She did not have the time to deliver a scathing lecture to a drunken coachman. Iphiginia turned away, disgusted, and studied the darkened entrance to Number Nineteen. Here was just enough moonlight to make out the sign over the door.


DR. HARDSTAFF'S MUSEUM

OF THE GODDESSES OF MANLY VIGOR

LEARN THE SECRET AND AUTHEN-NC

INVIGORATING POWM OF TUE GODDESSFS OF ANTIQUITY


It appeared that her curiosity about Dr. Hardstaff 's museum was about to be satisfied, Iphiginia thought.

A glance over her shoulder assured her that the coachman was still waiting in the street. She saw that the carriage lamps burned with a reassuring glow.

Iphiginia went toward the darkened premises of Number Nineteen. She wished Marcus were with her. Or even Amelia or Zoe. Anyone at all, for that matter.

She was far more anxious this evening than she had been the night she paid the visit to Reeding Cemetery. The threats contained in the note that she had found in her carriage had jarred her nerves as nothing else could have done.

When Iphiginia got close to the sign for Dr. Hardstaff's Museum, she noticed a painted hand at the bottom. The pointing finger urged visitors to go down the narrow walkway between two buildings.

Iphiginia peered hesitantly into the thick shadows of the tiny alley. She could just make out a flight of steps that led to the upper story of the building.

With one last glance at the hackney, Iphiginia started down the alley.

She climbed the stairs as quietly as possible, her pulse beating more rapidly with each step. Every squeak, every groan of the treads sent a shiver through her. The darkness seemed to grow more and more dense around her.

She should not have come here alone. But there had been no choice.

At the top of the stairs she paused and studied the closed door in front of her. Another sign, this one hardly discernible in the shadows, indicated that this was the entrance to Dr. Hardstaff's Museum.

The rumble of carriage wheels in the street jolted Iphiginia just as she put her hand on the knob. The hackney was abandoning her.

"No," she gasped, and turned to rush back down the steps.

The lights of a second carriage appeared. Iphiginia halted, one foot on the landing, one on the first step. Her hackney had not left, she realized. Another one had arrived.

It rolled to a halt near her own. Horses stomped their hooves. Voices echoed through the shadows.

"Wait for me," a man ordered crisply.

"Aye, m'lord. Take yer time. Brung a gennelman here last week what spent most of the night." The new coachman chuckled heartily. "Dr. Hardstaff's goddesses give quite a cure, they tell me. Wonder if it works."

"I shall not he long," the newcomer said.

Footsteps sounded on the paving stones. They paused briefly. And then, to Iphiginia's horror, they started toward the narrow alley where she hovered at the top of the stairs.

Fear ripped through her. In a matter of seconds the man who had gotten out of the second hackney would come down the alley. It was obvious he was en route to Dr. Hardstaff's Museum. He would surely see her as soon as-he mounted the stairs.

She could not go back down the staircase without running straight into the stranger, so Iphiginia did the only thing she could do. She turned the knob that was pressing into her lower back.

The door opened with only a small squeak of its hinges. Intent on watching the staircase, Iphiginia backed into a darkened hall. She closed the door very carefully.

A man's arm came out of the intense shadows of the hall. It wrapped around Iphiginia's throat.

She was dragged against a broad chest as a rough palm clamped over her mouth. Her incipient scream was cut off before it could escape.

"Bloody hell," Marcus muttered. "Iphiginia? She nodded wildly. Relief rushed through her, draining her.

"What in the name of the devil-" Marcus took his hand away from her mouth.

"Someone's coming up the stairs, Marcus," she whispered frantically. "He'll he here any second."

"Damn." Marcus released her and grabbed her hand. "This way. Hurry. Don't make a sound."

She needed no second urging. The newcomer's footsteps thudded on the stairs outside.

Marcus yanked Iphiginia down a dark hall, opened a door, and tugged her into a large room that was dimly lit by a single wall sconce.

"What in the world?" Iphiginia gazed about in astonishment. "What is this place?"

The lamplight revealed the most oddly furnished chamber Iphiginia had ever seen. Exotic drapery hung from the ceiling in the style of a Turkish tent. A large bed dominated the center of the room. It was decorated with gauzy hangings and an extraordinary number of pillows. It was surrounded by erotic statuary of the sort Lord Lartmore favored.

The walls were decorated with huge murals depicting classical gods and goddesses from various mythological tales. The deities appeared to be nude. The men were all in a state of extreme sexual arousal. The female figures were voluptuous to the point of being ludicrous.

"Welcome to Dr. Hardstaff's Museum," Marcus said as he pulled her across the chamber. "One night in the therapeutic bed is guaranteed to cure impotence."

"Marcus, what are you doing here?" "An excellent question. I intend to put the same one to you as soon as we have an opportunity. In the meantime, we must get you out of sight."

"Good heavens." Iphiginia stared at a painting that featured several woodland nymphs cavorting with three overly endowed satyrs. "These are the most perfectly dreadful copies of classical antiquities that I have ever seen.

"I regret that your scholarly sensibilities have been affronted." Marcus took hold of the edge of a heavy red curtain that stretched the length of the chamber. "You can take it up with Dr. Hardstaff later."

"What are we going to do now?" "You are going to get out of sight and stay out of sight." Marcus jerked aside the floor-to-ceiling curtain and pushed Iphiginia through the opening onto a small stage. Several Greek urns and a scrolled pedestal occupied the platform. There was a narrow door in the side wall behind the curtain.

"But Marcus-" "Go through that door and hide in the hallway behind it." Marcus caught her chin on the edge of his hand. His eyes were grim. "Do not come out until I tell you. And whatever you do, don't make a single sound. Do you comprehend me?"

"Yes, but-" She broke off as she beard the outside door on the landing open. Her mouth went dry. "Oh, Lord.»

"Hush." Marcus yanked the curtain back into position, concealing Iphiginia from the view of anyone who might enter the chamber.

The heavy curtain cut off the glow of the wall sconce. Iphiginia found herself in near darkness. She started to grope her way toward the small door and struck her toe against the pedestal. She swallowed a grunt of pain.

The door of the outer chamber slammed open. Iphiginia went still, not daring to move for fear she would crash into another object.

"Damnation, Masters." The stranger's voice was raw with fury. "It's you. I didn't believe it when I got the note. I told myself that it was all a terrible joke. But it seems I've been both a fool and a cuckold."

"Good evening, Sands." Marcus's tone was cool to the point of indifference. "I didn't realize that someone else also had an appointment with Dr. Hardstaff this evening. I specifically requested a private treatment."

Iphiginia realized that the man who had entered the chamber was the husband of the mysterious Lady Sands.

"Where is my wife, you bloody bastard?" "I have no notion," Marcus said quietly. "As you can see, I'm quite alone. I confess I'm disappointed by that fact. I had hoped there would be a bit more to Dr. Hardstaff's famous therapy than a few bad paintings and some equally poor statuary."

"You arranged to meet Hannah here, didn't you?" Sands asked in a seething voice. "That's what the note said."

"The note?" "Someone knows what you're about, Masters. A note was left in my carriage this evening telling me that if I wished to discover the place where you and my wife carried on your assignations, I should come to Number Nineteen Lamb Lane."

"Someone has played an unpleasant practical joke on you, Sands. Whoever it was undoubtedly knew that I had an appointment here tonight."

"An appointment with my wife, damn you."

Iphiginia started when she heard the side door open. She peered anxiously into the shadows and saw a figure emerge from a dark hall. The woman carried a candle in her hand. The flame illuminated her pretty features, blond hair, and extremely low-cut, diaphanous gown.

She halted abruptly when she spotted Iphiginia. Then she put her hands on her hips and glared.

" 'Ere, now, what do ye think yer doin'?" she demanded in a loud tone. "This is my night to be the Classical Goddess o' Manly Vigor."

There was a sudden silence from the other side of the curtain.

Iphiginia stared at the woman and desperately tried to think of what to do next. "I'm sorry," she managed in a thin whisper. "There's been a mistake."

"What's going on back there?" Sands demanded. Footsteps echoed on the floor as he strode toward the heavy scarlet curtain.

"I believe the performance is about to begin," Marcus said dryly.

The blond woman gave a small, disgruntled screech and turned toward the curtain. "What's this? There he two of 'em out there?"

"Uh, yes," Iphiginia murmured. "Don't ye dare touch that curtain," the blonde yelled. She turned to Iphiginia. "Hardstaff didn't say nothin' about there bein' two gennelmen gettin' the classical treatment tonight. What's 'e think I am? A genuine goddess?"