“Does she say that within the duke’s hearing?”

Jenny accepted a glass with about an inch of amber liquid in the bottom. “She smiles directly at him when she says it, and he generally smiles back and toasts her.”

Jenny smiled at them both, pretending the prospect of others’ marital bliss, even in its mellowed and subtle forms, did not hurt. She lifted the glass to her mouth but was prevented from drinking by Elijah’s hand wrapped around hers.

“Slowly. Bad enough you’re secreted with me in dishabille at a late hour. If you’re found tipsy or worse, I will not forgive myself.”

The scent hit her nose before the liquid touched her lips—peat smoke, apples, oak wood, and a complex of things… botanical. Almost a perfume, and not the same as brandy.

She took a modest sip, which bloomed like a small firework in her mouth, the streams of glory trailing down to her belly. “What is it?”

“A fine old Scottish whisky. I travel with it, packed with my paints and frames and easels. Where will you pose me tonight?”

She wanted him stretched out, as he had been on the floor with William. Relaxed, a little preoccupied, and not very clothed. Her nerve deserted her, though, when she considered he’d probably balk at posing as her odalisque.

“Have you written to your sisters?”

He paused with a glass halfway to his mouth. “I’m to write to all six? I’d be at my desk the entire night, and that would mean an unproductive day tomorrow.”

He had been drinking. The Jenny who’d been secretly relieved to see the last of Denby, the Jenny who’d made a perfect bow before the Queen, the Jenny known and loved by every Windham of every age—and their pets—would have pled a headache, set her drink down, and bid Mr. Harrison good night.

This Jenny, who was going to study art in Paris, took another sip of her whisky—lovely stuff, whisky, no wonder her brothers partook regularly—and considered her subject.

“Write to your sister, then. Just the one, at your desk.”

He took a swallow of his drink and eyed the desk like a martyr beheld the lions’ den. The escritoire was pretty and French, japanned and decorated with inlaid gold scrollwork more feminine than masculine, but Jenny liked the elegance of it.

He sat. She moved candles, positioned his drink to catch the light, passed him a white quill pen, shifted the inkwell, moved his drink again, and then considered how to position herself. She couldn’t very well stand when she sketched him, but she wanted his face in shadows again, the better to apply what she’d learned the previous night.

“I have an easel,” he said, rising and disappearing into the bedroom. He emerged a moment later with a sturdy wooden frame, one sporting clamps at the corners for holding paper if one were not inclined to work on a canvas.

“How did you know?”

He set it up a few feet from the desk, exactly where Jenny would have asked him to—after pondering all her choices and wasting half of her allotted hour.

“You don’t want to be directly in my line of sight lest you distract me, and if you’re doing a night study of me, you want a bit of distance and superiority, some detachment about the point of view.”

No, actually, she wanted intimacy, but he wanted the distance, so she did not argue.

He resumed his seat, moving his drink a few inches closer to the blotter, which was where Jenny should have put it. She got her paper affixed to the board and regarded him, slouched back, brooding, vaguely dissolute and palpably annoyed, but at what?

“Is that how you want to remain for the next hour, Elijah?”

He glanced at the clock. “Forty-five minutes, Genevieve, and no. I might as well tend to my correspondence while you work.”

Jenny said nothing, starting her composition with the structural elements—the mantel behind him, the flat plane of the heavily lacquered desk. Candlelight and firelight brought out the inlaid work, giving the surface the quality of a fish pond, the top a visual window to a different world.

Which would need oils, of course.

Elijah had assembled the requisite tools for correspondence: paper, pen, penknife, sand, ink, and a focused expression. While he stared at the blank page—assembling thoughts, perhaps—Jenny focused on his face.

An hour later, Elijah sat back and sprinkled a final quantity of sand over his letter, just as Jenny made a final appraisal of her study.

It would do. In fact, it would do nicely, and yet, she didn’t want to show it to him. For a time, she wanted to revel in the notion that she’d applied what she’d learned the previous evening, and the result was impressive.

“You wrote only the one page,” she said, unfastening her paper from the easel and laying the finished sketch on the table by the door.

He tossed the pen on the desk and capped the ink. “One doesn’t want to be too loquacious. Females take their epistolary connections seriously, and I will be deluged with letters if my sisters decide I am a reliable correspondent.”

“I dread hearing from my siblings for just that reason.”

A hint of a smile scampered around his mouth. “You are teasing me. I deserve it.”

“No, I am not. My siblings have lives, you see. This child cut a tooth. That husband is annoyed by some buffoon in the Lords. This wife is absorbed in a new project with the dame school—”

He rose and held out a hand to her, and Jenny hoped it wasn’t the whisky inspiring Elijah’s overture. She gave him her hand and was tugged into an embrace, Elijah’s cheek resting against her hair.

“While you sketch your cat, visit the sick with your mother, and seethe with frustrated artistic talent. Let’s hear a curse, Genevieve. Let the drink, the lateness of hour, and the company inspire you, hmm?”

No cat came between them, no stays, no layers of proper attire. Held against Elijah’s body, Jenny felt the implacable structure of a large, fit man. His person was as soft and giving as a sculptor’s block of raw marble, but much, much warmer.

“The only curse I know is damn—double damn.”

“That’s a start, like a few lines on a page. Damn has promise, but it needs embellishment. Bloody double damn?” He spoke near her ear, his breath tickling her neck.

“Bloody is vulgar and graphic. Also quite naughty, and daring.”

“All the better. Come, let’s be vulgar and graphic on the subject of my sketches for the day.”

He turned her under his arm, as if they were drinking companions, and Jenny felt a little more inclined to curse: she’d wanted him to kiss her, wanted a cat-free kiss, a whisky-flavored kiss that went further than a dose of foul language toward resolving what she felt when she got her sisters’ chatty, conscientious, and unwittingly condescending letters.

“I like perishing damn,” Jenny said as Elijah settled with her on a sofa. Like the desk, this was an elegant piece of furniture, and he seemed to take up more than his half of it.

“Bloody, perishing damn,” he said, tucking his arm more closely around her. “Say it. You’re off to make war on France soon, like that We Happy Few fellow the Bard wrote about. Nobody will understand your English curses.”

Jenny considered that Elijah might have been drinking for a while before she’d come upon him—except the bottle had been nearly full, so this whimsical crankiness on his part was not entirely fueled by drink.

“I won’t need my curses in Paris, because I’ll have something to write about besides… my bloody, perishing, damned cat.” She’d surprised him—she’d surprised herself. “Now I feel I must apologize to Timothy.”

“Timothy owes me an apology,” Elijah said. “Damned beast about disemboweled me. I invite you to do the same.” He took a breath, and because Jenny was sitting right next to him, she felt the whimsy go out of him. “I can’t get Rothgreb’s little fellows right, Genevieve. It’s been two days, and nothing is… I should be half-finished by now.”

He trailed off and scooped up a half-dozen sketches from the low table. These he deposited in her lap on a huff.

“Why don’t you fetch our drinks,” Jenny suggested, picking up the first drawing. She wanted him off that couch, wanted him wandering the periphery of the room or the coast of Wales while she examined these nothing sketches.

He obliged, and even detoured to poke up the fire before he set Jenny’s drink before her. Thereafter, he took up a position leaning in the bedroom doorway, dressing gown gaping open, drink in hand.

The Artist Before Retiring. Jenny took in the composition she’d make of him there, framed by the doorway, fatigue and frustration.

“These are technically stunning.” For studies, for quick renderings used to work out details of composition and content, Elijah’s sketches of Kit and William were masterly. She selected one and put the rest aside. “This is your best one. Let’s discuss it.”

He pushed away from the doorjamb and came down beside her without putting his arm around her. Jenny passed him the sketch and took another swallow of courage.

“This is technically adequate,” Elijah said. “If I can’t structure an adequate composition by now… The dog is truly amazing. Not my drawing of him, but that old hound. I’ve never seen a beast as tolerant of children.”

The image on the page was William astride a recumbent Jock, the old dog somnolent in contrast to the child’s gleeful countenance. Whereas Jock looked as if he would be found before that hearth until spring was well advanced, William’s bare foot was raised, and his hand grasped one of Jock’s floppy ears like a rein, as if to urge his canine steed to take flight.