She meant to go straight out. There was no reason to linger, after all. But the cottage was so cozy. She'd always felt at home there. When Old Maude Fitzgerald had lived in Faerie Hill Cottage, for more years than Brenna could count, Brenna had often stopped in for a visit.

Then Maude had died, and Jude had come to stay for a while. They'd become friends, so it had been easy to fall back into the routine of stopping in now and then on her way home, or into the village.

She ignored the urge to stop in more often than not now that Shawn was living there. But it was hard to resist. She liked the quiet of the place, and all the pretty little things Maude had collected and left sitting about. Jude had left them there, and Shawn seemed content to do the same, so the little parlor was cheery with bits of glass and charming statues of faeries and wizards, homey with books and a faded old rug.

Of course, now that Shawn had stuffed the secondhand spinet piano into the dollhouse space, there was barely room to turn around. But Brenna thought it only added to the charm. And Old Maude had enjoyed music.

She'd be pleased, Brenna thought as she skimmed her finger over the scarred black wood, that someone was making music in her house again.

Idly, she scanned the sheet music that Shawn forever left scattered over the top of the piano. He was always writing a new tune, or taking out an old one to change something. She frowned in concentration as she studied the squiggles and dots. She wasn't particularly musical. Oh, she could sing out a rebel song without making the dog howl in response, but playing was a different kettle of fish altogether.

Since she was alone, she decided to satisfy her curiosity. She set her toolbox down again, chose one of the sheets, and sat down. Gnawing her lip, she found middle C on the keyboard and slowly, painstakingly, picked out the written notes, one finger at a time.

It was lovely, of course. Everything he wrote was lovely, and even her pitiful playing couldn't kill the beauty of it completely.

He'd added words to this one, as he often did. Brenna cleared her throat and attempted to match her voice to the proper note.

When I'm alone in the night, and the moon sheds

its tears,

I know my world would come right if only you

were here.

Without you, my heart is empty of all but the

memories it keeps.

You, only you, stay inside me in the night while

the moon weeps.

She stopped, sighed a little, as there was no one to hear. It touched her, as his songs always did, but a little deeper this time. A little truer.

Moon tears, she thought. Pearls for Lady Gwen. A love that asked, but couldn't be answered.

"It's so sad, Shawn. What's inside you that makes such lonely music?"

As well as she knew him, she didn't know the answer to that. And she wanted to, had always wanted to know the key to him. But he wasn't a motor or machine that she could take apart to find the workings. Men were more complicated and frustrating puzzles.

It was his secret, and his talent, she supposed. All so internal and mysterious. While her skills were- She looked down at her small, capable hands. Hers were as simple as they came.

At least she put hers to good use and made a proper living from them. What did Shawn Gallagher do with his great gift but sit and dream? If he had a lick of ambition, or true pride in his work, he'd sell his tunes instead of just writing them and piling them up in boxes.

The man needed a good kick in the ass for wasting something God had given him.

But that, she thought, was an annoyance for another day. She had work of her own to do.

She started to get up, to reach for her toolbox again, when a movement caught the corner of her eye. She straightened like a spike, mortified at the thought of Shawn coming back-he was always forgetting something-and catching her playing with his music.

But it wasn't Shawn who stood in the doorway.

The woman had pale gold hair that tumbled around the shoulders of a plain gray dress that swept down to the floor. Her eyes were a soft green, her smile so sad it broke the heart at first glance.

Recognition, shock, and a giddy excitement raced through Brenna all at once. She opened her mouth, but whatever she intended to say came out in a wheeze as her pulse pounded.

She tried again, faintly embarrassed that her knees were shaking. "Lady Gwen," she managed. She thought it was admirable to be able to get out that much when faced with a three-hundred-year-old ghost.

As she watched, a single tear, shiny as silver, trailed down the lady's cheek. "His heart's in his song." Her voice was soft as rose petals and still had Brenna trembling. "Listen."

"What do you-" But before Brenna could get the question out, she was alone, with only the faintest scent of wild roses drifting in the air.

"Well, then. Well." She had to sit, there was no help for it, so she let herself drop back down to the piano bench. "Well," she said again and blew out several strong breaths until her heart stopped thundering against her rib cage.

When she thought her legs would hold her again, she decided it was best to tell the tale to someone wise and sensible and understanding. She knew no one who fit those requirements so well as her own mother.

She calmed considerably on the short drive home. The O'Toole house stood back off the road, a rambling jigsaw puzzle of a place she herself had helped make so. When her father got an idea for a room into his head, she was more than pleased to dive into the ripping out and nailing up. Some of her happiest memories were of working side by side with Michael O'Toole and listening to him whistle the chore away.

She pulled in behind her mother's ancient car. They really did need to paint the old heap, Brenna thought absently, as she always did. Smoke was pumping from the chimneys.

Inside was all welcome and warmth and the smells of the morning's baking. She found her mother, Mollie, in the kitchen, pulling fresh loaves of brown bread out of the oven.

"Ma."

"Oh, sweet Mary, girl, you gave me a start." With a laugh, Mollie put the pans on the stovetop and turned with a smile. She had a pretty face, still young and smooth, and the red hair she'd passed on to her daughter was bundled on top of her head for convenience.

"Sorry, you've got the music up again."

"It's company." But Mollie reached over to turn the radio down. Beneath the table, Betty, their yellow dog, rolled over and groaned. "What are you doing back here so soon? I thought you had work."

"I did. I do. I've got to go into the village yet to help Dad, but I stopped by Faerie Hill to fix the oven for Shawn."

"Mmm-hmm." Mollie turned back to pop the loaves out of the pan and set them on the rack to cool.

"He left before I was done, so I was there by myself for a bit." When Mollie made the same absent sound, Brenna shifted her feet. "Then, ah, when I was leaving- well, there was Lady Gwen."

"Mmm-hmm. What?" Finally tuning in, Mollie looked over her shoulder at Brenna.

"I saw her. I was just fiddling for a minute at the piano, and I looked up and there she was in the parlor doorway."

"Well, then, that must've given you a start."

Brenna's breath whooshed out. Sensible, that was Mollie O'Toole, bless her. "I all but swallowed me tongue then and there. She's lovely, just as Old Maude used to say. And sad. It just breaks your heart how sad."

"I always hoped to see her myself." A practical woman, Mollie poured two cups of tea and carried them to the table. "But I never did."

"I know Aidan's talked of seeing her for years. And then Jude, when she moved into the cottage." Relaxed again, Brenna settled at the table. "But I was just talking to Shawn of her, and he says he's not seen her-sensed her, but never seen. And then, there she was, for me. Why do you think that is?"

"I can't say, darling. What did you feel?"

"Other than a hard knock of surprise, sympathy, I guess. Then puzzlement because I don't know what she meant by what she said to me."

"She spoke to you?" Mollie's eyes widened. "Why, I've never heard of her speaking to anyone, not even Maude. She'd have told me. What did she say to you?"

"She said, 'His heart's in his song,' then she just told me to listen. And when I got back my wits enough to ask her what she meant, she was gone."

"Since it's Shawn who lives there now, and his piano you were playing with, I'd say the message was clear enough."

"But I listen to his music all the time. You can't be around him five minutes without it."

Mollie started to speak, then thought better of it and only covered her daughter's hand with her own. Her darling Mary Brenna, she thought, had such a hard time recognizing anything she couldn't pick apart and put together again. "I'd say when it's time for you to understand, you will."

"She makes you want to help her," Brenna murmured.

"You're a good lass, Mary Brenna. Perhaps before it's done, help her is just what you'll do."

CHAPTER Two

As the air was raw and the wind carried a sting, Shawn set out the makings for mulligan stew. The morning quiet of the pub's kitchen was one of his favorite things, so as he chopped his vegetables and browned hunks of lamb, he enjoyed his last bit of solitude before the pub doors opened.

Aidan would be in soon enough asking if this had been done or that had been seen to. Then Darcy would begin to move about upstairs, feet padding back and forth across the floor and the ghost echo of whatever music her mood called for that day drifting down the back stairs.

But for now Gallagher's was his.

He didn't want the responsibility of running it. That was for Aidan. Shawn was grateful he'd been born second. But the pub mattered to him, the tradition of it that had been passed down generation to generation from the first Shamus Gallagher, who with his wife beside him had built the public house by Ardmore Bay and opened its thick doors to offer hospitality, shelter, and a good glass of whiskey.