Ercole’s eyes went to those standing about his bed—his sons and the wife of Alfonso. He wanted to warn Alfonso against the ambitions of his brothers and the extravagance of his wife, but he was too tired. Alfonso sensed this, and remembered that one thing which he and his father had in common. “Father,” he said, “would you like a little music in your bedchamber?”

The Duke smiled. Music, which he had always loved; music to soothe him in his passing, to delight his mind so that it was lost in that pleasure which would prevent his worrying about the future of Ferrara.

Alfonso gave orders that musicians should come to the bedchamber. Surprised, they came, and Alfonso then commanded that they play those pieces of music which his father had best loved. And thus, to the music of the harpsichord, Duke Ercole left Ferrara forever.


* * *

Alfonso’s vital personality filled the castle.

Custom demanded that the new Duke should be crowned before the court went into mourning for the death of the old one, so the first task which lay before them was the coronation with all its attendant ceremony.

Now that he was among them none feared that the rivalry between his brothers would ever become serious. The new Duke of Ferrara was a man who would make all pause and consider very carefully before they crossed his will.

It was winter and the streets of Ferrara were icily cold as Alfonso rode out from the castle to the Cathedral to be crowned Duke of Ferrara; but in spite of the snowy weather the people turned out to cheer their new Duke.

And when he returned to the castle Lucrezia was waiting to greet him. She stood on the balcony, that the people might see her, wearing a great cloak of white watered silk lined with ermine about her shoulders, and, as the people cheered her and she bowed and waved her acknowledgments, the crimson and gold jewel-spattered gown beneath the cloak became visible.

The people did not seem to hate her, for their cheers were spontaneous; but she was wise enough now to know that they could cheer one day and call for her banishment the next.

Everything depended on Alfonso, and she realized suddenly that she knew very little about this husband of hers. How could it be otherwise when their acquaintance had seemed to begin and end in the bedchamber? And even there he had never confided to her his hopes and ambitions, his likes and dislikes. All she had known was that he wished for sons, and during the time they had been married she had disappointed him in that respect.

He was entering the castle now, and she came down from the balcony to greet him. She was at the entrance of the castle as he reached it and before the eyes of many eager spectators who, she knew, were as curious concerning her future as she was apprehensive, she knelt and kissed her husband’s hand.

Alfonso laid his hands under her armpits and raised her as easily as though she were a child. He kissed her cheeks and everyone applauded. But his kiss, Lucrezia noted, was as cold as the snowflakes which fluttered down upon them.

Then he took her hand and led her in to the banquet; and those festivities began which would go on until the next day when they must put off all signs of rejoicing, change white and red and gold for black, and conduct the old Duke to his last resting place.


* * *

The celebrations both of the coronation of the new Duke and the funeral of the old were over, and for the first time, it seemed to Lucrezia, she and her husband were alone together.

Here was the well-known routine. Alfonso, saying nothing, treating her merely as the means of getting children.

After the idyllic relationship with Pietro she was in revolt against this man, and yet when she thought of those sunny hours with Pietro at Medelana and Comacchio there seemed about them an air of unreality; they were light and transient; they could never be repeated.

She realized now that she was afraid of the future, and the knowledge that it lay within the power of this prosaic and cold man was alarming.

Never until this moment had she felt so alone. She thought of those who had stood between her and the ruthless cruelty of the world and, by their own ruthless cruelty which exceeded that of all others, had protected her from evil.

“Oh my father,” she wanted to cry. “You have left me undefended. Cesare is a prisoner and I am alone … at the mercy of Ferrara.”

Alfonso had taken her into his rough embrace.

“It is important now,” he said, “that we should have sons.”

His words seemed to beat on her brain. Did they convey a warning? Sons … sons … and you are safe.

It was like a reprieve.


* * *

In a few weeks Lucrezia was pregnant. The Duke expressed his pleasure. Not that he had had any doubt that this would soon be so. He had had numerous children, and Lucrezia had already shown herself capable of bearing them.

He was waiting now for the birth of the heir of Ferrara.

Once my son is born, thought Lucrezia, my place here will be firm.

She knew that Isabella was receiving reports on her conduct; she had made several attempts to lure Pietro Bembo to Mantua and, now that she knew she could not, she was writing to her brother urging him to put an end to the love affair between his wife and the poet.

If you do not, she implied, when your child is born you will have all Ferrara looking for the features of a poet rather than those of a soldier.

Alfonso grunted as he read Isabella’s warning. He knew that the child Lucrezia now carried was his because she had not seen Bembo since long before its conception. He had known of his wife’s fanciful friendship with the poet and had cared not a jot for it. But Isabella was right when she said that the world might suspect his Duchess of foisting on to Ferrara a child not his.

Poets were not the sort of men he felt much sympathy with. As for Lucrezia he had little interest in her apart from the nightly encounters in the bedchamber. She was worthy of his attention then; he did not deny her beauty; she was responsive enough; but he would always prefer the tavern women; Lucrezia’s perpetual washing of her hair and bathing of her body vaguely irritated him. A little grime, a little sweat would have been a fillip to his lust.

Now that she was pregnant he was less frequently in her bedchamber; but he did like to visit her now and then for a change.

Pietro came back to Ferrara, and Lucrezia was delighted to see him, for it was wonderful to be with one who shared her love of poetry, whose manners were gracious and charming and who treated her as though she were a goddess, only part human, which was very different from the way in which Alfonso treated her.

Alfonso was alert. Never before, it seemed, had he shown so much interest in his wife. He gave her new attendants and they were all Farrarese.

“I have my women,” she told him. “I am satisfied with them.”

“I am not,” he retorted. “These women shall be in attendance on you in future.”

They were not her friends; they were his spies.

She wondered why Alfonso thought it necessary to spy on her. And one day she heard the sound of workmen near her apartments and, when she went to discover what was happening, she found that they were making a new passage.

“But why are you doing this?” she wanted to know.

“We have orders from the Duke, Duchessa.”

“Are you merely making this one passage?” she asked.

“That is so, Duchessa.”

“And how long is it to be?”

“Oh … it merely runs from the Duke’s apartments to your own.”

A passage … so that he could reach her quickly and silently.

What had happened to Alfonso that he was preparing to spy on her?

It was impossible that such mundane matters should touch the love she had shared with Pietro, which had no place in this castle with its secret passages through which an angry husband could hurry to confront an erring wife.

Lucrezia shuddered at the possibility of Alfonso’s discovering her and Pietro Bembo together. No matter how innocently they were behaving Alfonso would suspect the worst. What could he—that great bull of a man—understand of love such as she and Pietro shared?

She was careful never to be seen alone with Pietro; and it was only when they met, surrounded by others in the great hall of the castle, and he implored her to tell him what had changed their relationship that she could trust herself to explain, and tell him about the passage which Alfonso was having made.

“Soon,” she said, “it will be completed. Then he will be able to come swiftly and silently to my bedchamber unheralded, unannounced. He has had this made so that he may try to catch me in some misdemeanor.”

“Where can we meet and be safe?”

“Nowhere in Ferrara … that is certain.”

“Then come again to Medelana, to Comacchio.…”

“It is different now,” she answered sadly. “I am in truth the Duchess of Ferrara. Alfonso needs an heir. Do you not understand that I must produce that heir, and he must come into a world which is satisfied that he can be no other than the son of Alfonso?”

“But if we cannot meet in Ferrara, and if you cannot leave Ferrara, where shall we meet?”

“My dearest Pietro,” she whispered, “do you not see—this is the end.”

“The end? How could there be an end for us?”

“The end of meetings. The end of our talks … the end of physical love. I shall love you always. I shall think of you always. But we must not meet, for if we did and we were discovered I know not what would happen to either of us. Our love remains, Pietro. It is as beautiful as it ever was. But it is too beautiful to be subjected to the harshness of everyday life.”