Or maybe, Finn mused with a grin, they were just crazy.

"Hey." He shifted in his seat and aimed the recorder. "Want to be my last interview?"

His companion opened red-rimmed eyes. What he saw was a man only a few years younger than himself, with clear, pale skin shadowed by a hint of a beard shades darker than the tousled mane of wavy bronze hair that swept the collar of a leather bomber's jacket. Sharp, angular features were softened by a mouth spread in an engaging grin that featured a crooked eyetooth. The grin brought out dimples that should have softened the face, yet only made it tougher. Like dents in rock.

But it was the eyes that held the onlooker's attention. Just now they were a deep, misty blue, like a lake dappled in fog, and they were filled with amusement, self-deprecation and recklessness.

The man heard a sound bubble in his own throat and was stunned to realize it was a laugh. "Fuck you," he said, grinning back.

"Even if we buy it on this run, I don't think they'll air that. Network standards. Is this your first trip to the States?"

"Jesus, you are crazy." But some of his fear was ebbing. "No, I make the trip about twice a year."

"What's the first thing you want to do if we land in one piece?"

"Call my wife. We had a row before I left. Silly business." He mopped his clammy face again. "I want to talk to my wife and kids."

The plane lost altitude. The PA crackled under the sounds of screams and sobs.

"Ladies and gentlemen, please remain in your seats, with your seat belts fastened. We will be landing momentarily. For your own safety, please put your head between your knees, grasp your ankles firmly. Once we land, we'll begin emergency evacuation procedures."

Or they'll scrape us up with shovels, Finn mused. The vision of the wreck of Pan Am flight 103 spread over Scotland played uneasily in his mind. He remembered too well what he'd seen, what he'd smelled, what he'd felt when he'd broadcast that report.

He wondered, fatalistically, who would stand in front of twisted, smoking metal and tell the world about the fate of flight 1129.

"What's your wife's name?" Finn asked as he leaned forward.

"Anna."

"Kids?"

"Brad and Susan. Oh God, oh God,

I don't want to die."

"Think about Anna and Brad and Susan," Finn told him. "Pull them right into your head. It'll help." Cool-eyed, he studied the Celtic cross that had worked its way out from under his sweater to dangle on its chain. He had people to think about, as well. He closed his hand over the cross, held it warm in his hand.

"It's seven-oh-nine, Central time. The pilot's taking us in."


"Can you see it yet? Joe, can you see it?" "Can't see a goddamn thing through this goddamn rain." He squinted, hefting his camera. Rain ran off the bill of his fielder's cap and waterfalled in front of his face. "Can't believe there's no other crews here yet. It's just like Finn to call the son-of-a-bitching story in so we'd get an exclusive."

"They'll have heard about it by now." Straining to see through the gloom, Deanna shoved sopping hair from her eyes. In the lights of the runway, the rain looked like a hail of silver bullets. "We won't be alone out here for long. I hope we're right about them using this runway."

"We're right. Wait. Did you hear that? I don't think that was thunder."

"No, it sounded like — there!" She stabbed a finger toward the sky. "Look. That's got to be it."

The lights were barely visible through the slashing rain. Faintly, she heard the mutter of an engine, then the answering wail of emergency vehicles. Her stomach flipped over.

"Benny? Are you copying this?" She lifted her voice over the storm, satisfied when she heard her producer's voice come through her earpiece. "It's coming down now. Yes?" She nodded to Joe. "We're set. We're going live," she told Joe, and stood with her back to the runway. "Go from me, then follow the plane in. Keep on the plane. They've got us," she murmured, listening to the madhouse of the control room through her earpiece. "In five, Joe."

She listened to the lead-in from the anchor, and her cue. "We've just spotted the lights from flight 1129. As you can see, the storm has become very violent, rain is washing over the runways in sheets. Airport officials have refused to comment on the exact nature of the problem with flight 1129, but emergency vehicles are standing ready."

"What can you see, Deanna?" This from the anchor desk back in the studio.

"The lights, and we can hear the engine as the plane descends." She turned as Joe angled the camera skyward. "There!" In the lightning flash, the plane was visible, a bright silver missile hurtling groundward. "There are two-

hundred and sixty-four passengers and crew aboard flight 1129." She shouted over the scream of storm, engines and sirens. "Including Finn Riley, CBC'S foreign correspondent returning to Chicago from his post in London. Please God," she murmured, then fell silent, letting the pictures tell the story as the plane came into clear view.

It was laboring. She imagined herself inside as the pilot fought to keep the nose up and level. The sound must have been deafening.

"Almost," she whispered, forgetting the camera, the mike, the viewers as she kept her gaze riveted on the plane. She saw the landing gear, then the bright red, white and blue logo of the airline slashed on the side of the plane. There was only static in her earpiece.

"I can't hear you, Martin. Stand by."

She held her breath as the wheels hit, skidded, bounced off the tarmac. Held it still as the plane slid and swayed, chased down the runway by the flashing lights of emergency vehicles.

"It's skidding," she called out. "There's smoke. I can see what looks like smoke under the left wing. I can hear the brakes screaming, and it's slowing. It's definitely slowing, but there's a problem with control."

The wing dipped, skimming the tarmac and shooting up a shower of sparks. Deanna watched them sizzle and die in the wet as the plane swerved. Then, with a shuddering bump, it stopped, diagonally across the runway.

"It's down. Flight 1129 is on the ground."

"Deanna, is it possible for you to assess the damage?"

"Not from here. Just the smoke I spotted at the left wing, which corroborates our unofficial reports of left-engine failure. Emergency crews are soaking down the area with foam. Ambulances are standing by. The door's opening, Martin. The chute's coming out. I can see — yes, the first passengers being evacuated."

"Get closer," the producer ordered. "We're cutting back to Martin to give you time to get closer."

"We'll move closer to the scene, and bring you more on flight 1129, which has just landed at O'Hare. This is Deanna Reynolds for CBC."

"You're clear," her producer shouted. "G." "Goddamn!" Excitement pitched Joe's voice up an octave. "What pictures. What pictures. It's fucking Emmy time."

She shot him a look, but was too used to the cameraman's style to comment. "Come on, Joe. Let's see if we can get some interviews."

They dashed toward the runway as more passengers slid down the emergency chute into the arms of waiting rescue workers. By the time they reached the huddle of vehicles, and reset for broadcast, there were half a dozen people safely out. One woman sat on the ground, weeping into her folded arms. With the singlemindedness of a newsman, Joe rolled tape.

"Benny, we're at the scene. Are you getting this?"

"Absolutely. It's good film. We'll be putting you back live. Get me one of the passengers. Get me—"

"Riley," Joe shouted. "Hey, Finn Riley."

Deanna glanced back toward the chute in time to see Finn make his slide to earth. On hearing his name called, he turned his head. Eyes narrowed against the driving rain, he focused on the camera. And grinned.

He landed easily, despite the metal case he clutched. Rain dripped from his hair, skimmed down his leather jacket and soaked his boots.

In an easy lope he covered the ground from chute to camera.

"You lucky son of a bitch." Joe beamed and punched Finn on the shoulder.

"Good to see you, Joe. Excuse me a minute." Without warning, he grabbed Deanna and planted a hard kiss on her mouth. She had time to feel the heat radiating from his body, to register the shock of electricity from his mouth to hers, a quick burst of power, before he released her.

"Hope you don't mind." He gave her a charming smile. "I thought about kissing the ground, but you look a hell of a lot better. Can I borrow these a minute?"

He was already tugging her earpiece free. "Hey."

"Who's producing?"

"Benny. And I—"

"Benny?" He snagged her mike. "Yeah, it's me. So, you got my call." He chuckled. "My pleasure. Anything I can do for the news department." He listened a moment, nodded. "No problem. We're going live in ten," he told Joe. "Keep an eye on that for me," he asked Deanna, and set his case down at her feet. He dragged the hair out of his face and looked into the camera.

"This is Finn Riley, reporting live from O'Hare. At six thirty-two this evening, flight 1129 from London was struck by lightning."

Deanna wondered why the rain running off her clothes didn't sizzle as she watched Finn make his report. Her report, she corrected. Two minutes after hitting the ground and the sneaky bastard had usurped her, stolen her piece and delegated her to gofer.

So he was good, Deanna fumed as she watched him leading the viewers on the odyssey of flight 1129 from London. That was no surprise. She'd seen his reports before — from London, yes, and from Haiti, Central America, the Middle East.