"I told you they made good toys."

"So you did." Sullivan put the brokerage statement on the seat between them. "Take a look at that bottom line. You made three hundred dollars."

"Oh, wow." Carson snatched up the statement and immediately started asking questions about the various entries.

Sullivan settled back against the seat and prepared to indulge himself in one of his favorite hobbies: teaching his eager great-grandson the finer points of investment strategies.

Life was good, he thought. He had Carson, and two hours ago Hannah had informed him that he was soon to become a great-grandfather for the second time. Judging by the intimacy and the joy he witnessed when he was with Gabe and Lillian, he was almost certain there would be more good news coming from that quarter one of these days.

All he had to do was get Nick and Octavia on the right track and life would be damn near perfect.

Chapter 17

An eerie green light emanated from Arizona's War Room. Octavia studied the glow seeping around the edge of the heavy steel door with great interest.

"Think maybe she's thawing some of those frozen space aliens she claimed the institute was trying to hide a few months ago?" she asked.

"When it comes to A.Z. and her conspiracy theories, nothing would surprise me." Nick pushed open the door and stood back to allow Octavia to enter the room.

In any normal house, the space would probably have been described by the architect as a study. But Arizona didn't live in a normal house. Her cabin was fortified with locking metal shutters on all the windows. The doors had been reinforced with steel bolts. Rumor had it that Arizona had six months' worth of supplies and food stored on the premises.

Octavia had lived in Eclipse Bay long enough to know that the reason no one in town got nervous about Arizona was because it was a fact that she had no interest in weapons of any kind. In her bizarre fantasy world, her mission was to collect and analyze intelligence data on the various conspiracies she was certain lay just below the surface at the Eclipse Bay Policy Studies Institute. The fact that the institute dismissed her as a quaint, local eccentric suited Arizona just fine. As she had explained to Octavia on one occasion, the disdain from the institute staff only made her job of spying on them simpler.

Octavia stepped into the War Room and saw that the mysterious green light radiated from a computer screen. Three people garbed in flowing robes and wearing a lot of the vaguely Egyptian-style jewelry favored by the Heralds sat hunched over the table. Two of them were going through heavy, leather-bound log books. The third was pounding away on the keyboard. They barely glanced up when Octavia and Nick entered.

There was a spartan, military-spare look to the furnishings. A large topographical map of Eclipse Bay was laminated to the surface of a massive desk. Rows of log books were arranged on the metal shelving that lined one wall.

Arizona, dressed in her customary camouflage-patterned fatigues, occupied the aging wooden chair behind the desk. A chubby, unlit cigar stuck out of the corner of her mouth. The narrow beam from the desk lamp was aimed low to illuminate the topo map. Most of Arizona's face was in shadow.

"About time you two got here." Arizona motioned toward the chairs that sat opposite her on the other side of the desk. "Have a seat. Coffee?"

Octavia glanced toward the machine in the corner. She could detect the unmistakable odor of burned coffee from where she stood. The glass pot had been sitting on the hot plate for a long, long time.

"No, thanks," she said politely. She took one of the chairs. "I've had enough today."

"I'll pass, too." Nick dropped into the chair beside her. He angled his chin toward the three Heralds. "How's Project Log Book going?"

"Right on schedule, and I intend to keep it that way." Arizona permitted herself a small moment of intense satisfaction. "Those bastards up at the institute aren't going to stop us. But we've got a problem."

"What's up?" Nick asked easily.

"The institute crowd has started a rumor. Heard it at Fulton's this morning," Arizona stated, clearly agitated.

Octavia sighed. "That would be the rumor that I'm the one who stole the painting and faked a break-in at my gallery to cover my tracks?"

"Bingo." Arizona snorted. "So, you've heard it, too, eh?"

"Yes," Nick said. "Seemed to be coming from Eugene and Dwayne. I took steps to keep them quiet, but I had a hunch that they weren't the original source."

"I reckon that the institute tried to use them to spread it for obvious reasons," Arizona said. "Not like those two blockheads would question the source of a story. They'd just happily blab to anyone who would listen. Whoever used them knew that was their nature."

Nick thought for a minute. "You said you heard the rumor at Fulton's?"

"Checkout counter," Arizona said. "Overheard Betty Stiles talking about it to Marjorie Dunne."

An unpleasant whisper of unease went through Octavia. Marjorie Dunne was the mother of little Katy Dunne, one of the children who had entered a picture in the Children's Art Show. Gordon Dunne served on the town council and had made it clear that he intended to run for mayor in the next election cycle. The family took its role as pillars of the community seriously.

"Betty and Marjorie, huh?" Nick leaned back in his chair and thrust his legs out toward the desk. He steepled his fingers. "What we need to do is trace this rumor back to the source."

"We know where it got started," Arizona snapped. "That crowd up at the institute concocted it. I'll bet they've got that painting stashed somewhere up there, too. Now, I've come up with a plan-"

"No." Nick unsteepled his fingers and held up one hand, palm out, to silence her. "Don't even think about it. You are not going to send Octavia and me into the institute to search for that painting."

"Got to go in," Arizona declared. "Don't see any other way to find the picture."

"Give me a few more days," Nick said. "I'm working on some angles."

Arizona looked skeptical. "What angles?"

"It's a little complicated and I'm not ready to talk about it yet. Let's just say that I think this thing has roots in the past. I've asked my grandfather to help. He and Mitch Madison are doing some deep background research. When I get the results I'll contact you."

"Deep background, huh?" Arizona chewed on her cigar while she pondered that. "When do you expect a report from 'em?"

"Soon," Nick promised. He got to his feet. "Any day now. Hold off on your plans to go into the institute until I get back to you, okay? If you move now, you may alert the folks who are behind this and they'll probably move that painting. Maybe ship it to California. We'll never find it if they take it out of town."

Arizona munched on her cigar a couple of times and then nodded decisively. "All right. I'll give you a few days to finish your deep background. But if you don't get anything useful out of Sullivan and Mitch, we're gonna have to go in. It's our only option."

"Right. I'll be in touch." Nick took Octavia's arm and hauled her up out of the chair. "Come on, we've got work to do, honey."

The honey bemused her a little. She got the feeling that he wasn't even conscious of having used the endearment. She thought about that while she allowed herself to be dragged from the War Room.

Outside, a light summer rain was falling. The woods surrounding the fortified cabin were cloaked in a gray mist. Nick hustled her into his car, and then went around the front and got in beside her.

She looked at him as he quickly reversed and drove back along the thin, rutted path that served as Arizona's driveway.

"Deep background?" she said dryly.

"I thought it sounded good. Had a nice military ring."

"It did seem to impress Arizona, but you only bought us a little time. What do you expect to accomplish?"

"Beats me. But I didn't have much choice. I had to come up with something fast. I definitely do not want to get tangled up in one of Arizona's little clandestine recon projects at the institute."

"From what Mitch told me, it's sort of a family tradition. Hannah and Rafe carried out a mission for Arizona and so did Lillian and Gabe."

"And it was just damn good luck that none of them got picked up for illegal trespass." Nick turned the wheel and drove out onto the main road. "I've got no intention of following in their illustrious and heroic footsteps, thank you very much. Especially when there's no reason in hell to think that the painting has been hidden up there at the institute."

Her small flash of amusement faded. "But you do believe that it's still somewhere in town, don't you?"

"Yes." He did not take his attention off the road. "I think whoever took it did it for personal reasons, not for profit. That means it's probably still somewhere in town. We need to find the source of those rumors."

A few minutes later Nick drove into town, turned onto Bay Street, and parked in the lot at the end of the row of shops. He got out and walked with Octavia to the door of the gallery.

The flicker of unease she had experienced a short time ago when Arizona had recounted the scene at Fulton's returned. Inside the gallery, Gail stood at the counter. She was engaged in an intense conversation with Marjorie Dunne.

"That's a ridiculous rumor, Mrs. Dunne," Gail said forcefully. "I can't imagine who started it, but it has absolutely no basis in fact."