He said that it was of no importance that he was sad, for how could the sadness of her humblest musician affect so great a lady!
She said then that she thought he might be sad because she may have spoken to him as an inferior person, and he would wish her to speak to him as though he were a nobleman.
He bowed low and, overcome with embarrassment, murmured: “No, no, Madam. A look sufficeth me.”
That was disturbing, because she was perhaps telling him that she knew of his ridiculous passion. She was clever; she was endowed with wit and subtlety; how was it possible to keep such a mighty secret from her!
The next day he took a barge to Stepney. Cromwell’s house stood back from the river, which lapped its garden. Smeaton scrambled out and ascended the privy steps to the garden. A few years ago he would have been overawed by the splendor of the house he saw before him, but now he was accustomed to Greenwich and Windsor and Hampton Court; he noted it was just a comfortable riverside house.
He went through the gates and across the courtyard. He knocked, and a servant opened the door. Would he enter? He was expected. He was led through the great hall to a small chamber and asked to sit. He did so, taking a chair near the window, through which he gazed at the sunshine sparkling on the river, thinking what a pleasant spot this was.
The door must have been opened some time before he realized it, so silently was it done. In the doorway stood Thomas Cromwell. His face was very pale; his eyes were brilliant, as though they burned with some excitement. Surely he could not be excited by the visit of a humble court musician! But he was. This was decidedly flattering. In the court there were many who feared this man; when he entered a room, Mark had noticed, words died on people’s lips; they would lightly change a dangerous subject. Why had the great Thomas Cromwell sent for Mark Smeaton?
Mark was aware of a hushed silence throughout the house. For the first time since he had received the invitation, he began to wonder if it was not as a friend that Cromwell had asked him. He felt the palms of his hands were wet with sweat; he was trembling so much that he was sure that if he were asked to play some musical instrument he would be unable to do so.
Cromwell advanced into the room. He said: “It was good of you to come so promptly and so punctually.”
“I would have you know, my lord,” said Mark humbly, “that I am by no means insensible of the honor . . .”
Cromwell waved his thick and heavy hands, as though to say “Enough of that!” He was a crude man; he had never cultivated court graces, nor did he care that some might criticize his manners. The Queen might dislike him, turning her face from him fastidiously; he cared not a jot. The King might shout at him, call him rogue and knave to his face; still Thomas Cromwell cared not. Words would never hurt him. All he cared was that he might keep his head safely in the place where it was most natural for it to be.
He walked silently and he gave the impression of creeping, for he was a heavy man. Once again Mark was aware of the silence all about him, and he felt a mad desire to leap through the window, run across the gardens to the privy stairs and take a barge down the river . . . no, not back to court where he could never be safe from this man’s cold gaze, but back to his father’s cottage, where he might listen to the gentle sawing of wood and his mother’s spinning wheel.
He would have risen, but Cromwell motioned him to be seated, and came and stood beside him.
“You have pleasant looking hands, Master Smeaton. Would they not be called musician’s hands?” Cromwell’s own hands were clammy as fish skin; he lifted one of Mark’s and affected to study it closely. “And what a pleasant ring! A most valuable ring; a ruby, is it not? You are a very fortunate young man to come by such a ring.”
Smeaton looked at the ring on his finger, and felt that his face had flushed to the stone’s color; there was something so piercing in the cold eyes; he liked not to see them so close. The big, clumsy fingers touched the stone.
“A gift, was it, Master Smeaton?”
Mark nodded.
“I should be pleased to hear from whom.”
Mark tried to conceal the truth. He could not bear those cold hands to touch the ring; he could not bear to say to this crude man, “It was a gift from the Queen.” He was silent therefore, and Cromwell’s fingers pressed into his wrist.
“You do not answer. Tell me, who gave you that most valuable ring?”
“It was . . . from one of my patrons . . . one who liked my playing.”
“Might I ask if it was a man . . . or a lady?”
Mark slipped his hands beneath the table.
“A man,” he lied.
His arms were gripped so tightly that he let out a shriek for Cromwell’s hands were strong, and Mark was fragile as a girl.
“You lie!” said Cromwell, and his voice was quiet and soft as silk.
“I . . . no, I swear . . . I . . .”
“Will you tell me who gave you the ring?”
Mark stood up. “Sir, I came here on an invitation to dine with you. I had no idea that it was to answer your questions.”
“You came here to dine,” said Cromwell expressionlessly. “Well, when you dine, boy, will depend on how readily you answer my questions.”
“I know not by what authority . . .” stammered the poor boy, almost in tears.
“On the authority of the King, you fool! Now will you answer my questions?”
Sweat trickled down Smeaton’s nose. He had never before come face to face with violence. When the beggars had passed his father’s door, when he had seen men in the pillory or hanging from a gibbet, he had looked the other way. He could not bear to look on any distressing sight. He was an artist; when he saw misery, he turned from it and tried to conjure up music in his head that he might disperse his unhappy thoughts. And now, looking at Cromwell, he realized that he was face to face with something from which it was not possible to turn.
“Who gave you the ring?” said Cromwell.
“I . . . I told you. . . .” Smeaton covered his face with his hands, for tears were starting to his eyes, and he could not bear to look longer into the cold and brutal face confronting him.
“Have done!” said Cromwell. “Now . . . ready?”
Mark uncovered his eyes and saw that he was no longer alone with Cromwell. On either side of him stood two big men dressed as servants; in the hands of one was a stick and a rope.
Cromwell nodded to these men. One seized Smeaton in a grip that paralyzed him. The other placed the rope about his head, making a loop in the rope through which was placed the stick.
“Tighten the rope as I say,” commanded Cromwell.
The boy’s eyes were staring in terror; they pleaded with Cromwell: Do not hurt me; I cannot bear it! I could not bear physical pain . . . I never could. . . .
The eyes of Cromwell surveyed his victim, amused, cynical. One of the thick fingers pulled at his doublet.
“Indeed it is a fine doublet . . . a very fine doublet for a humble musician to wear. Tell me, whence came this fine doublet?”
“I . . . I . . .”
“Tighten the rope,” said Cromwell. It cut into the pale skin of Mark’s forehead. He felt as though his head was about to burst.
“The doublet . . . whence did it come?”
“I . . . I do not understand. . . .”
“Tighter . . . tighter! I have not all the day to spend on such as he.”
Something was trickling down his face, something warm and thick. He could see it on his nose, just below his eyes.
“Who gave you the doublet? Tighten the rope, you fools!”
Mark screamed. His head was throbbing; black spots, like notes of music, danced before his eyes.
“Please . . . stop! I . . . will tell you . . . about the doublet . . . Her majesty . . .”
“Her Majesty!” said Cromwell, smiling suddenly.
“Loosen the rope. Bring him a little water. Her Majesty?” he prompted.
“Her Majesty thought I was ill-clad, and since I was to be her musician, she gave money for the doublet. . . .”
“The Queen gave you money. . . .” One large cold finger pointed to the ruby. “And the ring . . . ?”
“I . . .”
“The rope, you fools! Tighten it! You were too soft before. . . .”
“No!” screamed Mark. “You said . . . water . . .”
“Then who gave you the ring?”
“The Queen . . .”
“Give him water. The Queen then gave you the ruby ring.”
Mark drank; the room was swimming round and round; the ceiling dipped. He could see the river through the window—it looked faint and far away; he heard the sound of singing on a passing barge. Oh, were I but there! thought Mark.
“I would know why the Queen gave you the ruby.”
That was easy. “She was pleased with my playing . . . She is a most generous lady . . .”
“Over-generous with her favors, I’ll warrant!”
He felt sick. This was no way to speak of the Queen. He wanted to stand up, push aside that bland, smiling face, run out into the fresh air, run to the Queen.
“You were most friendly with the Queen?”
“She was most gracious . . .”
“Come, no evasions! You know full well my meaning. The Queen gave you money, clothes, and a ruby ring. Well, why not? She is young, and so are you. You are a handsome boy.”
“I understand not . . .”
“Subterfuge will not help you. You are here, on the King’s command, to answer questions. You are the Queen’s lover!”
The shock of those words set his head throbbing anew; he could still feel the tight pressure of the rope about his head, although in actual fact it was quite loose now; the torture had stopped for a while. He felt very ill; the blood was still trickling down his face from the cut which the rope had made. Oh, why had he accepted an invitation to dine with Thomas Cromwell! Now he knew what people meant when they talked with fear of Cromwell. Now he knew why they would suddenly stop talking when Cromwell appeared.
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