“Doesn’t Tom Cruise run a studio, too?” James smiled feebly and tried to change the subject. “So?”

“Oh yeah. You probably want to know what I think about the book,”

Redmon said. “I thought I’d let Jerry tell you.”

James’s stomach dropped. At least Redmon had the courtesy to look distracted. Or uncomfortable.

“Jerry?” James said. “Jerry the mega-asshole?”

“One and the same. I’m afraid he loves you now, so you may want to amend your assessment.”

“Me?” James said. “Jerry Bockman loves me?”

“I’ll let him explain when he comes by.”

Jerry Bockman, coming to lunch? James didn’t know what to think.

Jerry Bockman was a gross man. He had crude features and bad skin and orange hair, and looked like he should be hiding under a bridge demanding tolls from unsuspecting passersby. Men like that shouldn’t be in publishing, James had thought prudishly the one and only time he’d met Jerry.

But indeed, Jerry Bockman wasn’t in publishing. He was in entertainment. A much vaster and more lucrative enterprise than publishing, which was selling about the same number of books it had sold fifty years ago, the difference being that now there were about fifty times as many books published each year. Publishers had increased the choices but not the demand. And so Redmon Richardly, who’d gone from bad-boy Southern writer to literary publisher with his own company that published Pulitzer Prize–winning authors, like Philip Oakland, and National Book Award winners, and authors who wrote for The Atlantic and Harper’s and Salon, who were members of PEN, who did events at the public library, who lived in Brooklyn, and most of all, who cared — cared about words, words, words! — had had to sell his company to an entertainment conglomorate. Called, unimaginatively, EC.

Jerry Bockman wasn’t the head of EC. That position was held by one of Jerry’s friends. Jerry was the head of a division, maybe second in command, maybe next in line. Inevitably, someone would get fired, and Jerry would take his place. He’d get fired someday, too, but by then none of it would matter because he would have reached every goal he’d ever aspired to in life and would probably have half a billion dollars in the bank, or stock options, or something equivalent. Meanwhile, Redmon hadn’t been able to make his important literary publishing house work and had had no choice but to be absorbed. Like an amoeba. Two years ago, when Redmon had informed James of the impeding “merger” (he’d called it a merger, but it was an absorption, like all mergers), Redmon said that it wouldn’t make any difference. He wouldn’t let Jerry Bockman or EC affect his books or his authors or his quality.

“Then why sell?” James had asked.

“Have to,” Redmon said. “If I want to get married and have children and live in this city, I have to.”

“Since when do you want to get married and have kids?” James asked.

“Since now. Life gets boring when you’re middle-aged. You can’t keep doing the same thing. You look like an asshole. You ever notice that?”

Redmon had asked.

“Yeah,” James had said. And now Jerry was coming to lunch.

“You saw the piece about the ayatollah and his nephew in The Atlantic?” Redmon asked. James nodded, knowing that a piece about Iran or Iraq or anything that had to do with the Middle East was of vast importance here on the little twelve-mile island known as Manhattan, and normally, James would have been able to concentrate on it. He had quite a few informed opinions on the subject, but all he could think about now was Jerry. Jerry coming to lunch? And Jerry loved him?

What was that about? Mindy would be thrilled. But it put an unpleasant pressure on him. Now he was going to have to perform. For Jerry.

You couldn’t just sit there with a Jerry. You had to engage. Make yourself appear worthwhile.

“I’ve been thinking a lot about Updike lately,” James said, to ease his tension.

“Yeah?” Redmon said, unimpressed. “He’s overrated. Hasn’t stood the test of time. Not like Roth.”

“I just picked up A Month of Sundays. I thought the writing was pretty great,” James said. “In any case, it was an event, that book. When it came out in 1975. A book coming out was an event. Now it’s just like ...”

“Britney Spears showing her vagina?” Redmon said.

James cringed as Jerry Bockman came in. Jerry wasn’t wearing a suit, James noted; suits were for bankers only these days. Instead, Jerry wore khakis and a short-sleeved T-shirt. With a vest. And not just any old vest.

A fishing vest. Jesus, James thought.

“Can’t stay long,” Jerry announced, shaking James’s hand. “There’s a thing going on in L.A.”

“Right. That thing,” Redmon said. “What’s going on with that?”

“The usual,” Jerry said. “Corky Pollack is an asshole. But he’s my best friend. So what am I supposed to say?”

“Last man standing. That’s what I always aim to be,” Redmon said.

“The last man standing on his yacht. Except now it’s got to be a mega-yacht. You ever seen one of those things?” Jerry asked James.

“No,” James said primly.

“You tell James what I thought about his book?” Jerry asked Redmon.

“Not yet. I thought I’d let you do the honors. You’re the boss.”

“I’m the boss. Hear that, James? This genius says I’m the boss.”

James nodded. He was terrified.

“Well, to put it mildly, I loved your book,” Jerry said. “It’s great commercial fiction. The kind of thing every businessman is going to want to read on a plane. And I’m not the only one who thinks so. There’s already interest in Hollywood from a couple of my buddies. They’ll definitely pay seven figures. So we’re going to push the production. That’s right, isn’t it?” Jerry said, looking to Redmon for affirmation. “We’re going to push the hell out of this thing and get it out there for spring. We were thinking next fall, but this book is too good. I say let’s get it out there immediately and get you started on another book. I’ve got a great idea for you. Hedge-fund managers. What do you think?”

“Hedge-fund managers,” James said. He could barely get the words out.

“It’s a hot topic. Perfect for you,” Jerry said. “I read your book and said to Redmon, ‘We’ve got a gold mine here. A real commercial male writer.

Like Crichton. Or Dan Brown.’ And once you’ve got a market, you’ve got to keep giving them the product.”

Jerry stood up. “Got to go,” he said. “Got to deal with that thing.”

He turned to James and shook his hand. “Nice to meet you. We’ll talk soon.”

James and Redmon watched Jerry go, watched him walk out of the restaurant and get into a waiting SUV. “I told you you were going to want a drink,” Redmon said.

“Yup,” James said.

“So this is great news. For us,” Redmon said. “We could make some real money here.”

“Sounds like it,” James said. He motioned to the waiter and ordered a Scotch and water, which was the only drink he could think of at the moment. He suddenly felt numb.

“You don’t look so happy, man. Maybe you should try Prozac,” Redmon said. “On the other hand, if this book takes off the way I think it will, you won’t need it.”

“Sure,” James said. He got through the rest of the lunch on automatic pilot. Then he walked home to his apartment in One Fifth, didn’t say hello to the doorman, didn’t collect the mail. Didn’t do anything except go into his little office in his weird apartment and sit in his little chair and stare out the little window in front of his little desk. The same window a hundred butlers and maids had probably stared out of years before, contemplating their fate.

Ugh. The irony, he thought. The last thirty years of his life had been made tolerable by one overriding idea. One secret, powerful idea that was, James had believed, more powerful even than Redmon Richardly’s friggin’ sperm. And that was this: James was an artist. He was, in truth, a great novelist, one of the giants, who had only to be discovered. All these years he had been thinking of himself as Tolstoy. Or Thomas Mann.

Or even Flaubert.

And now, in the next six or eight or ten months, the truth would be revealed. He wasn’t Tolstoy but just plain old James Gooch. Commercial writer. Destined to be of the moment and not to stand the test of time. And the worst thing about it was that he’d never be able to pretend to be Tolstoy again.

Meanwhile, on a lower floor in Mindy’s grand office building, Lola Fabrikant sat on the edge of a love seat done up in the same unattractive nubby brown fabric as the couch in Mindy’s office. She swung one sandaled foot as she flipped through a bridal magazine, studiously ignoring two other young women who were waiting to be interviewed, and to whom Lola judged herself vastly superior. All three young women had long hair worn parted down the middle, with strands that appeared to have been forcibly straightened, although the color of the women’s hair varied. Lola’s was nearly black and shiny, while the other two girls were what Lola called “cheap blondes”; one even sported a half inch of dark roots. This would, Lola decided, briskly turning the pages of the magazine, make the girl ineligible for employment — not that there was an actual job available. In the two months since her graduation from Old Vic University in Virginia, where she’d gotten a degree in fashion market-ing, Lola and her mother, Beetelle Fabrikant, had scoured the Internet, sent e-mails, and even made phone calls to prospective employers with no luck. In truth, Beetelle had done most of the actual scouring, with Lola advising, but even Beetelle’s efforts weren’t easily rewarded. It was a particularly difficult time to find a job in fashion in New York City, with most of the positions taken by interns who spent their summer vacations angling for these jobs. Lola, however, didn’t like to work and had chosen instead to spend her summers sitting by her parents’ pool, or the pools of her parents’ friends, where she and a gaggle of girlfriends would gossip, text, and talk about their fantasy weddings. On inclement days, there was always Facebook or TiVo or the construction of elaborate playlists on her iPod, but mostly there were trips to the mall and endless shopping sprees paid for by a credit card provided by her father, who, when he occasionally complained, was silenced by her mother.