corrupt as old eggs and I’m just trying to survive it.” He found his underpants and got into them, buttoned his shirt. “Do you believe it’s a valiant thing to die? I’ve seen this war. You haven’t. It’s a communal grave for valiant young men. And reluctant ones, and ignorant ones too. They all die the same. Where are my damn pants?”

I’d hurt him. I never knew I could do that. I’d thought he was impervious. “I’m sorry, Kolya, I’m sorry. I don’t know why I said that. It’s not what I think at all.” I had his pants and clung to them, I wouldn’t let him take them away.

“I won’t die for this country,” he said. “Not for God and not for you. If you’re a Bolshevik, you’ll at least understand that much.”

But I didn’t understand. Heroism was a very real value in our house. Patriotism. Volodya was at the front, absolutely ready to die for ideals, for country, and this was what was admirable about him, although perhaps all wrong—his unquestioning valor. Kolya’s relativism, his pessimism—I didn’t know what to think. Logically he was right, but there was something upsetting about a man without loyalty, without an idea of honor. I wept. I was only sixteen, and I loved him ferociously. How could I ruin our last hours together trying to figure it out? What I wanted was his love, his body, his smile, his scent, his weight. I threw his pants under the bed, held my arms out to him. “Sorry, sorry…” Holding him, rocking him. Kolya, my fox, generous, clever man. He was not evil, not an abstract symbol of indifference to suffering. Who didn’t have contradictions?

And I more than he, as it turned out.

HE RETURNED TO HIS regiment, leaving me as sad and useless as a single glove. People, once lively, now flattened to puppets, mouths opening and closing unconvincingly. My ears were stuffed with wax, my eyes smeared with grease. I couldn’t find a place to put myself. I eyed every cripple and dwarf. I put away my green coat. I could barely brush my hair. Our fight left a stone in my breast. How could I have accused him of such crimes on our very last afternoon?

In front of the school, everyone stopped to wrap scarves tighter around their necks and draw them up around their mouths and noses. Varvara and Mina had been doing their best to cheer me up, each in her opposite way—Mina by letting me talk about him endlessly, commiserating, wanting to hear every detail, and Varvara by jeering at my lovelorn fog. “Yes, yes, he’s gone. The world doesn’t revolve around Kolya Shurov’s sky-blue eyes.”

“She’s heartbroken,” Mina said, drawing me close. “Leave her alone.”

Varvara hoisted her schoolbag on her shoulder. “Come with me,” she said. “Talk to some people worse off than you.”

“Don’t listen to her,” Mina said. “You’ll get yourself arrested. Anyway, it’s got to be ten below. Let’s get some hot chocolate.”

“Come on, Marina.” Varvara twined her arm through mine. “Let’s make ourselves useful. You’ll feel better. Remember when you went to the hospitals? We need you. You need to see what’s going on. Mina, you coming?”

“I’m getting chocolate. Marina, it’s dangerous up there.”

But maybe the danger would help wake me up out of my funk. I let Varvara trundle me onto a tram going north across the Liteiny Bridge into a grim working-class neighborhood on the Vyborg side of the Neva. Vyborg, where the big factories were, with the workers’ tenements crouching in their shadows. We got off and walked past the Finland Station and into the backstreets within clear view of the Crosses—Kresty Prison—and the Arsenal plant. It summed up everything—the elegant palace side of the river could have been a thousand miles away. We entered a gloomy courtyard. I was glad just to be out of the wind. But then I saw the women, ragged, blue-faced, queuing up for a single water pump. The ice, their wet shoes. It was a disgrace.

Varvara helped them pump, for which they were grateful, and got them talking. The stories made me shiver with pity. Nobody cares, said Kolya. Husbands at the front, sick children, food shortages, no fuel. Horrific tales of the granny in the building who took care of the babies of the working women when they were at the factories. “She waters down the milk and keeps the money herself,” a youngish woman told us, her eyes black with weariness. “I’d go to work, too—my old man’s not well—but I can’t leave the kids with an old witch like that. You might as well put them out on the river.”

I let Varvara ask them questions—not name, district, region but rather about their lives—while I pumped their water, the cold biting my hands as my gloves grew wet. At least I had galoshes. She talked to them about the militarization of labor, about socialism, about the war. Mostly they were worried about bread rationing. “They say it’ll be just a pound per person,” said a woman with anxious eyes and sunken cheeks, a soldier’s wife. “My husband’s fighting for what? A pound of bread a day? How are we supposed to live?”

I pumped her water and let my sorrow over Kolya spill into sympathy for this wretched woman. I was no good at agitating, but I could do this, stand in the icy dark courtyard of a tenement under the walls of the Arsenal and listen to half-starved women complain about bread. Their misery had to end. My problems with Kolya seemed laughable compared with trying to keep a tenement warm, the rent paid—some families didn’t even have the whole flat to themselves, just a corner of it.

Two days later, we returned to stand at the gates of the Belhausen knitwear factory. Varvara pulled a sheaf of leaflets from her school satchel.

The flyer was illustrated by a simple graphic woodcut of workers—women and men marching shoulder to shoulder as a frightened owner tumbled away. For the literate, a more detailed argument accompanied it below. The wind shuffled the flyers in Varvara’s gloved hand.

But the members of the Workers’ Committee had all been arrested. It had been in the papers. Where had these flyers come from? Who gave them to her?

“Better you not know,” she said mysteriously, trying to impress me with her radicalism. “That way if we’re arrested, you can’t tell them anything.”

“We’re not going to be arrested,” I said. “Varvara, tell me. I can’t be arrested. My father will crucify me.” If talking to the women in the courtyards was suspicious, leafleting factories was flat-out illegal. I’d be expelled a semester short of graduation. I’d never see the university.

“Do you want to help these women or not? Look—stand over there.” She pointed to a streetlamp around twenty feet away, ducking her head against the wind. “If you see cops, start singing. Put those voice lessons to work.”

The cold reached everywhere—inside my scarf, inside my nose, freezing the hairs. This was insane. The light was already fading. I had no idea where I was—in front of some factory in Vyborg on a rough, uncleared lane. I would have left, but I feared losing my way in a dangerous slum. “What do you want me to sing?”