“I don't want a good one,” Sasha said sadly. She liked her friend, or always had, but hated what she was becoming. Her good taste, good judgment, and dignity seemed to have gone out the window the moment she became a widow. Sasha was sure that not all widows were like her. Alana also had severe money problems, and was desperate to find a husband to solve them. And as Arthur had said before he died, men could smell it. Eau de Panic, as Arthur had called it. It was not a perfume men liked.

“You want Arthur,” Alana said, rubbing salt in her wounds. “Well, if you want to know the truth, I want Toby. But they're gone, Sash. They're not coming back, and we're stuck here without them. We have to make the best of a bad situation, any way we can.”

“I'm not ready to do that,” Sasha said kindly. She didn't tell her friend how foolish she looked, or how embarrassing she was becoming. “Maybe staying alone is the right answer. I can't even imagine dating.” Nor did she want to.

“Sasha, you're forty-eight years old, I'm fifty-three. We're too young to be alone forever.” Sasha had felt young when she was married to Arthur. Since he had died, she felt ancient.

“I don't know, Alana. I don't know what the answer is. I just know that right now I'd rather be dead than dating.” As always, she was painfully honest.

“Be patient with yourself. Give these guys a chance, sooner or later you'll find one you want.” Judging by the men Alana had been dating for the past year, with the exception of the current one, none of them were men most sane women would have wanted, except maybe for their money. Alana had a whole different agenda than Sasha. All Sasha was trying to do was survive Arthur's loss. “In a few months, you'll feel different. Wait till after the first year. Then you'll be ready.”

“I hope not. I have my children, my galleries, and my artists.” Although without Arthur, nothing but the children meant anything to her. She could hardly concentrate on her work now. All it did was get her out of the apartment in New York, or her house in Paris. But nothing in her life brought her joy.

“That's not enough, and you know it,” Alana chided.

“Maybe it is for me.”

“Well, it isn't for me,” Alana said firmly. “I want to find a nice guy and get married.” Or if not a nice one, a rich one. Sasha had no interest in either. “Give yourself another six months, and you'll be out there looking too.”

“God, I hope not,” Sasha said grimly. Just thinking about it depressed her more.

“We'll see,” Alana said, as though she knew better. But one thing was for sure, it wasn't easy for anyone, divorced or widowed, to find men these days. Alana said she'd been hearing that from all her friends. So had Sasha, not that she cared.

She went back to Paris the following week, and stayed for two weeks this time. For the first time in months, she visited her artists, in several cities in Europe—Brussels, Amsterdam, and Munich. And she stopped in London on the way home to visit her son. He was in much better spirits, and producing some very interesting new work. She was impressed when she saw it. She gave him the name of a gallery she thought he should talk to, and he was pleased. He didn't want to show at Suvery. It reeked of nepotism to him, and he was determined to make it on his own.

Xavier had mentioned his friend Liam Allison to her again several times in recent months. He insisted that Liam was one of the most talented artists he had ever known, and he wanted her to see his work.

“I'd be happy to, but I want him to send me slides first.” She didn't want to waste her time, and seeing his slides was a screening process for her. But no matter how many times she told Xavier that, his friend never sent them to her. Xavier claimed he was shy, which wasn't unusual for a young artist, or even an older one, but he sounded anything but shy from the tales Xavier always regaled her with. Every time Xavier got out of control or misbehaved, went to a wild party, or did something outrageous or irresponsible, miraculously Liam seemed to be there. Most recently, they had gone to lunch together on a lazy Sunday afternoon, drank too much wine, took a cab to the airport afterward, and went to Marrakech for four days. Xavier said he had never had so much fun in his life. He called his mother when he got back. She'd been worried after he hadn't returned her calls for nearly a week.

“Let me guess,” she said when he finally surfaced again, and told her where he'd been. “That Liam character was part of it.” She could almost predict it now. Every time Xavier did something unexpected or slightly insane, the next thing he said to her was that Liam had been with him. “He must be completely mad. His wife must be a saint.”

“She's a good sport,” Xavier conceded easily, “although she gets a little fed up with it sometimes. She works, and she expects him to keep an eye on the kids.”

“She's probably supporting him, and the kids,” Sasha said knowingly. She knew other artists like him, though none quite so exuberant or as indifferent to accepted standards of behavior, from what Xavier said at least. “If I were in her shoes, I'd kill him.”

“I think she threatened to a few times. I don't think the trip to Morocco was a high point in their marriage.”

“No small wonder. He sounds like one of those children I wouldn't let you play with when you were little, because they always got you in trouble. One of these days he will, or get himself into some mess that will be awkward to get out of.”

“He's not mean-spirited, and he never does anything dangerous. He just likes to have a good time, and he hates being told how to behave. I think he grew up with a lot of rules or something. He's allergic to doing what's expected of him. He likes to have free rein.”

“Apparently. I can hardly wait to meet him,” Sasha said ruefully. In fact, she was hoping, if he ever sent her slides, that she would hate his work. He sounded like a headache she just didn't need. Although sometimes people with his energy and personality had enormous talent. What artists like Liam needed, according to Sasha, was to be harnessed, scolded severely, and whipped into shape, or they forgot to get to work. Although Xavier claimed Liam was diligent and conscientious about his painting. He was just irresponsible about everything else. And Xavier was still determined to introduce them. He was convinced that Suvery was the perfect gallery for his friend. But so far, Xavier had never been able to get them together, much to Sasha's relief.

Sasha spent the month of July in New York, but never went near the house in the Hamptons. She just couldn't, and told Tatianna to use it. Sasha didn't even want to see it. And in August, she went to St. Tropez for two weeks to visit friends. She felt oddly detached these days and rootless. She spent the rest of the month in the house in Paris, feeling like a marble in a shoebox. The whole world felt too big for her now without Arthur. Her life was like a pair of shoes that no longer fit. She had never felt so small in her entire life. Even when her father died, she had Arthur around constantly to buffer it for her. Now she had no one, except memories of him, and occasional visits with her kids.

She went back to New York at the end of August, and was finally brave enough to go to Southampton over the Labor Day weekend. It was the first time she had been back in nearly a year, and in some ways it was a relief. It was like finding a piece of him again, a piece she had sorely missed. The closet was still full of his things, and when she looked at their bed, she remembered the last time she had seen him. He had whispered that he loved her the morning she left, she had kissed him, and he went back to sleep. The memories were overpowering here, and she spent hours thinking of him and walking on the beach. But here, finally, she felt the healing begin.

She went back to the gallery looking better after the Labor Day weekend. For nearly a month now, she had been toying with an idea. She hadn't made a decision yet. It was something she had planned with Arthur. And now it made even more sense to her than before. She wanted to go home. Being in New York without him was too hard for her.

September sped by with an opening for a new artist, which she curated, and another solo show. She curated all their shows, choosing which work to hang, and where to hang it, seeking contrasts and combinations that would set each painting off to its best advantage. She had an instinctive knack for it and always loved it. She also met with several old, familiar clients, sat on her museum boards, and was planning a memorial service for Arthur, to mark the first year since his death. Xavier had promised to fly in for it. The service was, predictably, a somber moment for all of them. All of his partners were there, her children, and their close friends. Their friends were saddened to see how serious and unhappy she looked. As they left the church, it was hard to believe it had been a year.

Tatianna told her that night, after the memorial, that she had quit her job, and was going to travel in India for several months with friends. She wanted to take photographs, and when she got back, she was going to look for a job on a magazine. She promised to be back by Christmas. She was twenty-three years old, and said she needed to spread her wings, which worried Sasha a little, but Sasha knew she had no choice but to set her free. And then she shared her own plans with them. She had decided to move back to Paris, run the gallery there, and reverse the commute she had been doing for thirteen years. Ever since Arthur's death, all she wanted was to go back to her roots. And with Tatianna gone, at least in Paris she would be closer to Xavier. Tatianna was startled by her decision, but Xavier was pleased.