Miss Morland blushed, but it was soon arranged, and she was sitting in the curricle beside me, beaming with delight.

‘I believe we could have been ready in half the time, had we all travelled by curricle,’ said Miss Morland, as we left the inn. ‘The chaise is very grand, to be sure, but it took a deal of time to ready for the onward journey. I do believe we could pass the chaise in half a minute, if your father was not disposed to travel in front.’

‘Then if you like travelling in it so well, I must take you out often,’ I said. ‘It is the least I can do to thank you for your kindness to Eleanor. It is a sign of real friendship, and I assure you that both Eleanor and I are grateful for it. Eleanor is uncomfortably circumstanced at the Abbey. She has no female companion, and in the frequent absences of my father, she is sometimes without any companion at all.’

‘But how can that be?’ she asked. ‘Are not you with her?’

I explained that Northanger was not more than half my home and that I had an establishment at my own house in Woodston.

‘How sorry you must be for that!’ she said.

‘I am always sorry to leave Eleanor.’

‘Yes; but besides your affection for her, you must be so fond of the abbey! After being used to such a home as the abbey, an ordinary parsonage house must be very disagreeable.’

I smiled and said that she had formed a very favourable idea of the abbey.

‘To be sure, I have. Is not it a fine old place, just like what one reads about?’

‘And are you prepared to encounter all the horrors that a building such as “what one reads about” may produce? Have you a stout heart? Nerves fit for sliding panels and tapestry?’ I asked.

‘Oh! yes,’ she said in breathless delight. ‘I do not think I should be easily frightened, because there would be so many people in the house, and besides, it has never been uninhabited and left deserted for years, and then the family come back to it unawares, without giving any notice, as generally happens.’

‘No, certainly. I came back myself last week to give the housekeeper notice of our return. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire, nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber, too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size, its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark-green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?’

‘Oh! But this will not happen to me, I am sure,’ she said.

‘How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off, you listen to the sound of her receding footsteps as long as the last echo can reach you. And when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.’

Her eyes were wide, and she gave a pleasurable shiver.

‘Oh! Mr Tilney, how frightful! This is just like a book! But it cannot really happen to me. I am sure your housekeeper is not really Dorothy. Well, what then?’

‘Nothing further to alarm perhaps may occur the first night. After surmounting your unconquerable horror of the bed, you will retire to rest, and get a few hours’ unquiet slumber. But on the second, or at farthest the third night after your arrival, you will probably have a violent storm. Peals of thunder so loud as to seem to shake the edifice to its foundation will roll round the neighbouring mountains, and during the frightful gusts of wind which accompany it, you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy all but the minutest inspection, and on opening it, a door will immediately appear – which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening and, with your lamp in your hand, will pass through it into a small vaulted room.’

‘No, indeed; I should be too much frightened to do any such thing.’

‘What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel of St Anthony, scarcely two miles off? Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable in either. In one perhaps there may be a dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In re-passing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer, but for some time without discovering anything of importance – perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open – a roll of paper appears – you seize it – it contains many sheets of manuscript – you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher “O Thou! – whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall—” when your lamp suddenly expires in the socket, and leaves you in total darkness.’

‘Oh! No, no, do not say so,’ she said, all agog, and hanging on every word. ‘Well, go on.’

But it was no good. I could not go on, I was too busy laughing.

‘You will have to use your own imagination!’ I said.

She came back from her horrid visions to reality and tried to pretend that she had not been carried away, and said she was sure that Eleanor would never put her in such a chamber. And then, to prove that she had never taken any of it seriously, she remarked on the fields and the country lanes, and talked of nothing but commonplaces until we drew near the abbey.

Upon my remarking that we were entering into the neighbourhood, however, her excitement began to grow. She looked ahead eagerly, craning her neck around corners in an effort to catch an early glimpse of it.

‘We will be seeing it at any moment,’ she said.

‘No, not until we pass through the gates of the lodge,’ I said. ‘It sits very low to the ground and cannot be seen from any great distance.’

‘We must surely see a chimney.’

Alas! I knew it was not the case but I did not like to disappoint her, and the final stages of the journey were passed by her in a state of pleasurable excitement which I found entrancing.

As we passed by the lodge I saw a look of surprise cross her face, for there is no denying it, the lodge has a modern appearance, and she was no less surprised by the well-kept drive, which allowed us to pass smoothly along it, instead of enveloping us in overhanging branches and mossy creepers.

The weather sprang to her aid, however, and a sudden scud of rain added a semblance of horror as we pulled up before the abbey, though the horror was only that it might ruin her new straw bonnet, instead of leading to a fearful presentiment that she would be abducted by banditti or harsh-voiced mercenaries.

I helped her down from the carriage, my hands closing about her waist with a satisfying feeling of pleasure. She was soon beneath the shelter of the old porch, and then passing into the hall, where Eleanor and my father were waiting to welcome her.

I watched with amusement as we went into the drawing room and she saw the modern furniture and the Rumford fireplace, with its slabs of marble instead of ponderous stone, and the pretty English china instead of two-handed axes and rusting shields.

My father, misunderstanding her air of disappointment, immediately began to apologize for the room, whilst taking out his watch, a habit of his, and saying with surprise, ‘But it is within twenty minutes of five!’