I imagine she thinks I'm foolish and inept, but she was kind about it.

She said something about the house being haunted, which I imagine the villagers say about every house in the country. But since I've decided to explore the possibility of doing a paper on Irish legends, I may research the basis for her statement.

Naturally, my time clock and my system are turned upside down. I slept the best part of the day away, and had a meal at midnight.

It's dark and foggy out. The mist is luminous and somehow poignant. I feel cozy of body and quiet in my mind.

It's going to be all right.

She sat back, let out a long sigh. Yes, she thought, it was going to be all right.

At three A.M., when spirits often stir, Jude huddled in bed under a thick quilt with a pot of tea on the table and a book in her hand. The fire simmered in the grate, the mist slid across the windows. She wondered if she'd ever been happier.

And fell asleep with the light burning and her reading glasses slipping down her nose.

In the daylight, with the rain and mist whisked away by the breeze, her world was a different place. The light glowed soft and turned the fields to an aching green. She could hear birds, which reminded her that she needed to dig out the book she'd bought on identifying species. Still, at the moment it was so nice just to stand and listen to that liquid warbling. It didn't seem to matter what bird was singing, so long as it sang.

Walking across the thick, springy grass seemed almost like a sacrilege, but it was a sin Jude couldn't resist.

On the hill beside the village, she saw the ruin of the once grand cathedral dedicated to Saint Declan and the glorious round tower that ruled over it. She thought briefly of the figure she'd thought she'd seen there in the rain. And shivered.

Foolish. It was just a place, after all. An interesting and historical site. Her grandmother, and her guidebook, had told her about the ogham inscriptions inside and the Romanesque arcading. She would go there and see for herself.

And to the east, if memory served, beyond the cliff hotel, was the ancient Saint Declan's. Well with its three stone crosses and stone chair.

She would visit the ruins, and the well, climb the cliff path, and perhaps walk around the headland one day soon. Her guidebook had assured her the views were spectacular.

But today she wanted quieter, simpler things.

The waters of the bay shimmered blue as they flowed into the deeper tones of the sea. The flat, wide beach was deserted.

Another morning, she thought, she would drive to the village just to walk alone on the beach.

Today was for rambling over the fields, just as she'd imagined, away from the village with her eyes on the mountains. She forgot she'd only meant to check on the flowers, to orient herself to the area just around the cottage before she attended to practical matters.

She needed to arrange for a phone jack in the spare bedroom so she could access the Net for research. She needed to call Chicago and let her family know she was safe and well. Certainly she needed to go into the village and find out where she could shop and bank.

But it was so glorious out, with the air gentle as a kiss, the breeze just cool enough to clear the last of the travel fatigue from her mind, that she kept walking, kept looking until her shoes were wet from the rain-soaked grass.

Like slipping into a painting, she thought again, one animated with the flutter of leaves, the sounds of birds, the smell of wet, growing things.

When she saw another house it was almost a shock. It was nestled just off the road behind the hedgerows and rambled front, back, and sideways as if different pieces of it had been plopped down carelessly on a whim. And somehow it worked, she decided. It was a charming combination of stone and wood, juts and overhangs with flowers rioting in both the front yard and the back. Beyond the gardens in the rear was a shed-what her grandmother would have called a cabin-with tools and machines tumbling out the door.

In the driveway she saw a car, covered with stone-gray paint, and looking as though it had come off the assembly line years before Jude had been born.

A big yellow dog slept, in a patch of sunlight in the side yard, or she assumed it slept. It was on its back with its feet in the air like roadkill.

The O'Tooles' house? Jude wondered, then decided it must be so when a woman came out the back door with a basket of laundry.

She had brilliant red hair and the wide-hipped, sturdy frame that Jude would imagine in a woman required to carry and birth five children. The dog, proving she was alive, rolled over to her side and thumped her tail twice as the woman marched to the clothesline.

It occurred to Jude that she'd never actually seen anyone hang clothes before. It wasn't something even the most dedicated of housewives tended to do in downtown Chicago. It seemed like a mindless and thereby soul-soothing process to her. The woman took pegs from the pocket of her apron, clamped them in her mouth as she bent to take a pillowcase from the basket. Snapped it briskly, then clamped it to the line. The next item was dealt with in the same way and shared the second peg.

Fascinating.

She worked down the line, without any obvious hurry, with the yellow dog for company, emptying her basket while what she hung billowed and flapped wetly in the breeze.

Just another part of the painting, Jude decided. She would title this section Country Wife.

When the basket was empty, the woman turned to the facing line and unhooked clothes already hanging and dry, folding them until her basket was piled high.

She cocked the basket on her hip and walked back into the house, the dog prancing behind her.

What a nice way to spend the morning, she thought.

And that evening, when everyone came home, the house would smell of something wonderful simmering in the kitchen. Some sort of stew, Jude imagined, or a roast with potatoes browned from its juices. The family would all sit around the table, one crowded with bowls and plates wonderfully mismatched, and talk about their day and laugh and sneak scraps to the dog, who begged from under the table.

Large families, she thought, must be a great comfort.

Of course, there was nothing wrong with small ones, she added, immediately feeling guilty. Being an only child had its advantages. She'd gotten all her parents' attention.

Maybe too much of their attention, a little voice murmured in her ear.

Considering that voice very rude, she blocked it out and turned to return to her cottage and do something practical with her time.

Because she felt disloyal, she immediately phoned home. With the time difference she caught her parents before they left for work, and squashed her guilt by chatting happily, telling them she was rested, enjoying herself, and looking forward to this new experience.

She was well aware that they both considered her impulsive trip to Ireland a kind of experiment, a quick forty-five-degree turn from the path she'd been so content to pursue for so long. They weren't against it, which relieved her. They were just puzzled. She had no way to explain it to them, or to herself.

With family on her mind, she placed another call. There was no need to explain anything to Granny Murray. She simply knew. Lighter of heart, Jude filled her grandmother in on every detail of the trip, her impressions, her delight with the cottage while she brewed a pot of tea and made a sandwich.

"I just had a walk," she continued, and with the phone braced on her shoulder, set her simple lunch on the table. "I saw the ruins and the tower from a distance. I'll have a closer look later."

"It's a fine spot," Granny told her. "There's a lot to feel there."

"Well, I'm very interested in seeing the carvings and the arcading, but I didn't want to wander that far today. I saw the neighbor's house. It must be the O'Tooles'."

"Ah, Michael O'Toole. I remember him when he was just a lad-a quick grin Mick had arid a way of talking you out of tea and cakes. He married that pretty Logan girl, Mollie, and they had five girls. The one you met, Brenna, she'd be the oldest of the brood. How's she faring, pretty Mollie?"

"Well, I didn't go over. She was busy with laundry."

"You'll find no one's too busy to take a moment, Jude Frances. Next time you're roaming you stop in and pay, your respects to Mollie O'Toole."

"I will. Oh, and Gran?" Amused, she smiled as she sipped her tea. "You didn't tell me the cottage was haunted."

"Sure and I did, girl. Haven't you listened to the tapes, or read the letters and such I gave you?''

"No, not yet."

"And you're thinking there goes Granny again, with her make-believe. You just go through the things I sent along with you. The story's there about Lady Gwen and her faerie lover."

"Faerie lover?"

"So it was said. The cottage is built on a faerie hill with its raft, or palace, beneath, and she waits for him still, pining because she turned off happiness for sense, and he losing it for pride."

"That's sad," Jude murmured.

"Well, it is. Still, it's a good spot, the hill, for looking inside yourself to your heart's desire. You look inside yours while you're there."

"Right now I'm just looking for some quiet."

"Take as much of it as you need, there's plenty to go around. But don't stand back too long and watch the rest of the world. Life's so much shorter than you think."

"Why don't you come out, Gran, stay here with me?"

"Oh, I'll come back, but this is your time now. Pay attention to it. You're a good girl, Jude, but you don't have to be good all the time."

"So you're always telling me. Maybe I'll find some handsome Irish rogue and have a reckless love affair."