But there are a couple kids I’ve genuinely come to love, scholarship students who didn’t come to school equipped with a Visa that Mom and Dad are only too happy to pay off every month, and who actually need to work in order to pay for books and fees, and so will take the 4 P.M. — midnight shift at the reception desk on a Saturday night with a minimum of begging on my part.

“Oh, Heather,” Magda whispers. Only she pronounces it Haythar. She is whispering because she doesn’t want the kids to know what’s really going on. Whatever it is. “One of my little movie stars!”

“A student?” I can see people in the crowd eyeing Magda curiously. Not because she’s weird-looking—well, she IS kind of weird-looking, since she wears enough makeup to make Christina Aguilera look as if she’s going au naturel, and she’s got those really long nails and all.

But since it’s the Village, Magda’s outfits could actually be considered kind of tame.

It’s the “movie star” thing people don’t get. Every time a student enters the Fischer Hall cafeteria, Magda takes his or her dining card, runs it through the scanner, and sings, “Look at all the byootiful movie stars who come to eat here. We are so lucky to have so many byootiful movie stars in Fischer Hall!”

At first I just thought Magda was trying to flatter the many drama students—and there are tons, way more than pre-med or business majors—that go to New York College.

Then one Fix Your Own Sundae day, Magda dropped the bomb that Fischer Hall is actually quite famous. Not for the reasons you’d think, like because it’s on historic Washington Square, where Henry James once lived, or because it’s across the street from the famous Hanging Tree, where they used to execute people in the eighteenth century. Not even because the park was once a cemetery for the indigent, so basically all those benches and hot dog stands? Yeah, they’re sitting on dead people.

No. According to Magda, Fischer Hall is famous because they shot a scene from the movie Teenage Mutant Ninja Turtles there. Donatello or Raphael or one of the turtles—I can’t actually remember which one—swung from the Fischer Hall penthouse to the building next door, and the kids in the building all acted as extras, looking up and pointing amazedly at the stunt turtle’s feat.

Seriously. Fischer Hall has quite an exciting history.

Except that the kids who acted in the movie as extras have long since graduated and moved from Fischer Hall.

So I guess people think it’s weird that Magda is still bringing it up, all these years later.

But really, you can see how the fact that a scene from a major motion picture was shot at her place of work would be, to someone like Magda, just another of the many things that make America great.

But you can also see how, to someone who doesn’t know the story behind it, the whole “my little movie star” thing might seem a little… well, wacko.

Which probably explained why so many people were looking curiously our way, having overheard her outburst.

Not wanting the kids to catch on that something was seriously wrong, I take Magda by the arm and steer her toward one of the potted pines that sits outside the building—and which the students unfortunately tend to use as their own personal ashtray—so we can have a little privacy.

“What happened?” I ask her, in a low voice. “Rachel left a message that there’d been a death in the building, but that’s all she said. Do you know who? And how?”

“I don’t know,” Magda whispers, shaking her head. “I am sitting at my register, and I hear screaming, and someone says that a girl is lying at the bottom of the elevator shaft, and that she’s dead.”

“Oh my God!” I’m shocked. I’d been expecting to hear about a death from a drug overdose or violent crime—there are security guards on duty twenty-four hours a day in the building, but that doesn’t mean the occasional unsavory character doesn’t manage to slip inside anyway. It is New York City, after all.

But death by elevator?

Magda, moist-eyed, but trying valiantly not to cry—since that would tip off the students, who are prone to dramatics anyway, that something is REALLY wrong (it also wouldn’t do anything much for Magda’s many layers of mascara)—adds, “They say she was—what do you call it? Riding on top of the elevator?”

“Surfing?” I am even more shocked now. “Elevator surfing?”

“Yes.” Magda carefully inserts the tip of a finely crafted nail at the corner of her eye, and dashes away a tear. “That is why they are not letting anyone inside. The little movie stars need the elevator to get up to their dressing rooms, but they have to move the—”

Magda breaks off with a sob. I put my arm around her and quickly turn her toward me, as much to comfort her as to smother the sound of her crying. Students are glancing curiously our way. I don’t want them to catch on that anything is seriously wrong. They’ll find out, soon enough.

Only they probably won’t have as hard a time believing it as I was.

The thing is, I shouldn’t have been so surprised. Elevator surfing is a problem campus-wide—and not just at New York College, but at universities and colleges all over the country. Teenagers with nothing better to do than get high and dare each other to jump onto the roofs of elevator cabs as they glide up and down the dark, dangerous shafts. There’d been account after account of kids getting themselves decapitated in drunken dares.

I guess it was bound to happen at Fischer Hall sometime.

Except.

Except that Magda kept saying “she.” That a girl had died.

Which is weird, because I’ve never once heard of a girl elevator surfing. At least not in Fischer Hall.

Then Magda lifts her head from my shoulder and says, “Uh-oh.”

I turn to see what she’s talking about and suck in my breath real fast. Because Mrs. Allington, the wife of Phillip Allington—who last spring was inaugurated as the college’s sixteenth president—is coming down the sidewalk toward us.

I know a lot about the Allingtons because another thing I found in Justine’s files—right before I threw them all away—was an article clipped from the New York Times, making this big deal out of the fact that the newly appointed president had chosen to live in a residence hall rather than in one of the luxury buildings owned by the school.

“Phillip Allington,” the article said, “is an academician who does not wish to lose touch with the student population. When he comes home from his office, he rides the same elevator as the undergraduates next to whom he resides—”

What the Times totally neglected to mention is that the president and his family live in Fischer Hall’s penthouse, which takes up the entire twentieth floor, and that they complained so much about the elevators stopping on every floor on their way up to let the students out that Justine finally issued them override keys.

Aside from complaining about the elevators, President Allington’s wife, Eleanor, seems to have very little to do. Whenever I see her, she’s always just returning from, or heading off to, Saks Fifth Avenue. She is uncannily committed to shopping—like an Olympic track athlete is dedicated to her training.

Only Mrs. Allington’s sport of choice—besides shopping—seems to be consuming vast amounts of vodka. When she and Dr. Allington return from late-night dinners with the trustees, Mrs. Allington inevitably kicks up a ruckus in the lobby, usually concerning her pet cockatoos—or so I’ve heard from Pete, my favorite university security officer.

“The birds,” she’d once told him. “The birds hate your guts, fatty.”

Which is kind of mean-spirited, if you think about it. Also inaccurate, since Pete isn’t a bit fat. He’s just, you know. Average.

Mrs. Allington’s drunken verbal assaults are a source of much amusement at the hall’s reception desk, which is staffed round the clock by student employees—the ones I’m supposed to supervise. Late at night, if Dr. Allington isn’t home, Mrs. Allington sometimes calls down to the desk to report all sorts of startling facts: that someone has eaten all her stuffed artichokes; that there are coyotes on her terrace; that tiny invisible dwarfs are hammering on her headboard.

According to Pete, the students were at first confused by these reports, and would beep the resident assistants, the upperclassmen who, in exchange for free room and board, are expected to act as sort of house mothers, one per floor. The RAs in turn would notify the building director, who would board the elevator for the twentieth floor to investigate.

But when Mrs. Allington answered her door, bleary-eyed and robed in velour—I know! Velour! Almost as good as stretch velvet—she’d just say, “I don’t know what you’re talking about, fatty.”

While behind her (according to various RAs who’ve repeated this story), the cockatoos whistled maniacally.

Spooky stuff.

But apparently not as spooky to Mrs. Allington as it is to the rest of us, probably because she never seems to remember any of it the next day, and heads off to Saks as if she were a queen—the Queen of Fischer Hall.

Like now, for instance. Loaded down with shopping bags, Mrs. Allington is looking scathingly at the cop who is blocking Fischer Hall’s front door, and going, “Excuse me. I live here.”

“Sorry, lady,” the cop says. “Emergency personnel only. No residents allowed back in the building yet.”

“I am not a resident. “ Mrs. Allington seems to swell amid her bags. “I’m… I’m… ” Mrs. Allington can’t seem to quite figure out what she is. But it’s not like the cop cares.

“Sorry, lady,” he says. “Go enjoy the street fair for a while, why dontcha? Or there’re some nice benches over in the park there. Whyn’t you go relax on one till we get the all-clear to start lettin’ people in again, okay?”