“Do you have room for them, Mrs. Jones?”
“I got a spare room. Two of them can sleep in one bed, and we'll figure something out for the other one.”
“That would be Megan. She'll need a crib. She's just over a year old.” He wanted to ask her if she knew how to take care of a baby. He wanted to ask a lot of things, but he didn't dare. He had no choice. He just had to trust that she'd do the best she could, for Sam's sake. And the children were so adorable, he was sure she'd fall in love with them the minute she saw them.
But it was something less than love at first sight when Arthur drove the three girls to Charlestown. He had explained to Hilary the day before that they were going to stay with their aunt Eileen for the summer. He told the maid to pack all their things, and explained quietly that she and the nurse would be free to leave after the girls left in the morning. He suggested that Hilary and Alexandra take their favorite toys. And he did not tell anyone that he would be closing the apartment and selling everything as soon as the children had left it. They would be better off with whatever meager amount he could eke from the sale of the furniture, and not having their funds depleted by paying rent for a duplex on Sutton Place. Sam's debts were still astronomical, and there just was no money coming in from anywhere for them. He was glad to be getting rid of the apartment and the two servants.
Hilary had eyed him suspiciously when he told them about the trip to Boston. Much of her affection for him seemed to have cooled since her mother's death, but it was difficult to tell if that was just her way of expressing pain, or due to some other reason.
“Why are you sending us away?”
“Because it'll be nicer for you there than it is here. Your aunt lives near the water in Boston. It'll be cooler, if nothing else, and you can't just sit here in New York all summer, Hilary.”
“But we're coming back, right?”
“Of course you are.” He felt a wave of guilt and terror wash over him. What if she could see that he was lying?
“Then why did you tell Millie to pack all our things?”
“Because I thought you might need them. Now, don't be unreasonable, Hilary. It'll be nice for all of you to get to know your father's sister.”
Hilary was standing very quietly in the center of the room, in a yellow organdy dress with white piqué trim, her shining black hair like Sam's perfectly combed into two smooth braids, her big green eyes as wise as Solange's had been, her little white anklets immaculate, and her patent leather Mary Janes shined to perfection. And she studied him, as though she knew he were hiding something from her. In a way, she frightened him, she was so knowing and so cool, and so fiercely protective of her sisters. She had taken the news of her father's suicide stoically. She had barely cried, and she had comforted Alexandra, and explained that Daddy had gone to heaven to be with Mommy. It all seemed terribly hard for Alexandra to understand, she was only five after all, but Hilary made everything easier for her, as she did for all of them. It was as though Solange had left her there to care for all of them in her absence.
“Why didn't we ever meet Aunt Eileen before? Didn't my Daddy like her?” She was perceptive just as Solange had been, and she didn't take any nonsense. The way her eyes flashed over him reminded him so much of her mother.
“I don't think they were close, Hilary, but that doesn't mean she's not a nice person.”
Hilary nodded, she was willing to suspend judgment. Temporarily. But it was easy to see what she thought when they arrived in Charlestown.
The house was a small frame house on a dark street, with shutters that had fallen off in the bitter winds of the previous winters. The paint was peeling everywhere, the yard was overgrown with weeds, and two of the front steps were broken. It was a less than auspicious welcome, as Hilary walked up the steps, holding Alexandra's hand, and Arthur carried the baby. The nurse had come with them, for the trip, but she was returning to New York with Arthur.
He rang the doorbell ineffectively, and finally realized that it, too, was broken. And then he knocked hard on the window. He could feel Hilary's eyes on him and her silent question, asking him why they had come here. He didn't dare look at her now, he couldn't have borne to see Solange's eyes looking up at him, filled with silent reproach and unspent fury.
“Yeah?” The door opened finally, and a woman with blond stringy hair yanked the door open wearing a frayed dirty bathrobe. “What do you want?” She stared at the crew on the front steps with obvious annoyance, a cigarette hanging out of the corner of her mouth, her eye squinting shut to defend itself from the smoke wafting up, and then she realized who they were. She smiled uncomfortably then, and for a fraction of an instant, she looked like Sam, but barely. One had to be looking for the resemblance.
“Mrs. Jones?” Arthur's heart was sinking slowly to his feet, and he felt no better as they walked into the living room. There was a broken couch, three battered chairs with the stuffing pouring out, a coffee table that had seen better days, and a small Formica dinette set, with a television blaring in the distance. Inside, the house looked even worse than it did outside. Eileen Jones apparently did not spend a great deal of time keeping house for her husband.
It was a Saturday afternoon and there was a baseball game blaring on the radio, at the same time as Gabby Hayes came on the TV. The noise was deafening, and the children looked stunned by it. Everyone stood awkwardly in the middle of the living room, looking at each other.
“Want a beer?” She looked at Arthur, ignoring the children. And it was difficult to believe that this was Sam Walker's sister. He had been so impeccably groomed, such a handsome man, he had had such presence and power and magnetism about him. One had felt instantly drawn to Sam, and together with Solange they had made a dazzling couple. But this woman was a parody of all that was cheap and beaten and ugly. She looked well beyond her thirty-nine years, and the ravages of booze had taken their toll on her early. She might have been attractive once, but anything pleasant in her looks was long gone. She only looked hard and bitter and ugly. Her dyed hair was thin and dirty and unkempt, cut just below her ears, and hanging limp and greasy. She had Sam's brilliant blue eyes, but there was a dullness to them, with terrible bags beneath them from excessive drinking. Her skin was sallow, and her waist was thickened by beer, while her legs looked like two little toothpicks. She was totally foreign to everything the girls had ever seen, and Arthur realized that Hilary was staring at her in shock and horror.
“This is Hilary.” He tried to encourage her forward to shake the woman's hand, but she wouldn't budge. “And Alexandra,” who sniffed the stale beer that seemed to permeate the air, and made a face as she looked up at Hilary's obvious disapproval, “and Megan.” He indicated the baby, who glanced at the battered blonde with wide eyes. She was the only one who didn't seem worried by her summer home or her hostess. The other two looked terrified, and Hilary had to fight back tears when she saw the room they were to be given to sleep in. Eileen Jones walked them back to it without ceremony, waved in the direction of the sagging, narrow bed that stood unmade in one corner. The room itself was a narrow cell without windows, barely big enough for the bed it held, with a crib folded against one wall that looked as though she had fished it out of someone else's garbage, which is precisely where Eileen had found it, shortly after Arthur had called her.
“We'll get the sheets on the bed later.” She smiled artificially at her oldest niece. “Maybe you can help me.” And then, with no particular interest she glanced at Arthur. “Got her mother's eyes though.”
Arthur looked puzzled. “You knew Solange?” Solange had never mentioned this woman to him.
“I met her once. Sam was doing a play up here or something.”
And then suddenly Arthur remembered. Solange had hated her. But so had Sam. They had come by when he was doing summer stock in Stockbridge after the war. It seemed light years ago, but so did everything now. Arthur looked around him with a lump in his throat, hating to leave the girls there. And for a moment he hated his wife for condemning the children to this. How could she do this? But she didn't know, he reminded himself, as he fought back his own guilt and resentment. He had to force himself not to think about it and remind himself that this arrangement was only for the summer. And then … that was the real problem. And then what? Marjorie was intransigent. And he had already put out feelers everywhere, for people who would help, people who might want to take them in, people who had large families of their own, or people with no children of their own, but who might be willing to have them. He had spoken to all of his partners at the law firm.
Hilary was still standing awkwardly in the doorway of what was to be their room, staring with dismay at their new quarters. There was no closet, no chest for their things, there wasn't even a chair or a lamp or a table. There was a bare bulb hanging from the ceiling, which dangled near the doorway.
“You got the money?” Eileen turned to him, and feeling awkward handing it over to her in front of the girls, he reached into his jacket for an envelope.
“That includes a reasonable amount for their expenses.”
Being far less genteel than Arthur, she opened the envelope and thumbed through it. He had given her a thousand dollars, including the fee, and if she played her cards right, and fed them nothing but macaroni and cheese for the next two months, she'd have plenty of money left over. She smiled happily at the girls, took a swig of her beer, and saluted Arthur as she tossed her cigarette into the sink with perfect aim. She did it often. “That's just fine, Mr. Patterson. We have any problems, I'll call you.”
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