She ran back inside, still sobbing then, flew up the back stairs and into the kitchen, across the bloodstained hall carpet, to find the policemen. And what she found there was a scene of total carnage. One with his head bashed in, another with the back of his head blown off by an M16. His brains were splattered all over her kitchen wall. She had never seen anything so horrible, and was too terrified to even cry. They could have done this to her or Sam, and still could. The two FBI agents had been shot in the chest and heart, one of them was sprawled across the table with a hole in his back the size of a dinner plate, the other was lying on his back on the kitchen floor. The two FBI men were holding their Sig Sauer .40 calibers, and the two policemen held semiautomatic .40-caliber Glocks, but none of them had had time to fire off a round before the kidnappers shot them. They had been distracted for just a moment, talking and drinking coffee, and had been taken completely unaware. All of them were dead. And she ran out of the room to use the phone and call someone. She found the card with Ted's phone number, and dialed his cell phone. She was so panicked she didn't think to call 911, and she remembered the kidnappers' warning “not to tell anyone.” That seemed impossible now with four officers dead at their hands.
Ted answered on the first ring, and was at home, doing some paperwork and cleaning his .40-caliber Glock, which he'd been meaning to do all week. All he heard were strange guttural moaning sounds, like some wild wounded beast. She could not find the words to tell him, and sobbed pathetically into the phone.
“Who is this?” he said sharply. But he was afraid to know. Something deep in his soul told him instantly it was Fernanda. “Speak to me,” he said, sounding powerful, as she clamped her teeth shut and fought for air, sucking the air through them. “Talk to me. Where are you?”
“They… toooookkkkk…himmmm …” she finally managed to say, shaking violently from head to foot, barely able to breathe or speak.
“Fernanda …” He knew it. Even in extremis, he knew her voice. “Where are the others?” She knew he meant his men, and couldn't tell him.
She sobbed uncontrollably again then. All she wanted now was her son back. And this was only the beginning. “Dead… all dead,” she managed to say. He didn't dare ask her if Sam was too, but he couldn't be. It would do them no good if they had killed him in front of his mother. “They said they'd kill him if I told …” Ted and she both believed them. “I'll be right there.” He cut her off without asking more questions, called central dispatch, and gave them her address and a warning to keep it off the radio to keep the press out of it. They did the dispatch in code. His next call was to Rick, and he told him rapidly to get their media rep to Fernanda's house. They had to control what was said, if anything, so as not to risk Sam. Rick sounded as upset as Ted was, and was running out the door with his cell phone as they talked, and both hung up within seconds.
Ted ran out his front door, having just reassembled his gun, and shoved it in the holster. He didn't even bother to turn his lights off. He put a red light on top of his car, turned it on, and drove as fast as he could to where she was. But long before he got there, her street was filled with police cars, flashing lights, and sirens. They had sent three ambulances. And there were nine police cars up and down her street, and another blocking the entrance to her block when he got there, only minutes after they did. Two more ambulances arrived as he got out, and Rick was just behind him.
“What the hell happened?” Rick ran alongside him as they reached the front steps. There were police already in the house, and Ted could see no sign of Fernanda, the agents, or policemen who had been protecting her and Sam.
“I don't know yet… they have Sam… that's all I know… she said ‘all dead,’ and then I cut her off, called dispatch, and you.” As they rushed into the house, Ted saw the blood on the steps and the hall carpet, and as though drawn to it, they walked into the kitchen, and saw all that Fernanda had. And as much horror as they had both seen in their careers, what they saw there hit them hard.
“Oh my God,” Rick said in a whisper, as Ted stared in silence. All four of their men were dead, and their deaths had been brutal and ugly. Animals had done it. That was what these men were. Ted felt rage overcome him as he turned to look for her, and ran back into the hallway. There were twenty policemen in the house by then, all shouting and running, and checking for suspects. Ted had to fight his way past them as the FBI media rep was giving orders to keep the press out. Ted was about to run up the stairs, when he saw Fernanda on her knees in the living room, just lying there and sobbing, with her head on the carpet. She was hysterical when he knelt beside her and took her in his arms, stroked her hair, and knelt there with her and held her. Ted just held her and rocked her and said nothing. Her eyes were wild and terrified as she looked at him and then leaned against him.
“They took my baby …oh my God…they took my baby …” She had never fully believed they would do it. Nor had he. It was too bold and too outrageous and too crazy. But now they'd done it. And killed four men when they took him.
“We'll get him back. I promise.” He had no idea if he could live up to it, but he would have told her anything to calm her. Two paramedics walked in then, and looked at him. He didn't think she was injured but she was in bad shape, and one of them knelt beside her and talked to her. She was suffering from extreme trauma.
Ted helped them lay her down on the couch, and took off her shoes before he did it. There was blood on them, and she had tracked it all over the room. There was no point getting it on the couch too. There were police photographers everywhere by then, taking photographs and videos of the crime scene. It was beyond gruesome. Policemen were crowding in everywhere, some were crying, all were talking, as FBI agents began to arrive by the carful. Within half an hour, there were forensic experts everywhere, collecting fibers, glass, fabrics, fingerprints, and DNA evidence for FBI and SFPD crime labs. And there were already two kidnap negotiators standing by the phones, waiting for a call. The general mood was one of outrage.
It was late afternoon before they left, and Fernanda was in her room by then. They had put yellow caution tape on the kitchen doorway, indicating that it was a crime scene and had to be left intact, or “sterile” as they called it. Most of the police cars had left. There were four more men assigned to her. The captain had come to survey the damage, and left again looking shaken and grim. They had explained nothing to the neighbors. And barred all access to the press. The official statement was that an accident had happened. And they took the bodies out the back door, after the press left. The police knew without question that there could be no public statement until they had the boy back. Anything said publicly would jeopardize him further. Nothing more could be said.
“For a while there,” the captain said to Ted before he left, “I thought you were crazy. It turns out they are.” He hadn't seen anything as grisly in years, and he had asked Ted immediately if Fernanda had heard or seen anything that could help them, like the license plate, or their destination. But she hadn't. They had all been wearing ski masks, and said little or nothing. She had been too frantic to even notice details about the van. All they knew was what they'd known before it happened. Who it might be, and who might be behind it. There was nothing new, except that two policemen and two FBI agents had died, and a six-year-old boy had been kidnapped. Detectives had gone to Peter's Tenderloin hotel within minutes of Fernanda's call to Ted, but the desk clerk said he'd gone out that morning and not come back. Peter's guests of the night before had gone out a service entrance and never been seen or linked to him. The police were staking out his room, but there was no sign of him, and Ted knew there wouldn't be. He was gone for good, although what seemed like all his belongings were still in the room. And there were coded all points bulletins out for Peter and Carlton Waters, and Peter's car. Everyone knew they had to act with extreme caution so as not to alert the kidnappers or jeopardize the boy.
Carlton Waters and his two friends had called Peter as soon as they crossed the Bay Bridge and were driving through Berkeley. They used the new number he'd given them, on his brand-new nontraceable cell phone.
“We had a little problem,” Waters said to him. He sounded calm but angry.
“What little problem?” For a terrifying moment, Peter was afraid that they'd killed her, or Sam.
“You forgot to mention she had four cops with her, sitting in her kitchen.” Waters sounded livid. They hadn't expected to have to kill four cops to get to the kid. That was not part of the deal. And Peter hadn't warned them.
“She what? That's ridiculous. I never saw them go in. She had a few friends in the other day, but that was it. There was no one with her.” He sounded certain. But he had also left before ten o'clock the night before, maybe they had gone in after he left. He wondered if that was why he hadn't seen much of her for the past few days. But there was no one to tip her off to what was happening. No way for her to know. Nothing had happened, except Addison getting himself arrested for tax problems. But nothing about that could have warned the police or the FBI, unless he had said something inadvertently. Peter knew he was too smart for that. He couldn't figure out what had happened, or what had gone wrong.
“Well, whoever wasn't with her is no longer a problem. If you get my drift,” Waters said, spitting a wad of chewing tobacco out the van window. Stark was driving. And Free was in the back seat. The boy was in the bag they'd put him in, in the back of the van, with their weapons and the groceries. Free had an M16 at his feet, and an arsenal of handguns, mostly .45-caliber Rugers and Berettas, both were semiautomatic weapons. Carl had brought his favorite, an Uzi MAC-10, a small fully automatic machine gun he'd grown fond of and learned to use before he went to prison.
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