“You’re the boss,” Hope said, smiling, as she looked into the camera again and he laughed.

“No, you’re the artist.” He seemed completely at ease in front of the camera, moving his head and changing his expression by fractions, as though he had done this a thousand times before, which Hope knew he had. The photograph they were taking was for his eleventh book, and so far, all of them for the past twenty years had been best sellers. At forty-six, he was an institution in American literature, just as she was in her field. It would have been hard to decide which of them was more famous or more respected. They were an even match in their reputations and skills in separate fields.

They shot for an hour, as she praised him for good moves and the right turn of his head, and she was almost sure she had gotten the winning shot in the first half hour, but she knew better than to stop there. She had Fiona move the light setup to his desk, and suggested he take a half-hour break, and maybe put a white shirt on, but leave it open at the neck. He asked if she’d like to stop for lunch then, but Hope said that if he didn’t mind, she’d prefer to continue working. She didn’t want to break the mood, or to get slow and lazy after lunch. She found that it was usually better to stay on it once she and her subject were working well together. A long lunch or a glass of wine could break the spell for either or both of them, and she didn’t want that to happen. She was delighted with what they were getting. As a portrait subject, Finn O’Neill was a dream and he was fun to talk to. The time was speeding by.

Half an hour later, he was back in his living room, in the white shirt Hope had asked for, and sat down at his handsome partner’s desk. Hope moved the computer away because it looked so incongruous in that setting. He was a delightful subject, fooling around, telling jokes and stories about well-known artists, writers, his house in Ireland, and the outrageous stunts he had pulled on book tours in his youth. At one point he had tears in his eyes when he talked about his son and bringing him up on his own, without a mother after her death. There were so many magical moments while she talked to him that Hope knew she would have a multitude of great shots to choose from, each one better than the last.

And then finally, after a few shots of him leaning against an antique ladder in front of the bookcase, they were through. And just as she said it, he exploded in laughter with a look of joy and release, and she stole one more shot of him, which could just turn out to be the best one. Sometimes that happened. And he gave her a warm hug as she handed her Leica to Fiona, who took it reverently from her hands and set it on a table with the others. She unplugged the lights and began to break down the equipment and put it away, as Finn led Hope downstairs to the kitchen.

“You work too hard! I’m starving!” he complained as he opened the refrigerator and turned to her. “Can I make you some pasta or a salad? I’m about to keel over from starvation. No wonder you’re so small, you must never eat.”

“Usually not when I’m working,” she admitted. “I get too involved in what I’m doing to think about it, and it’s so much fun doing the shoot.” She smiled shyly and he laughed.

“Most of the time I feel that way about working on a book, although at times I hate it too. Particularly rewrites. I have a nasty editor, and we have a love-hate relationship, but he’s good for the books. It’s a necessary evil. You don’t have that with what you do,” he said enviously.

“I have to edit myself, but I have clients to deal with who commission the work, like your publisher, and museum curators, who can be pretty tough, though it’s different than doing rewrites must be for you. I’ve always wanted to write,” she confessed. “I can barely write a postcard-for me it’s all visual. I see the world through a lens, I see into people’s souls that way.”

“I know, that’s what I love about your work, and why I asked the publisher to get you to do the photo for the book jacket.” He laughed then as he expertly made an omelette for them both, moving like a tornado in the tiny kitchen. He had already made the salad while they talked. “I hope my soul doesn’t wind up looking too black in the shots you took,” he said, pretending to look worried, as she looked at him intently.

“Why would it? I didn’t see any signs of a black soul, or a dark spirit. Is there something I missed?”

“Maybe a little friendly hereditary craziness, but it’s harmless. From what I’ve read about my Irish relatives, some of them were fairly nuts. But not dangerously so, mostly eccentric.” He smiled at her as he said it.

“There’s no harm in that,” Hope said benignly, as he put their omelettes on separate plates. “Everyone has a little craziness in them somewhere. I spent some time in India after my husband and I split up, trying to figure things out. I guess you could say that was crazy too,” she said, as they sat down at the beautiful mahogany table in his cozy dark green dining room. There were paintings of hunting scenes on the walls, and one of birds by a famous German artist.

“How was it?” Finn asked with interest. “I’ve never been to India myself. I’ve always wanted to go.”

“It was fantastic,” Hope said as her eyes lit up. “It was the most exciting, fulfilling time I’ve ever spent. It changed my life forever, and how I look at everything, including myself. And there are some of the most beautiful spots on earth. I just opened an exhibit of some of the photographs I took there.”

“I think I saw a couple in a magazine,” Finn said as he finished his omelette and started on his salad. “They were photographs of beggars and children, and an incredible one of sunset at the Taj Mahal.”

“I went to some incredibly beautiful lakes too. They’re the most romantic places you could ever dream of, and some other places were the saddest. I stayed at Mother Teresa’s hospital for a month, and I lived at a monastery in Tibet, and an ashram in India, where I found myself again. I think I could have stayed there forever.” When he looked into her eyes, he saw something very deep and very peaceful, and beyond it, deeper than that, he saw two bottomless pools of pain. He could see that Hope was a woman who had suffered. He wondered if it was only about the divorce and her husband’s illness. Whatever it was, he could tell that she had been to hell and back, and yet she was incredibly balanced and peaceful, as she looked across the table at him with a gentle smile.

“I’ve always wanted to do something like that,” he admitted to her, “but I never had the courage. I think I was afraid I might have to face myself. I’d rather face a thousand demons.” It was honest of him to admit it and she nodded.

“It was wonderfully peaceful. We weren’t allowed to speak in the monastery. It was amazingly restful and healing. I’d like to go back sometime.”

“Maybe you need to have some fun instead.” Finn looked suddenly mischievous as he said it. “How long are you here for?” He sat back in his chair and smiled at her. She was mysterious and intriguing.

“I’m going back to New York tomorrow,” she said, smiling at him.

“That’s not enough time to spend in London. What are you doing for dinner tonight?”

“Probably sleeping, after a bowl of soup from room service,” she said with a grin.

“That’s ridiculous,” he said with a look of stern disapproval. “Will you have dinner with me?”

She hesitated and then nodded. She had nothing else to do, and he was interesting to talk to. “I didn’t bring any decent clothes with me,” she said, looking apologetic.

“You don’t need them. You can wear a pair of pants and a sweater. You’re Hope Dunne, you can do whatever you want. Will you have dinner with me tonight at Harry’s Bar? As far as I’m concerned, it’s the best Italian food in the world.” She knew it well, but didn’t go there often. It was one of the most elegant dinner clubs in London, and anyone and everyone who was important would be there. Women would be dressed in elegant, stylish cocktail dresses, and the men wore dark suits. And he was right, the food was superb.

“I’d love to. Are you sure you won’t be embarrassed that I didn’t bring anything dressy with me?” She felt faintly awkward, but liked the idea of having dinner with him. Among other things, he was intelligent, interesting, and quick. She hadn’t been bored with him for a minute all day. He was knowledgeable on a multitude of subjects, well read, well educated, and brilliant. The opportunity to spend a few hours with him and get to know him better was hard to resist. She had come to London just for him. And Paul had left that day.

“I’d be honored to have dinner with you, Hope,” Finn said honestly, and looked as though he meant it. She was the most interesting woman he had met in years. “You can tell me more about India, and I can tell you all about Ireland,” he teased her. “And what it’s like to restore a three-hundred-year-old house.”

Finn told her he would pick her up at the hotel at eight-thirty, and a few minutes later she and Fiona left, after the driver carried out all their equipment. Fiona had been quietly reading a book in the small sitting room, after the maid gave her a sandwich for lunch. She didn’t mind waiting for Hope, and had loved working with her that day.

Fiona got all the equipment organized for Hope back at the hotel, and put away her cameras. It was five o’clock by the time she left, and she said it had been a great day. And after that Hope lay down on her bed for a nap, thinking about her conversation with Finn, and his invitation for that night. It was one of the things she liked best about doing portraits. The work itself wasn’t exciting, but the people she met were. He was such a talented man, as most of her portrait subjects were. She had always loved his work, and it was fascinating discovering the man behind it. He wrote somewhat eerie, even frightening books. She wanted to ask him more about it that night. And he seemed to be just as interested in her work.