Surely the same lovemaking associations must have evolved in Karun’s mind as well. Perhaps this was the subliminal conditioning the Kama Sutra intended, because I did notice progress. Karun’s explorations grew keen enough for me to cautiously anticipate success. I lay in bed under him every night waiting patiently for the next increment. Images from his past drifted through my mind—the photos and toy planes, the moral instruction citations, the fantastical Lego shapes. Soon the breakthrough would arrive to complete my assimilation of him. The planes taking off, the Lego flying through the air, like so many quarks and electrons, planets and Milky Ways. The two of us enveloped by the sweet smell of pomegranates as our very own supernova blossomed across time and space.


I SMOOTH OVER my sari to make the bulge of the pomegranate at my waist less conspicuous as Madhu leads me into Mura’s section of the compartment. It is surprisingly shabby. Areas of fresh white paint compete with expanses of peeling railway-regulation green, as if someone abandoned a renovation project midway. One entire side still has sleeper berths stacked two high running along its length, and the floor shows gaping holes where walls and dividers have been yanked out. Could this really be the den of someone working for the great and mighty Bhim?

Mura sits in one of the lower berths, cracking open peanuts. He does so with the fingers of only his left hand, extracting the kernels and tossing them into his mouth in a single compulsive arc. He is small but bulbous, with a head larger than his body, as one might expect of someone employing a lot of brainpower—an accountant, perhaps. I notice an unhealthy sheen to him, an oiliness that oozes out of his skin and glistens on his scalp. Perhaps he has too many peanuts in his diet.

Madhu explains my presence and withdraws, closing the door behind her. The makeup must have worked, because Mura does not question me about my age. “Can you dance?” he asks instead.

“A little. Guddi said she could teach me.”

“Ah, Guddi. She’s so innocent, isn’t she? Do you know, when I went to fetch her, she asked if she could bring her five-year-old brother along to meet Devi ma as well? These villagers—they’re all so child-like. One can’t even begin to explain the ways of the world to them.” Mura takes off his thick accountant glasses and wipes his face with a handkerchief, and I wait to find out what he is getting at.

“Of course, you, being from the city, must know things work a little differently. For instance, despite whatever blemishes your layers of makeup might be trying to hide, suppose I choose you for Devi ma. The question then arises, what would be in it for me?” Mura’s eyes bulge a little behind their lenses, like those of a child reminded of a favorite treat.

“I don’t have much money, if that’s what you want.”

“Oh, no—I meant nothing so crass. But you do see my point, don’t you? City people are different from villagers—more willing to be a little guileful if it gives them an advantage. With them—with us—there’s no shame in asking for fair give-and-take.” He pats the seat beside him. “Why don’t you come here and sit with me on the berth? If nothing else, as a small reward in recognition of all I’m doing for our community?” He breaks open a peanut and holds out the kernels in his hand, as if I’m a bird he’s trying to attract.

I ignore his offering. “If you don’t mind, I prefer to stand.” First the hospital Romeo, then Hrithik, now Mura—has my body pumped out some special pheromone today to provoke all these advances? Why am I suddenly so popular?

Mura shakes his head. “Unwilling to even sit by my side. Not even a little generosity of spirit.” He looks at me reproachfully. “Perhaps then Mura will have to stand as well.”

Just then, I hear the screeching sound of the engine brakes being applied. Peanuts sail through the air, Mura slides to the floor and I almost go flying as well, as the train slows, suddenly, violently. We come to a halt, and Mura gets up sputtering. “That driver, he must be mad to make a stop like this. You just wait here, I’ll go investigate.” He exits from the door to the girls’ room, and I hear a bolt being drawn closed on the other side.

This is my chance to escape. I go to the door and call out the girls’ names in a whisper. “Anupam? Guddi? Madhu?”

“Yes, Didi?”

“Guddi, can you open this door?”

I hear a giggle, and some muffled conversation. Then Anupam answers. “Didi? Mura chacha said not to let you out.”

“It’s just for a minute. I have to use the bathroom.”

More discussion follows, and then Guddi speaks again. “We’d have to check with Madhu didi first. She’s stepped out with Mura chacha. They won’t be long.” Anupam giggles in the background.

I decide to try a window. I pry apart two of the horizontal bars, but the widened space is barely big enough for a cat to squeeze through. Searching the compartment for something to use as a crowbar, I notice how much rustier the windows get towards the far end. The last window only has two bars still in place, one of which simply crumbles when I test it. Just as I knock out the remaining bar for an opening I can comfortably squeeze through, Mura returns.

“That stupid engineer. He wanted to return to Dadar, got cold feet going through Mahim. Some crazy idea of taking the Central Line to Ghatkopar, then switching over to the new metro rail. Never mind that those tracks are twenty meters up in the air. I told him there was absolutely no danger, that Bhim had personally arranged our passage.”

I stand in front of the window as he talks, trying to cover the absence of the bars with my frame. Perhaps he won’t notice the alternate plans I’ve made.

“It really wouldn’t have done you any good even if you had managed to crawl through,” Mura says softly as we start moving again. His voice sounds concerned, sympathetic. “Haven’t you had a chance to see what’s outside?” I look through the window at the pools of stagnant water by the tracks, at the line of shanty houses running alongside. Plots of spinach and salad leaves go by, just like anywhere along the suburban rail corridor.

“You don’t realize, do you?—that fork at Dadar the engineer wanted to take? We’re in Mahim now, the Muslim side he dreaded. It’s the heart of their stronghold—when the killings began in force, the first area they barricaded themselves off in. But don’t worry, we’ve paid them off to let us pass—they think we’re just a harmless bunch of Christians headed back to Bandra over the railway bridge.

“Of course, you’re welcome to go your own way. But there’s no telling what they’ll do to you the minute you step off the train. Especially when they see you in that pretty Hindu bridal outfit.”


WHAT SENT BOMBAY careening most irrevocably towards its breakup into Hindu and Muslim sections was the Bandra-Worli sea link. Cutting across the sea to avoid crowded suburbs like Dadar and Mahim, the bypass connected the south to the north in ten minutes flat (seven with Uma driving). “Look at us,” she’d say, zipping us over the structure that had taken sixteen billion rupees and a decade to build. “We’re a top-tier international metropolis now—no less than San Francisco or Sydney.”

Perhaps it was the acclaim lavished on the bridge as the crown jewel of Indian engineering that attracted the HRM’s attention. The organization announced, out of the blue one day, that although operational since 2009, the structure had never been consecrated. For the next City of Devi project, massive religious processions would march all through Mumbai to converge at the bridge, where Hindu priests would confer their blessing and rename it the “Mumbadevi Sea Link.” To further stoke this “new and incendiary mischief” (as The Indian Express called it), the HRM would fly in the top leaders of all the major right-wing organizations in the country to join in the ceremony.

By the time I turned on the television that morning, the toll booths had already been doused with vermilion and the swell of participants had reached the cantilevered section of the bridge. HRM’s Doshi appeared in a close-up, trying to smile through the sweat pouring down his face. He struck a coconut on the concrete, breaking it open only after three attempts. Holding the two halves aloft as if he’d aced a magic trick, he ascended a small podium and began to speak.

“Many centuries ago, in the time of the Ramayana, our ancestors proved their engineering prowess. They built a bridge from India all the way south to Lanka so that Lord Ram could walk across the sea and bring back his Sita Devi. Today, Hindu engineers have repeated the feat of their forebears so that we can make a similar journey south, from Bandra to Worli.” I switched the TV to another channel, but Doshi appeared on that one too, thanking Mumbadevi for showering her protection and blessings on the bridge.

Just as I readied to change the channel again, the camera drew back to an odd wide-angle aerial shot of the cable suspension spans soaring forty stories into the air. What caught my eye was how one of the central towers holding up the cables seemed to tilt out of the screen towards me. The giant fireball, accompanied by the sound of the explosion, came an instant later. Images flashed on the screen in jerky succession—people running about and leaping off, more blasts spewing debris and smoke, the two cable spans parting like the wings of a dying butterfly to collapse towards the water and sink. Each time I thought the mayhem had ended, a fresh explosion knocked out another segment. Eventually, as I stared aghast at the TV screen, only the smoking frame remained.