"I was protecting you," Fiona explained. "I thought my marriage was over. I knew that Seamus would never change. And when I walked out, I never intended to stay away for so long. I decided I'd go back after you were born. But by then, it was even more difficult to leave New York. I had a good job. I'd built a life for us."

"But your sons," Keely said. "How could you-"

Tears flooded Fiona's eyes. "Do you think it was easy leaving them? I thought it would force Seamus to grow up if he had to be responsible for the boys for a while, if he had to pay the bills and take care of the house. I kept in touch with a neighbor for a time, just to make sure the boys were all right." She paused. "I didn't want to leave. But I was trapped. I would have taken them with me, but didn't have a way to provide for the boys, and Seamus did. I'd never worked in my life before I took the job in the bakery."

"I used to make up all sorts of stories about my father," Keely said. "He was so heroic and brave and he died in a very tragic way. You see, I had to make up stories since you never told me anything."

"Would you have been happy with the truth? Your father was a dirt-poor Irish fisherman who spent most of his time on a swordfishing boat out in the North Atlantic. When he was home, he was usually drunk. He gambled away most of what he earned. And when he went back out to sea, I was glad for it."

Keely laughed softly. "And I imagined the reason that you never married again was that you never stopped loving him."

"I'm a Catholic and divorce wasn't an option."

Keely gasped. "You're still married?"

"I am," Fiona said. "I'm not sure about your father. He could have another wife. I suppose that would make him a bigamist."

Keely stared down at the piping on the cake, noticing that her work had become uneven and sloppy. With a soft curse, she picked up her spatula and smoothed the decoration out, preparing to start all over again. "I have to go," she murmured. "I have to know who they are."

"Even if it means you'll get your heart broken? Please, Keely, don't turn this into some romantic fantasy," Fiona warned. "It's more likely to be a disaster."

"And maybe it won't be. Maybe they'll be happy to meet me."

A long silence grew between them. "When will you go?" Fiona finally asked.

"I've asked Janelle and Kim to take care of the jobs for this weekend. You'll have to do the Wilkinson cake and the Marbury cake. They're both decorated with marzipan and I've made all of that ahead of time. You'll just need to frost the tiers and do a little simple piping. I should only be gone about a day or two."

"Then, you'll need this," Fiona said. She reached into her pocket and pulled out a chain with a jewel-encrusted pendant. She held it out to Keely. "Take it," she said.

Keely twisted the chain around her fingers and examined the necklace. "What is this?"

"It was given to me on my wedding day by my mother. It's a McClain family heirloom. A claddagh. The Irish symbol of love. The heart is for fidelity, the hands for friendship and the crown for loyalty. I was saving it to give to you on your wedding day." She paused. "Seamus knows this pendant. If you show it to him, he'll know where it came from." Fiona laughed softly. "In truth, this necklace was the reason I left your father."

"It was?"

Fiona nodded. "He'd just come home after two months away. He was drunk and he'd just gambled away most of his pay down at the pub. He took the necklace to a pawn shop and sold it for gambling money. He said he needed to win back what he'd lost. Before I left Boston, I convinced the pawnbroker to let me buy it back over time. It took me three years." She stared at the pendant, dangling from Keely's fingers. "That's the kind of man your father was…the truth be told."

"Maybe he's changed," Keely said softly. "People can change, you know."

"And maybe he hasn't," Fiona countered.

Keely slipped the necklace into her apron pocket. "I guess I won't know for sure until I meet him myself."

She turned back to her cake and studied it critically. Suddenly she didn't have the patience for piping the delicate basket weave. Now that she'd decided to go to Boston and find her family, she wanted to pack her bags and leave right away. A tiny wave of nausea gave her pause, but she fought it back. She was brave enough to face whatever might happen in Boston.

And once she did, she'd be able to figure out who she really was-a McClain or a Quinn.

A CHILLY WIND stung Keely's face as she walked down the rain-slicked sidewalk, her hands shoved into her jacket pockets, her gaze fixed a few feet ahead of her. She was almost afraid to look up, afraid to face what she had come to see.

The weather was cold for early October and a nasty storm was bearing down on the East Coast, the prospect of rain heavy in the air. But that hadn't stopped her from driving to Boston. Since she'd returned from Ireland just over a week ago, Keely had dreamed about this day, going over it in her head, then with maps spread out on her bed. She had plotted how long it would take to drive from New York to Boston and back again.

She'd wanted to go the day after she'd returned from Ireland, the moment her mother told her that Seamus Quinn was in Boston. She'd found his address on the Internet and was ready to pick up the phone and call him. But she'd stopped herself, unwilling to act impulsively this time. For once in her life, Keely was determined to think before she acted and not rush headlong into something she knew might be dangerous.

Up until this moment, that had been the story of her life-impetuous decisions, impulsive actions, always leading to a severe reckoning. Like the time a friend had dared her to steal money from the offering basket at church. She'd tossed in a quarter and palmed a five-dollar bill, only to be caught by the old lady sitting next to her. Keely had been forced to clean the church bathrooms for six months to pay for that little lapse.

Then there was the time she'd run away with the drummer from a sleazy garage band. She'd been sixteen and had made it as far as New Jersey before the guy dumped her. Fiona hadn't let her out of the house for almost six months for that unwholesome adventure. And just last year, she'd been hauled into jail for punching a policeman who'd been trying to roust a homeless man who lived in the alley behind her apartment. That had gotten her a substantial fine and a genuine police record.

But her trip to Boston, though risky, wasn't really reckless. She had no other choice but to come. Only now that she was here, her only thought was how easy it would be to turn around and go home, to take the safe way out and resume her old life. But curiosity drove her forward, in spite of her pounding heart and her quickened breathing. Maybe her mother had been right. The past was the past, Fiona had said. Leave it alone.

The past that Keely had believed was her past had been nothing but a lie, a fabrication devised to quell a curious child's questions. The father she thought had died in a commercial fishing accident was really alive. And the siblings she'd always longed for were living in a city just a few hundred miles from her home in New York, living lives that she could only imagine. Keely drew a shaky breath, then turned and looked across the street.

It was there, right where it was supposed to be, neon beer signs blazing in the plate-glass windows. Quinn's Pub. She'd gone to her father's house, screwed up her courage and knocked on the front door, only to have a neighbor tell her that Seamus Quinn was at the pub he owned, just a few blocks away.

"Seamus," she murmured as she stared at the pub. "Seamus, Conor, Dylan, Brendan, Brian, Sean, Liam."

Until a month ago, the names were those of strangers. But in just a few moments of shocking revelation in Maeve's cottage in Ireland, they'd become her family. Now, she repeated the names over and over again, hoping the mere sound of the syllables would conjure up images of the men who belonged to them.

"All right," she murmured. "What's the plan?"

Maybe it would be best just to get a feel for the situation first. She'd go inside and order a beer, maybe get a look at her father. She crossed the street, but as she approached the bar, a man pushed open the front door and stepped outside, then another right behind him. An Irish tune drifted into the night from the interior of the pub, then disappeared on the wind. The lights flooding the front facade provided enough illumination for Keely to see both men, but her gaze was caught by the taller of the two.

It had to be him, though she wasn't sure which him it was. His features were so unique, the dark hair, the strong jaw and the wide mouth, the very same features she looked at in the mirror every morning-only hers were softened to a feminine form-the same features she'd seen in the old photograph, now altered by age.

Keely had no choice but to continue walking. To turn and run would only draw attention to herself. As she passed the pair, she glanced up and her gaze locked with his. The recognition she felt was reflected in his own expression and, for a moment, Keely was sure he was going to stop and speak to her. A jolt of panic raced through her and she opened her mouth. But a casual greeting was too much. Instead, she just kept walking…walking until she felt a pang of regret at the missed opportunity.

"Keep walking," Keely murmured to herself. "Don't look back."

When she reached the front door of the pub, she started up the steps, but her courage had already been severely shaken. If this was how she reacted to a stranger on the street-a stranger who might not even be one of her brothers-then how would she react when she spoke to her father for the first time in her life?