Walter Scott - The Bride of Lammermoor

Sufficient care was taken that this report should find its way to Ravenswood Castle through every various channel, Lady Ashton being well aware that the very reiteration of the same rumour, from so many quarters, could not but give it a semblance of truth. By some it was told as a piece of ordinary news, by some communicated as serious intelligence; now it was whispered to Lucy Ashton's ear in the tone of malignant pleasantry, and now transmitted to her as a matter of grave and serious warning.

Even the boy henry was made the instrument of adding to his sister's torments. One morning he rushed into the room with a willow branch in his hand, which he told her had arrived that instant from Germany for her special wearing. Lucy, as we have seen, was remarkably fond of her younger brother, and at that moment his wanton and thoughtless unkindness seemed more keenly injurious than even the studied insults of her elder brother. Her grief, however, had no shade of resentment; she folded her arms about the boy's neck, and saying faintly, "Poor Henry! you speak but what they tell you" she burst into a flood of unrestrained tears. The boy was moved, notwithstanding the thoughtlessness of his age and character. "The devil take me," said he, "Lucy, if I fetch you any more of these tormenting messages again; for I like you better," said he, kissing away the tears, "than the whole pack of them; and you shall have my grey pony to ride on, and you shall canter him if you like—ay, and ride beyond the village, too, if you have a mind."

"Who told you," said Lucy, "that I am not permitted to ride where I please?"

"That's a secret," said the boy; "but you will find you can never ride beyond the village but your horse will cast a she, or fall lame, or the cattle bell will ring, or something will happen to bring you back. But if I tell you more of these things, Douglas will nto get me the pair of colours they have promised me, and so good-morrow to you."

This dialogue plunged Lucy in still deeper dejection, as it tended to show her plainly what she had for some time suspected, that she was little better than a prisoner at large in her father's house. We have described her in the outset of our story as of a romantic disposition, delighting in tales of love and wonder, and readily identifying herself with the situation of those legendary heroines with whose adventures, for want of better reading, her memory had become stocked. The fairy wand, with which in her solitude she had delighted to raise visions of enchantment, became now the rod of a magician, the bond slave of evil genii, serving only to invoke spectres at which the exorcist trembled. She felt herself the object of suspicion, of scorn, of dislike at least, if not of hatred, to her own family; and it seemed to her that she was abandoned by the very person on whose account she was exposed to the enmity of all around her. Indeed, the evidence of Ravenswood's infidelity began to assume every day a more determined character. A soldier of fortune, of the name of Westenho, an old familiar of Craigengelt's, chanced to arrive from abroad about this time. The worthy Captain, though without any precise communication with Lady Ashton, always acted most regularly and sedulously in support of her plans, and easily prevailed upon his friend, by dint of exaggeration of real circumstances and coming of others, to give explicit testimony to the truth of Ravenswood's approaching marriage.

Thus beset on all hands, and in a manner reduced to despair, Lucy's temper gave way under the pressure of constant affliction and persecution. She became gloomy and abstracted, and, contrary to her natural and ordinary habit of mind, sometimes turned with spirit, and even fierceness, on those by whom she was long and closely annoyed. Her health also began to be shaken, and her hectic cheek and wandering eye gave symptoms of what is called a fever upon the spirits. In most mothers this would have moved compassion; but Lady Ashton, compact and firm of purpose, saw these waverings of health and intellect with no greater sympathy than that with which the hostile engineer regards the towers of a beleaguered city as they reel under the discharge of his artillery; or rather, she considered these starts and inequalities of temper as symptoms of Lucy's expiring resolution; as the angler, by the throes and convulsive exertions of the fish which he has hooked, becomes aware that he soon will be able to land him. To accelerate the catastrophe in the present case, Lady Ashton had recourse to an expedient very consistent with the temper and credulity of those times, but which the reader will probably pronounce truly detestable and diabolical.

THE health of Lucy Ashton soon required the assistance of a person more skilful in the office of a sick-nurse than the female domestics of the family. Ailsie Gourlay, sometimes called the Wise Woman of Bowden, was the person whom, for her own strong reasons, Lady Ashton selected as an attendant upon her daughter.

This woman had acquired a considerable reputation among the ignorant by the pretended cures which she performed, especially in "oncomes," as the Scotch call them, or mysterious diseases, which baffle the regular physician. Her pharmacopoeia consisted partly of herbs selected in planetary hours, partly of words, signs, and charms, which sometimes, perhaps, produced a favourable influence upon the imagination of her patients. Such was the avowed profession of Luckie Gourlay, which, as may well be supposed, was looked upon with a suspicious eye, not only by her neighbours, but even by the clergy of the district. In private, however, she traded more deeply in the occult sciences; for, notwithstanding the dreadful punishments inflicted upon the supposed crime of witchcraft, there wanted not those who, steeled by want and bitterness of spirit, were willing to adopt the hateful and dangerous character, for the sake of the influence which its terrors enabled them to exercise in the vicinity, and the wretched emolument which they could extract by the practice of their supposed art.

Ailsie Gourlay was not indeed fool enough to acknowledge a compact with the Evil One, which would have been a swift and ready road to the stake and tar-barrel. Her fairy, she said, like Caliban's, was a harmless fairy. Nevertheless, she "spaed fortunes," read dreams, composed philtres, discovered stolen goods, and made and dissolved matches as successfully as if, according to the belief of the whole neighbourhood, she had been aided in those arts by Beelzebub himself. The worst of the pretenders to these sciences was, that they were generally persons who, feeling themselves odious to humanity, were careless of what they did to deserve the public hatred. Real crimes were often committed under pretence of magical imposture; and it somewhat relieves the disgust with which we read, in the criminal records, the conviction of these wretches, to be aware that many of them merited, as poisoners, suborners, and diabolical agents in secret domestic crimes, the severe fate to which they were condemned for the imaginary guilt of witchcraft.

Such was Aislie Gourlay, whom, in order to attain the absolute subjugation of Lucy Ashton's mind, her mother thought it fitting to place near her person. A woman of less consequence than Lady Ashton had not dared to take such a step; but her high rank and strength of character set her above the censure of the world, and she was allowed to have selected for her daughter's attendant the best and most experienced sick-nurse and "mediciner" in the neighbourhood, where an inferior person would have fallen under the reproach of calling in the assistance of a partner and ally of the great Enemy of mankind.

The beldam caught her cue readily and by innuendo, without giving Lady Ashton the pain of distinct explanation. She was in many respects qualified for the part she played, which indeed could not be efficiently assumed without some knowledge of the human heart and passions. Dame Gourlay perceived that Lucy shuddered at her external appearance, which we have already described when we found her in the death-chamber of blind Alice; and while internally she hated the poor girl for the involuntary horror with which she saw she was regarded, she commenced her operations by endeavouring to efface or overcome those prejudices which, in her heart, she resented as mortal offences. This was easily done, for the hag's external ugliness was soon balanced by a show of kindness and interest, to which Lucy had of late been little accustomed; her attentive services and real skill gained her the ear, if not the confidence, of her patient; and under pretence of diverting the solitude of a sick-room, she soon led her attention captive by the legends in which she was well skilled, and to which Lucy's habit of reading and reflection induced her to "lend an attentive ear." Dame Gourlay's tales were at first of a mild and interesting character—

Of fays that nightly dance upon the wold,

And lovers doom'd to wander and to weep,

And castles high, where wicked wizards keep

Their captive thralls.

Gradually, however, they assumed a darker and more mysterious character, and became such as, told by the midnight lamp, and enforced by the tremulous tone, the quivering and livid lip, the uplifted skinny forefinger, and the shaking head of the blue-eyed hag, might have appalled a less credulous imagination in an age more hard of belief. The old Sycorax saw her advantage, and gradually narrowed her magic circle around the devoted victim on whose spirit she practised. Her legends began to relate to the fortunes of the Ravenswood family, whose ancient grandeur and portentous authority credulity had graced with so many superstitious attributes. The story of the fatal fountain was narrated at full length, and with formidable additions, by the ancient sibyl. The prophecy, quoted by Caleb, concerning the dead bride who was to be won by the last of the Ravenswoods, had its own mysterious commentary; and the singular circumstance of the apparition seen by the Master of Ravenswood in the forest, having partly transpired through his hasty inquiries in the cottage of Old Alice, formed a theme for many exaggerations.