“These dungeons have grown lively during the reign of our most Christian King,” said Cromwell. “There will always be fools who know not when they are fortunate . . . Come, Master Smeaton, we are at our destination.”
They were in a dimly lighted chamber which seemed to Mark’s dazed eyes to be hung with grotesque shapes. He noticed first the table, for at this table sat a man, and set before him were writing materials. He smelled in this foul air the sudden odor of vinegar, and the immediate effect of this—so reminiscent of his pain—was to make him retch. In the center of this chamber was a heavy stone pillar from which was projected a long iron bar, and slung around this was a rope at the end of which was a hook. Mark stared at this with wonder, until Cromwell directed his gaze to that ponderous instrument of torture nicknamed the Scavenger’s Daughter; it was a simple construction, like a wide iron hoop, which by means of screws could be tightened about its victim’s body.
“Our Scavenger’s Daughter!” said Cromwell. “One would not care for that wench’s embrace. Very different, Smeaton, from the arms of her who is thought by many to be the fairest lady of the court!”
Mark stared at his tormentor, as a rabbit stares at a stoat. He was as if petrified, and while he longed to scream, to run to dash himself against the walls in an effort to kill himself—as that other poor wretch had done—he could do nothing but stand and stare at those instruments of torture which Cromwell pointed out to him.
“The gauntlets, Smeaton! A man will hang from these . . . Try them on? Very well. I was saying . . . they would be fixed on yonder hook which you see there, and a man would hang for days in such torture as you cannot . . . yet imagine. And all because he will not answer a few civil questions. The folly of men, Smeaton, is past all believing!”
Mark shuddered, and the sweat ran down his body.
“The thumbscrews, Smeaton. See, there is blood on them. The Spanish Collar . . . see these spikes! Not pleasant when pressed into the flesh. How would you like to be locked into such a collar and to stay there for days on end? But no, you would not be unwise, Smeaton. Methinks you are a cultured man; you are a musician; you have musician’s hands. Would it not be a pity were those beautiful hands fixed in yon gauntlets! They say men have been known to lose the use of their hands after hanging from that beam.”
Mark was trembling so that he could no longer stand.
“Sit here,” said Cromwell, and sat with him. Regaining his composure to some small extent, Mark looked about him. They were sitting on a wooden frame shaped like a trough, large enough to contain a human body. At each end of this frame were fixed windlasses on which rope was coiled.
Smeaton screamed aloud. “The rack!” he cried.
“Clever of you, Smeaton, to have guessed aright. But fear not. You are a wise young man; you will answer the questions I ask, and you will have no need of the rack nor her grim sister, the Scavenger’s Daughter.”
Mark’s mouth was dry, and his tongue was too big for it.
“I . . . I cannot . . . I lied . . .”
Cromwell lifted a hand. Two strong men appeared and, laying hands on the shivering boy, began stripping off his clothes.
Mark tried to picture the face of the Queen; he could see her clearly. He must keep that picture before him, no matter what they did to him. If he could but remember her face . . . if . . .
He was half fainting as they laid him in the frame and fastened the loops of the ropes to his wrists and ankles.
Cromwell’s face was close to his.
“Smeaton, I would not have them do this to you. Dost know what happens to men who are racked? Some lose their reason. There are some who never walk again. This is pain such as you cannot dream of, Smeaton. Just answer my questions.” He nodded to his attendants to be ready. “Smeaton, you have committed adultery with the Queen.”
“No!”
“You have admitted it. You admitted it at Stepney; you cannot go back on that.”
“I was tortured . . . The pain . . . it was too much . . .”
“So you admitted the truth. Did I not tell you that what you have known so far was naught? You are on the rack, Smeaton. One sign from me, and those men will begin to work it. Will you answer my questions?”
“I lied . . . I did not . . .”
He could see her face clearly, smiling at him; her eyes were great wells of blessed darkness; to lose oneself in that darkness would be to die, and death was the end of pain.
“Begin,” said Cromwell. The windlasses turned outwards . . . Smeaton felt his body was being torn apart; he screamed, and immediately lost consciousness.
Vinegar. That hateful smell that would not let a man rest.
“Come Smeaton! You committed adultery with the Queen.”
He could still see her face, but it was blurred now.
“You committed adultery with the Queen . . .”
There was nothing but pain, pain that was a thousand red hot needles pressing into the sockets of his arms and legs; he could feel his joints cracking; he felt they must be breaking. He began to groan.
“Yes, yes . . . yes . . . anything . . . But . . .”
“Enough!” said Cromwell, and the man at the table wrote.
Mark was sobbing. It seemed to him that they poured the accursed vinegar over his face. They sprinkled it on with the brush he had seen hanging on the wall, adding fresh smarts to his bleeding head; causing him to shrink, which in its turn made him scream afresh, for every movement was acute torture.
Cromwell’s voice came from a long way off.
“There were others, beside yourself, Smeaton.”
Others? He knew not what the man meant. He knew nothing but pain, pain, excruciating pain that shot all over his flesh; this was all the pain he had ever thought there could be; this was all the pain in the world. And more than pain of the body—pain of the mind. For he would have died for her, and he had betrayed her, he had lied; he had lied about her; he had said shameful things of her because . . . he . . . could not bear the pain.
“Their names?” said Cromwell.
“I know . . . no names.”
Not vinegar again! I cannot bear it . . . I cannot bear pain and vinegar . . . not both! He broke into deep sobs.
“You shall rest if you but tell us their names.”
How could he know of what the man was speaking? Names? What names? He thought he was a little boy at his mother’s spinning wheel. “Little Mark! He is a pretty boy. Here is a sweetmeat, Mark . . . And he sings prettily too. And he plays the virginals . . . Mark, how would you like a place at court? The King loves music mightily . . .”
“Begin again!” ordered Cromwell.
“No!” shrieked Mark.
“The names,” murmured Cromwell.
“I . . . I . . . know . . . not . . .”
It was coming again, the agony. There was never agony such as this. Burning pincers . . . the wrenching apart of his muscles . . . the wicked rack was tearing off his limbs. Vinegar. Accursed vinegar.
“Mark Smeaton, you have committed adultery with the Queen. Not you alone! You were not to blame, Mark; the Queen tempted you, and who were you, a humble musician, to say nay to the Queen! But you were not alone in this, Mark; there were others. There were noble gentlemen, Mark . . . Come now, you have had enough of this rack; men cannot be racked forever—you know that, Mark. It drives men mad. Just say their names, Mark. Come! Was it Wyatt?”
“There was none . . . I know not. I lied. Not I . . . I . . .”
No, not again. He was going mad. He could not endure more. Her face was becoming blurred. He must stop, stop. He was going mad. He would not say what they told him to. He must not say Wyatt’s name . . .
They were putting vinegar under his nose. They were going to turn the rack again.
He saw the court, as clearly as though he were there. She was smiling, and someone was standing beside her.
“Norris!” he screamed. “Norris!”
Cromwell’s voice was gentle, soothing.
“Norris, Mark. That is good. That is right. Who else, Mark? Just whisper . . .”
“Norris! Brereton! Weston!” screamed Mark.
He was unconscious as they unbound him and carried his tortured body away.
Cromwell watched them, smiling faintly. It had been a good day’s work.
The next day was the first of May. May Day was a favorite court festival which the King never failed to keep. At one time he had been the hero of the tiltyard, but now that his leg was troublesome, he must sit back and watch others take the glory of the day. The chief challenger on this day would be Lord Rochford, and the chief of the defenders, Henry Norris. It was not pleasant, when one had been more skillful than they, to realize age was creeping on, turning one into a spectator instead of a brilliant performer who had held the admiration of the entire court.
Cromwell came to see the King before he went to the tiltyard. Henry frowned on the man, not wishing to see him now, but for once Cromwell would not be waved aside; he had news, disturbing news, news which should not be withheld from His Majesty one second longer than necessary. Cromwell talked; the King listened. He listened in silence, while his eyes seemed to sink into his head and his face grew as purple as his coat.
Down in the tiltyard they were awaiting the arrival of the King. The Queen was already in her place, but obviously the jousts could not start without the King. He went to the yard, and took his place beside her. The tilt began.
He was aware of her beside him; he was trembling with jealous rage. He was thinking. This is the woman to whom I have given everything; the best years of my life, my love, my throne. For her I broke with Rome; for her I risked the displeasure of my people. And how does she reward me? She betrays me with any man that takes her fancy!
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