"It's funny to think about." Zoe wandered back, chose a brush, a rat-tail comb, and pins, then moved behind the sofa. "She lives in that big, well, castle, really, with all those beautiful things." She began to brush Dana's hair. "And she's beautiful, even wise, I think. She's rich and has a man she loves. She's traveled and she can paint those wonderful pictures."
Dividing sections of Dana's hair, she began to braid. "But she envies someone like me because I have a kid. Do you think she can't have children? I didn't want to ask, it's so personal. But I wonder why she couldn't. If she can do all the things she can do, why couldn't she have a baby?"
"Maybe Pitte doesn't want to have kids." Dana shrugged her shoulders. "Some people don't. What're you doing back there, Zoe?"
"New do. I'm mixing some skinny braids in. It should be young and kicky. Do you?"
"Do I what?"
"Want to have kids?"
Dana munched popcorn and considered. "Yeah. I'd like to have a couple. I figure if I don't find a guy I can stand being with for the long term in the next few years, I'll just do it on my own. You know, make love with medical science."
"You'd do that?" Fascinated, Malory reached into the bowl. "Raise a child on your own. I mean, on purpose," she added, looking up at Zoe. "You know what I mean."
"Sure, I would." Dana settled the bowl between them. "Why not? I'm healthy. I think I'd be good at the parenting thing, that I have a lot to offer a kid. I'd want to make sure I had solid financial security first, but if I'm cruising toward say, thirty-five and there's no guy in the picture, I'd do the deed."
"Sort of takes the romance out of it," Malory commented.
"Maybe, but it gets results. You've got to look at the big picture. If there's something you want, deep down want, you can't let anything stop you from getting it."
Malory thought of her dream, of the child she'd held in her arms. Of the light filling her world, her heart. "Even if you really, really want something, there are lines."
"Well, murder and a certain amount of mayhem are discouraged. I'm talking about making important choices, then going the distance and dealing with the results. What about you, Zoe? Would you do it again? The raise-a-kid-on-your-own part?" Dana asked.
"I don't think I'd set out to do it again. It's hard. There's nobody to share the load with, and sometimes the load seems impossible for one person. But more, there's nobody who looks at the child and feels what you feel. Nobody to share that love and pride and, I don't know, surprise with."
"Were you scared?" Malory asked her.
"Yeah. Oh, yeah. I still get scared. I think it's supposed to be scary because it's so important. Do you want babies, Mal?"
"I do." She rubbed the stone gently between her fingers. "More than I realized."
By three, Dana and Zoe were sleeping in her bed, and Malory was picking up the worst of the debris, too restless to settle in on the sofa. There were too many thoughts, too many images flitting around in her mind.
She studied the little blue stone again. Maybe it would work. She'd accepted bigger things than having a piece of rock under her pillow as the cure for the insomnia that was plaguing her.
Or maybe she hadn't. Maybe she really hadn't accepted any of it, not in that deep-down way Dana spoke of. She was exhausted, yet she wasn't putting the stone under her pillow and letting herself try.
She claimed to love Flynn, yet she was waiting, tucking a small part of herself safely away and waiting for the feeling to pass. And at the same time, she was annoyed and hurt that he didn't simply fall over in love with her and even things out.
After all, how could she keep her balance, outline plans, and keep it all tidy if everything between them wasn't equal?
Everything belongs in its place, doesn't it? Everything has its slot. And if it doesn't fit just right, well, you're not the one who's going to change. That's up to the other guy."
With a sigh, she dropped down on the couch. She'd pursued a career in art like a demon because while fate hadn't cooperated by giving her talent, she wasn't about to admit that all those years of study and work had been wasted.
She made it fit.
She'd stayed at The Gallery because it was comfortable, because it was sensible and convenient. She'd made noise about striking out on her own one day. But she hadn't meant it. Too big a risk, too messy. If Pamela hadn't come along, she would still be at The Gallery.
And why did she resent Pamela with every fiber of her being? All right, the woman was pushy and had all the taste of overcooked trout, but a more flexible woman than Malory Price would've found a way around that. She resented Pamela primarily because she'd shifted the balance, she'd changed the lines.
She just hadn't fit.
Now there was the business she and Dana and Zoe were starting. She'd been the one to drag her feet on that. Oh, she'd come through in the end, but how many times had she questioned that decision since? How many times had she considered backing out because it was too hard to see how it could all be neatly done?
And she hadn't moved forward on it. Hadn't gone back to the property or made any plans, put out any feelers for artists and craftspeople.
Hell, she hadn't even mailed off the application for her business license. Because once she did, she was committed.
She was using the key as an excuse not to take the final step. Oh, she was looking for it, giving the quest her time and her energy. One thing she took seriously was responsibility.
But here and now, alone and awake at three in the morning, it was time to admit one undeniable fact. Her life may have changed in a dozen strange and fascinating ways in three weeks' time, but she hadn't changed at all.
She put the stone under her pillow. "There's still time," she murmured, and curled up to sleep.
When she woke, the apartment was silent as a tomb. She lay still a moment, studying the lance of light that sneaked through the chink in the patio drapes and onto her floor.
Morning, she thought. Full morning. She didn't remember falling asleep. Better, much, much better, she didn't remember tossing and turning and worrying about sleep.
Slowly, she slid a hand under her pillow, feeling for the stone. She frowned, groping now, then sat up to lift the pillow. There was no stone under it. She searched under the cushions, on the floor, under the couch, before sitting down again with a huff of confusion.
Stones didn't just disappear.
Or maybe they did. When they'd served their purpose. She'd slept and slept well, hadn't she? Just as promised. In fact, she felt wonderful. As if she'd had a nice, relaxing vacation.
"Okay, thanks, Rowena."
Chapter Eighteen
She stretched out her arms, took a deep breath. And drew in the unmistakable scent of coffee.
Unless the gift included morning coffee, someone else was up.
She walked into the kitchen and found a pleasant surprise.
Zoe's coffee cake was on the counter, set on a pretty plate and protected with Saran Wrap. The coffeepot was on warm and was three-quarters full, and the morning paper was neatly folded and placed between.
Malory picked up the note tucked under the cake plate and read Zoe's somewhat exotic mix of cursive and printing.
Good morning! Had to get going—have a teacher's conference at ten.
Ten, Malory thought with an absent glance at the kitchen clock. Her mouth fell open when she saw that it was nearly eleven.
"That can't be right. Can it?"
Didn't want to wake either of you, tried to be quiet.
"You must move like a ghost," Malory said aloud.
Dana's got to be at work at two. Just in case, I set the alarm clock in your room for her. Set it for noon so she wouldn't have to rush and would have time for breakfast.
I had thebest time. Just wanted to tell you, both of you, that whatever happens I'm so glad I found you. Or we found each other. However it worked, I'm just really grateful you're my friends .
Maybe next time we can get together at my place.
Love, Zoe. "Looks like it's a day for gifts." Smiling, Malory set the note down where Dana would find it, too. Hoping to extend her good mood, she cut a sliver of cake, poured the coffee. She arranged
them on a tray, added the paper and a small glass of juice, then carried it all out to her patio.
Fall was teasing the air. She'd always enjoyed the faint, smoky scent that autumn brought with it when the leaves began to take on hints of the vibrant colors to come.
She needed to pick up some potted mums, she noted as she broke off a piece of coffee cake. She was behind schedule on that. And some pumpkins and gourds for festive arrangements. She would gather some leaves, the maple ones once they'd turned scarlet.
She could pick up some extra things and do something fun for Flynn's front porch.
She sipped coffee while she skimmed the front page. Reading the morning paper was a different experience now that she'd met Flynn. She liked wondering how he decided what went where and how he juggled it all— stories, ads, pictures, typeface, tone—and made it one cohesive whole.
She nibbled and sipped her way through, then felt her heart give a quick jolt when she came to his column.
Odd, wasn't it, that she'd seen it before. Week after week. What had she thought? she wondered. Cute guy, nice eyes, or something just that casual and forgettable. She'd read his column, had either agreed or disagreed. She hadn't taken any notice of the work and effort he put into it, what turned his mind to whatever subject he wrote about that week.
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