The spectators applauded wildly, but many of the nobles present whispered that Essex was a fool thus to display his wealth before the King’s avaricious eyes. His “mountain” was clearly very costly indeed and the days when nobles flaunted their wealth so blatantly were no longer with them.

So Katharine sat back in her place of honor and watched the jousting. She listened to the cheers of the people as their favorites rode into the arena; and she found her attention fixed not so much on those whose skill with the lance gave such pleasure to the company, but on the two brothers—her husband and Henry.

Henry’s eyes were narrow with concentration; his cheeks were flushed. It was clear that he longed to be down there in the arena and emerge as the champion. As for Arthur, he seemed to shrink into his golden seat, closing his eyes now and then when disaster threatened one of the combatants. He knew that death could easily result from these jousts and he had never been able to accept such accidents with equanimity.

That day there were no serious casualties and he was glad that it was November so that the dusk fell early and it was necessary to leave the tiltyard for the hall of the Palace, where the banquet and further entertainments were awaiting them.

At the center of the table on an elevated dais the King took his place, and on his left were seated Katharine, the Queen and the King’s revered mother, the Countess of Richmond. On the King’s right hand sat Arthur. Margaret and Mary were next to their grandmother on the Queen’s side, and on the King’s side next to Arthur, in order of precedence, were the nobility of England.

The monumental pies with their golden pastry, the great joints, the dishes of flesh and fowl, were brought in with ceremony; the minstrels played and the feasting and drinking began.

But there must be pageantry, and in the space made ready before the banqueting table the dancing and spectacle began.

Katharine looked on at the ship, the castle and the mountain, which in their turn were wheeled into the hall to the cries of admiration of the guests. The ship, which came first, was manned by men dressed as sailors who called to each other in nautical terms as their brilliantly painted vehicle trundled round and round the hall. On the deck were two figures which were intended to represent Hope and Desire, and suddenly there appeared beside them a beautiful girl dressed in Spanish costume.

Henry called to Katharine from his place at table: “You see, this is all in your honor. You are the hope and desire of England.”

It was very flattering and Katharine, guessing what her young brother-in-law implied, graciously acknowledged the compliment with smiles which she hoped expressed her great pleasure and appreciation.

The mountain came next, and here again were allegorical figures all intended to pay homage to the new bride.

The most splendid of all the pageants was the castle which was drawn into the hall by lions of gold and silver; there was much whispering and laughter at the sight of these animals, for it was well known that inside each of the lion’s skins were two men; one being the front part, the other the hindquarters. The spectators had seen these animals perform before, as they were a feature of most pageants; but they slyly watched Katharine to see her astonishment, for it was believed that she must be wondering what strange animals these were.

Seated on top of the castle was another beautiful girl in Spanish costume, and she, like the other, was being courted by Hope and Desire.

And when the ship, the mountain and the castle were all in the hall, the minstrels began to play; then beautiful girls and handsome men stepped from them, and as there was an equal number of both sexes they were most conveniently partnered for a dance, which they performed in the space before the banqueting table.

When this dance was over the performers bowed low and, to great applause, slipped out of the hall.

Now the company must join in, but first the royal bride and groom must dance followed by other members of the royal family.

Katharine and Arthur did not dance together. Many present thought this meant that the marriage was not yet to be consummated. So Katharine chose her maid of honor Maria de Rojas, and together they danced a bass dance, which was stately and more suitable, she thought, to the occasion than one of those dances known as la volta and which involved a good deal of high stepping and capering.

Katharine was at her best in the dance, for she moved with grace and she was an attractive figure in spite of the superior beauty of Maria de Rojas.

Two gentlemen at the table watched Maria as she danced. One was the grandson of the Earl of Derby, who thought her the most beautiful girl he had ever seen; but there was another watching Maria. This was Iñigo Manrique, the son of Doña Elvira Manuel, who had accompanied the party to England in the role of one of Katharine’s pages.

Maria was conscious of these looks as she danced, and deliberately she gave her smile to the young Englishman.

But although Maria’s beauty attracted attention there were many who closely watched the young Infanta. The King and Queen were delighted with her; she was healthy and whether or not she was beautiful was of no great moment. She was fresh and young enough not to be repellent to a young man. They were both thinking that when the time came she would be fertile.

Arthur watched her and found pleasure in watching her; now that he knew he need not fear the consummation of their marriage he was very eager to win the friendship of his wife.

Henry could not take his eyes from Katharine. The more he saw of her the more his resentment rose. The precocious youth enjoyed occasions such as this, but he was never completely happy unless he was the center of attraction. If only he had been the bridegroom! he was thinking. If only he were the future King of England!

The dance was over, the applause rang out while Katharine and Maria returned to their places. Arthur then led out his aunt, the Princess Cecily, and the dance they chose was a grave and stately one. Henry, watching them through sullen eyes, was thinking that so must Arthur dance, because the high dances made him breathless. But that was not the English way of dancing. When the English danced they threw themselves wholeheartedly into the affair. They should caper and leap and show that they enjoyed it. He would show them when his turn came. He was impatient to do so. When it came he and his sister Margaret stepped into the center of the hall; there was immediate applause, and all sullenness left Henry’s face as he bowed to the spectators and began to dance. He called to the minstrels to play more quickly; he wanted a gayer air. Then he took Margaret’s hand and the color came into their faces as they danced and capered about the hall, leaping into the air, twirling on their toes; and when Margaret showed signs of slackening Henry would goad her to greater efforts.

The company was laughing and applauding, and Henry, the sweat running down his face, threw off his surcoat and leaping and cavorting in his small garments continued to divert the company.

Even the King and Queen were laughing with pleasure, and when the music eventually stopped and the energetic young Prince with his sister returned to the table, congratulations were showered on them from every corner of the hall.

Henry acknowledged the cheers on behalf of himself and Margaret, but his small eyes rested on Katharine. He knew that his father was wishing his first-born were more like his other son.

Henry realized then that he was hoping Katharine was making a similar comparison of himself and Arthur.


* * *
* * *
* * *

DOÑA ELVIRA MANUEL, that most domineering of duennas, was delighted with the state of affairs in England, for while Katharine had her separate household she remained in charge of it, and she knew well that once Katharine became in truth the wife of Arthur she would cease to maintain the power which was now hers.

As duenna to a virgin bride she was supreme, for Katharine herself, on the instructions of Queen Isabella, must bow to her wishes.

Doña Elvira had never been chary of expressing her opinions, and it was inevitable that other ambitious people in the Spanish entourage should find her intolerable and seek to undermine her power.

There was one who held great influence with Katharine. This was Father Alessandro Geraldini who had been her tutor for many years and who now was her chief chaplain and confessor.

Since he had been in England Geraldini had become increasingly aware of the important role which was his and what a different matter it was to be adviser and confidant of the Princess of Wales after being merely tutor to the Infanta of Spain. Not only was Katharine the most important lady in England next to the Queen, but she was also more important to her parents’ political schemes than she had ever been before. And he, Geraldini, was her confessor. Was he going to allow a sharp-tongued woman to dominate him!

He sought for means of destroying her power. He asked permission to speak to Don Pedro de Ayala confidentially.

The ambassador shut the door of the anteroom in which the interview took place and begged Geraldini to state his business.

Geraldini came straight to the point. “Doña Elvira Manuel has become insufferable. One would think she was the Princess of Wales.”

“In what way has she offended you, my friend?”

“She behaves as though she has charge of the Infanta’s very soul. And that happens to be my duty.”