She crossed to the Left Bank on the Pont Alexandre III, heading toward the Invalides, and then headed up the Quais, past all the antiques dealers she still remembered. She turned down the rue des Saint Pères, and wended her way toward the rue Jacob. She had come back here like a homing pigeon, and turned into the little alley where their house was. For the first eight months of her time in Paris, they lived in an apartment that the studio rented for them. It was small and cramped for her, both kids, an assistant, and a nanny, and eventually they had moved to a hotel briefly. She had enrolled the kids in an American school, and after the film was finished, when she decided to move to Paris, she had found this house, just off the rue Jacob. It had been a little gem, on a private courtyard, with a lovely garden behind it. The house had been just big enough for them, and had endless charm. The children's rooms and the nanny had been on the top floor with oeil de boeuf windows and a mansard roof. Her room on the floor below it had been worthy of Marie Antoinette, with huge, high ceilings, long French windows that looked out over the garden, eighteenth-century floors and boiseries, and a pink marble fireplace that worked. She had an office and a dressing room near her bedroom, and a huge tub where she took bubble baths with Chloe, or relaxed on her own. On the main floor there was a double living room, a dining room and kitchen, and an entrance to the garden, where they ate in spring and summer. It was an absolute beauty of a house, built in the eighteenth century for some courtesan or other. She had never learned its full history, but one could easily imagine it being very romantic. And it had been for her as well.

She found the house easily, and walked into the courtyard, as the doors were open. She stood looking up at her old bedroom windows, and wondered who lived there now, if they were happy, if it had been a good home for them, if their dreams had come true there. She had been happy there for two years, and then at the end very sad. She had left Paris with a heavy heart. Just thinking back to that time, she could feel the weight of it even now. It was like opening a door she had kept sealed for the past fifteen years, and remembering the smells and sounds and feelings, the thrill of being there with her children, of making new discoveries, and establishing a new life, and then leaving finally to go back to the States. It had been a hard decision to make, and a sad time for her. She still wondered at times if she had made the right decision, if things would have been different if they'd stayed. But standing here now, she somehow felt she had done the right thing, for her kids, if nothing else. And maybe even for herself. Even fifteen years later it was hard to know.

She realized now that this was why she had come. To figure it out again, to be sure she had been right. Once she knew that, in her soul, she would have some of the answers she needed for the book. She was traveling backward on the map of her life, before she could tell what had happened. Even if the book was fictionalized, she needed to know the truth first, before she could spin it into a tale. She knew too that she had avoided these answers for a long time, but she was feeling braver now.

She walked slowly out of the courtyard with her head down, and bumped into a man walking through the gates. He looked startled to see her, and she apologized to him in French. He nodded, and walked on.

Carole walked around the Left Bank after that, looking into antiques shops. She stopped at the bakery where she used to take the children, and bought “macarons,” which she carried out in a little bag, and ate as she walked. The neighborhood was filled with bittersweet memories for her, which rushed over her like an ocean at high tide, but it wasn't a bad feeling. It reminded her of so much, and suddenly she wanted to go back to the hotel and write. She knew what direction the book should take now, and where she should start. She wanted to rewrite the beginning, and as she thought about it, she hailed a cab. She had been walking for nearly three hours, and it was already dark.

She gave the driver the address of the Ritz, and they headed toward the Right Bank, as she sat back in the cab, thinking about her old house, and the things she'd seen that afternoon as she walked. This was the first time she had wandered around Paris and allowed herself to think of those things since she left. It had been different when she'd come here with Sean, and the avalanche of grief she'd experienced when she'd come to close the house with Stevie. She had hated to give it up, but there was no point in keeping it. Los Angeles was too far away, she was working on one film after another back to back, and she no longer had any reason to come to Paris. That chapter was over for her. So she sold the house a year after she left. She flew in for two days, told Stevie what to do, and then went back to

L.A. She hadn't lingered that time, but now she had nothing but time on her hands. And the memories didn't frighten her anymore. After fifteen years, they were too far back to do her any harm. Or maybe she was just ready now. Having lost Sean, she could face other losses in her life. Sean had taught her that.

She was lost in thought as they drove into the tunnel just before the Louvre, and got stuck in traffic. She didn't care. Carole was in no hurry to go anywhere. She was tired from the trip, the time difference, and her long walk. She was planning to eat an early dinner in her room, and work on her book before she went to bed.

She was thinking about the book as they advanced in the tunnel a few feet, and then came to a dead stop. It was rush-hour traffic, with people going home, others going out. At that hour Paris traffic was always bad. She glanced into the car next to her, and saw two young men in the front seat, laughing, and honking their horn at the car in front. Another young man stuck his head out of that car, and waved back at them. They were having a ball, and laughing hysterically about something, which even made Carole smile. They looked Moroccan or North African, and were dark skinned in a beautiful café au lait color, and in the backseat of the car next to her was a boy in his late teens, not sharing in their laughter. He looked nervous and unhappy about something, and for a long moment, his eyes met Carole's. It was almost as though he was frightened, and she felt sorry for him. The traffic in her own lane stayed stationary, but the lane next to her moved forward finally. The boys in the front seat were still laughing, and as they pulled away, the boy in the backseat jumped out of the car and began running. Carole was watching, fascinated by him as he ran backward through the tunnel and vanished, and just as he disappeared, she heard a truck backfire somewhere ahead of them. As she heard it, she saw both cars with the laughing young men turn into fireballs, as the entire tunnel reverberated with a series of explosions and she could see a wall of fire move toward them. Her mind told her to get out of the car and run, but almost as she thought the words, the cab door flew open and she could feel herself flying over cars, as though she had suddenly grown wings. All she could see was fire around her, the cab she had been in had disappeared, pulverized into oblivion along with other cars near them. It was like being in a dream then, she could see cars and people disappearing beneath her, other people were flying just like she was, and then she drifted gently down into total blackness.





Chapter 3




There were dozens of fire trucks outside the tunnel near the Louvre for hours. The CRS, the riot troops, had been called in, in full battle dress, with shields and helmets, carrying machine guns. The street had been closed off. Ambulances, the SAMU, and fleets of paramedics had arrived. The police were controlling onlookers and pedestrians, while the bomb squads looked for more bombs that had not exploded. And inside the tunnel there was a raging inferno, as cars continued to explode from the fire, and it was almost impossible to get people out. Bodies littered the tunnel floor, survivors moaned, and those who could walk, run, or crawl emerged, many with their hair and clothes on fire. It was a total nightmare, as news teams arrived for coverage of the scene, and to interview survivors. Most were in a state of shock. As yet, no known terrorist group had taken responsibility for it, but from everything people who'd been in the tunnel had described, it had clearly been a bomb, and more likely several.

It was after midnight when firemen and police told reporters they believed they had gotten all the survivors. There were still bodies trapped in vehicles, or among the wreckage and debris, but it would be several more hours before they could put out the fire, and extricate the bodies. Two firemen had died in the blaze, trying to rescue people, when yet more cars exploded, and several rescuers had been overcome by fumes and flames, as had paramedics who were trying to assist people, or tend to them where they were trapped. Women, children, men had died. It was a spectacle beyond belief, and many were brought out alive but unconscious. Victims were being sent to any of four hospitals, where additional medical personnel had been brought in to help them. Two burn centers were already overcrowded, and people burned less severely were being sent to a special unit on the outskirts of Paris. The rescue efforts had been extraordinary and impressively coordinated, as one of the newscasters said, but there was only so much they could do in the wake of an attack of that nature. It had presumably been done by terrorists, and the force of the bombs used had even taken out sections of the walls of the tunnel. It was hard to believe that anyone had survived, when one saw the fierce blackness of the smoke, and the fire still raging in the tunnel.