The scaphos eased up to her moorings, melting into the multicoloured mass of masts and hulls: Turkish chektirmes and caiques mingling with the Greek scaphai and sacolevi. The whole port stank indescribably from the quantities of refuse putrefying in the sun on the surface of the water, and, as they drew nearer to the white town which had looked so glorious in the sunlight from afar, Marianne saw that dirt and neglect reigned everywhere. The splendid white walls were cracked and the grand houses clustered round the citadel at the top of the hill were falling into ruin, almost as certainly as the fortress itself and the white temple collapsing slowly out in the bay.

'Hard to believe that this is the richest island in the Cyclades, isn't it?' Theodoros muttered. 'There are oranges and olives in plenty inland, but they are allowed to grow wild. We will not work for the Turks.'

They went ashore quietly, without attracting any attention. Only a cat, disturbed from its sleep, squawked, spat and then fled to find a more peaceful spot. Marianne, in her black cloak, and Theodoros, in his blanket, were both sweating profusely, scarcely able to breathe for the heat. But they did not have to endure it long. A few steps over the scorching hot stones brought them to a white house in fair condition with an arched doorway overshadowed by a dusty vine. This was the house of Yorgo's cousin Athanasius.

He was not at home. The newcomers found only an old woman muffled in black draperies, who poked a wrinkled face cautiously through the minute crack which she let appear in the door before starting to shut it in their faces. Yorgo began to argue with her in a rapid, breathless dialect but the old woman behind the door only shook her head and stood her ground. It was obvious that she wanted nothing to do with them. Thereupon, Theodoros pushed past Yorgo and advanced on the door. It yielded to a thrust of his hand and the old woman fled to the end of the passage, squeaking like a frightened mouse.

'I don't know whether or not we were expected,' Marianne said quietly, 'but I don't think we are very welcome.'

'We shall be,' the giant assured her.

He strode down the passage and spoke a very few words in rough, commanding tones. The effect was magical.

The old woman came back, looking as delighted as a condemned sinner reprieved from hell to heaven, and before Marianne's astonished gaze she knelt and kissed Theodoros' great hand with fanatical respect. He pulled her, none too gently, to her feet, whereupon she launched into a spate of voluble explanations and, opening a door, ushered her visitors into a low, cool room smelling strongly of sour milk and aniseed. Then she vanished in a swirl of black cotton petticoats, having first set on the rough wooden table a bottle, some wine cups and a dewy water-jar, as fresh as if it had that moment come from the well.

'She is Athanasius' mother,' Theodoros remarked. 'She's gone to fetch her son to take us to the Venetian.'

He poured water neatly into one of the cups and offered it to Marianne. Then, throwing back his head, he let the water flow in a cool stream from the jar straight down his throat.

Yorgo had prudently returned to his boat. Thieves might not be deterred even by the sacred siesta hour and he had his cargo of wine to think of.

Young Demetrios had gone with him and, for the moment, Marianne and her supposed servant were alone, he leaning up against the small barred window, she seated on a stone bench, whose hardness was not greatly lessened by a thin cushion stuffed with dry grass. She was fighting off sleep. She had slept little on the boat, kept uneasily wakeful by the heavy seas running the night before. Nor were her spirits particularly high. It might have been because she was tired and lonely, but she came to fancy that she was doomed to wander, like Ulysses on his way home from the Trojan Wars, from island to island amid people who were strangers to her and events that were foreign to her way of life. The east, which she had pictured to herself in the glowing colours of a honeymoon, now seemed arid and inhospitable. She longed again for her garden, where the roses must just now be at the height of their beauty. Where now was the scent that used to mingle so gloriously with the honeysuckle on summer evenings?

The old woman's return broke into this melancholy train of thought just as she was beginning to reflect miserably that as things stood she could not even ask to be taken to Athens and put on the first ship back to France. Quite apart from the trouble she might expect from Napoleon if she returned with her mission unfulfilled, she was now saddled with this great fellow to drag about with her, and he was watching her as closely as a good housewife watched, a pan of milk over the fire!

The man now accompanying the old woman did a good deal to reconcile her to existence. Athanasius was a tubby, smooth-skinned little man with the face of a cherub under a cluster of grey curls, and the pleasantly rounded figure of the verger of a Norman cathedral. He welcomed the enormous, ragged Theodoros like a long lost brother, and the dirty, dishevelled gipsy that was Marianne like the Queen of Sheba in person.

'My master,' he announced, bowing as low as his stomach would permit, 'is eager to offer your most serene highness the hospitality of his palace. He begs you to forgive him for not coming himself to greet you, on account of his great age and rheumatism.'

Her most serene highness thanked Count Sommaripa's steward, thinking meanwhile that she must be giving the poor man a very strange idea of grand Franco-Italian ladies in general. At present she would look distinctly out of place in a nobleman's residence. All the same, she could not help looking forward to a temporary return to the comforts and luxuries of an aristocratic household, and it was with a lighter step that she set out with the obliging Athanasius for this promised paradise, Theodoros following at her heels.

They passed through a maze of steep cobbled alleys, where the big round stones were painful to the feet, through strange medieval streets, tortuous and evil-smelling, and by vaulted passages that offered a brief, welcome coolness, until at last they reached the summit of the hill and the Venetian quarter built around the citadel and the ancient ramparts. Here there were indeed some western religious houses, showing the Roman cross: the Brothers of Mercy side by side with the Ursulines, together with an austere cathedral that seemed oddly out of place, and one or two noble façades that still displayed some dim reflection of the former glories of the dukes of Naxos and the Venetian court. The once-lordly houses with their crumbling armorial bearings seemed to crowd up against the ramparts as though in search of some last reserves of strength, but as she crossed the worn threshold of the Sommaripa palace, with its Latin inscription, Marianne realized that the worthy Athanasius' notions of what a real palace ought to be were not so very well-formed either.

This was only the ghost of a palace, an empty shell where echoes lived and, by amplifying the smallest sound, attempted to bring back some semblance of life to the place. Marianne stifled a regretful sigh: it was not here that she would find the comforts of civilization.

An old man appeared in the doorway of a huge empty room which was furnished only with stone benches and a vast cedar-wood table, with a red geranium spilling out of a round earthenware pot on the sill of a dear little arched window. He should, she felt, be the familiar spirit of this timeless place. He was a tall, blanched individual with a vacant gaze, and his flowing garments looked for all the world as if they had been woven out of the cobwebs hanging from the ceiling. He was so pale that he might have lived for years in a cavern underground, away from light and air. He must have lived long in the shadow of these ancient stones, turning his back on reality. He could never have felt the touch of the sun or the sea winds.

He, too, seemed unconscious of Marianne's appearance. He bowed over her hand with all the dignity of a Spanish grandee receiving an infanta, assuring her of the honour done to his house, and proffering a hand as knotty and wrinkled as an olive kernel to lead her to the apartment set aside for her.

It might be the siesta hour, but the passage of two ragged strangers through the streets of Naxos had not gone unobserved by the Turkish watch, and the Count was just leading Marianne towards the uneven stone staircase when a dozen soldiers in red leather boots and red and blue striped turbans marched into the porch. Commanding them was an odabassy wearing a kind of white felt mitre with a green crown. His rank corresponded roughly to that of artillery captain, but he also had authority over the inns on the island. The new arrivals seemed to interest him.

He was waving a fly-whisk, languidly, and his evident bad temper betrayed clearly enough the irritation he felt at having been dragged out of the cool shade of the fortress just when the afternoon was at its hottest. It showed, too, in the tone he used to address Count Sommaripa, which was that of a master to a disobedient servant.

Possibly because there was a woman present, and a foreign woman at that, the old man appeared to rouse himself. He gave a round answer to the odabassy's contemptuous speech and, although Marianne did not understand a word of the Ottoman language, she was still able to grasp the gist of what was being said. She heard her own name mentioned several times, and the name of Nakshidil Sultan, and gathered that the Count was informing the Turkish officer, with some hauteur, of the identity of the unfortunate traveller and the importance of leaving her in peace.