“Good! That’s half an actress’s business.”

“God knows,” muttered Charles Hart. He could act himself and thought the theatre was running amuck these days with its emphasis on nothing but female legs and breasts. “I don’t doubt to see ‘Hamlet’ put on one day with a Gravediggers’ dance.”

Killigrew gave her a signal and Amber began to dance. It was a Spanish saraband which she had learned more than a year before and had since performed many times, for Black Jack and his friends in Whitefriars, more recently for Michael and all their acquaintance. Twirling, swaying, dipping, she moved swiftly about the stage, all her self-consciousness gone now in her passionate determination to please. After that she sang a bawdy street-ballad which burlesqued the old Greek fable of Ariadne and Theseus, and her voice had a full voluptuous quality which would have made a far more innocent song seem sensual and exciting. When at last she sank to a curtsy and then lifted her head to smile at him with eager questioning, he clapped his hands.

“You’re as spectacular as a show of fireworks on the Thames. Can you read a part?”

“Yes,” said Amber, though she had never tried.

“Well, never mind about that now. Next Wednesday we’re going to give a performance of ‘The Maid’s Tragedy.’ Come to rehearsal tomorrow morning at seven and I’ll have a part in it for you.”

Half delirious with joy, Amber ran home to tell Michael the great news. But though she did not expect to play the heroine, she was nevertheless seriously disappointed the next morning to learn that she was to be merely one of a crowd of Court ladies-in-waiting, and that she had not so much as a single word to speak. She was disappointed, too, at her salary, which was only forty-five pounds a year. She realized by now that the five hundred pounds given her by Bruce Carlton had been a considerable sum of money, if only she had had the wit to keep it.

But both Kynaston and Charles Hart encouraged her, saying that if she attracted the attention of the audience as they knew she would, he would put her in more important parts. An actress had no such period of long training and apprenticeship as did an actor. Pretty young women were very much in demand for the stage, and if the men in the audience liked them they could sound like screech owls and act no better than puppets.

She quickly established a gay friendliness with the actors and was prepared to do likewise with the women, but they would have none of it. Despite the fact that women had been on the stage no more than a year they had already formed a tight clique, and were jealous and distrustful of any outsider trying to break into their closed ranks. They ignored her when she spoke to them, tittered and whispered behind her back, hid her costume on the day of the dress rehearsal, all in the obvious hope of making her so miserable that she would quit. But Amber had never believed that other women were important to her success and happiness, and she did not intend to let them trouble her now.

The stage fascinated her. She loved everything about the theatre: The hours of rehearsal, when she listened and watched intensely, memorizing the lines of half the other characters. The thrilling day when she was sworn in at the Lord Chamberlain’s Office as his Majesty’s servant. The occult mysteries of stage make-up, into which she was now initiated, black and white and red paint, false-noses, false-beards, false-hair. The marvellous collection of scenery and other apparatus which made it possible to show the moon coming up at night, to reveal the sun breaking through a mist, to simulate a bird’s song or the rattle of hail. The costumes, some of which were gorgeous things given by the nobles, others mere cheap imitations made of shoddy and bombazine. She took it to her heart, made it a part of her, in the same way she had London.

At last the great day arrived and, after a restless turning night full of apprehension and doubts, she got up and dressed and set out very early for the theatre. On the way she saw one of the play-bills nailed up on a post and stopped to read it: “At the Theatre Royal this present Wednesday, being the Ninth day of December will be presented a play called: The Maid’s Tragedy beginning exactly at three after Noon. By His Majesty’s Servants. Vivat Rex.” And when she reached the theatre a flag was already flying from the roof to announce that there would be a performance that day.

Oh, Lord! she thought. What ever made me think I wanted to go on the stage?

It was still so early that she found the entire theatre empty but for a couple of scene-shifters and the tiring-woman, Mrs. Scroggs, a dirty profane drunken old harridan whose daughter Killigrew hired at twenty shillings a week for the use of his actors. With her easy camaraderie and frequent gifts of money Amber had purchased her friendship at least, and Scroggs was as ardently partisan in her favour as the women were violently antagonistic. By the time the other actresses began to arrive she was painted and dressed and had gone out to watch the audience from behind the curtains.

The pit was already crowded, fops, prostitutes and orange-girls, all of them noisy and laughing, shouting to acquaintances all over the theatre. The galleries were spotted with men and women, and ’prentices were trying out their cat-calls. Finally the boxes began to fill with splendidly gowned and jewelled ladies, languid dreamy creatures who were bored with the play before it had even begun. The very boards and walls seemed now to have changed, enchanted by the glamour and richness of the audience.

Amber stood looking out, her throat dry and her heart beating with anticipation, when suddenly Charles Hart appeared behind her, slipped an arm about her waist and kissed her cheek. She gave a startled little jump.

“Oh!” She laughed nervously and swallowed.

“How now, sweetheart!” he said briskly. “Ready to lay the town by its ears?”

She gave him a pleading look. “Oh, I don’t know! Michael’s in the pit with a score of friends to cry me up. But I’m scared!”

“Nonsense. What are you scared of? Those high-born sluts and fop-doodles out there? Don’t let them scare you—” He paused, as suddenly the fiddlers in the music-room above the stage struck up the first bars of a gay country air. “Listen! His Majesty’s come!” And he drew back the curtains so that he and Amber could look out.

There was a scraping of benches and a low running murmur as they got to their feet, turning to face the King’s box which was in the first balcony in the center just above the stage, gilded and draped with scarlet velvet and emblazoned with the royal coat-of-arms. And then, as the King appeared, the music swelled and the hats of the men swept off with a flourish. The tall and swarthy Charles, smiling easily, lifting one hand in greeting, dominated the group of men and women who surrounded him; but no one overlooked Barbara Palmer at his side, glittering with jewels, haughty and beautiful and a little sullen. They seemed very magnificent and awe-inspiring; and staring at them from behind the curtains Amber was suddenly overcome with an agonizing sense of her own insignificance.

“Oh,” she breathed unhappily. “They look like gods!”

“Even gods, my dear, use a chamber-pot,” said Charles Hart, and then he walked away, back to the tiring-room to get his cloak, for he was to speak the prologue. Amber looked after him and laughed, somewhat relieved.

But her eyes returned immediately to Mrs. Palmer, who was leaning back in her chair, smiling and speaking to a man who sat behind her. As she looked Amber’s face hardened with hate. Her fingers with their long nails curled involuntarily and she had a sharp satisfying image of clawing across the woman’s face, tearing away her beauty and confident smile. The jealousy she felt was as violent and painful as on that far-away night when she had looked down into the street and seen Bruce Carlton’s head bend to kiss a red-haired woman leaning out of her coach and laughing.

Soon, however, she was surrounded by the other actresses, who came trooping up behind her, giggling, elbowing her aside —until she gave one of them a sharp jab in the ribs—lifting back the curtain to wave at their admirers below. All of them seemed as merrily unconcerned as though this were nothing but another rehearsal. But Amber was wishing desperately that she might bolt and run, out of the theatre, back to the quiet and security of her own rooms, and hide there. She knew that she could never force herself to go out onto the stage and face those hard smart critical people whose eyes and tongues would go over her like rakes.

The prologue was done, the curtains had swung back, and Charles Hart and Michael Mohun had started to speak their lines. The theatre was settling down, quieting as much as it ever did, though the buzzing and murmuring went on and there were occasional laughs or loud-spoken comments. Amber, who knew most of the lines by heart, now discovered that she was not able even to follow the dialogue, and the ladies-in-waiting had already started out when Kynaston gave her a little shove.

“Go on!”

For an instant she hung back, unable to move, and then, with her heart pounding so hard she thought it would burst, she lifted her head high and walked out. During the rehearsals the other women had always maneuvered to keep her in the background, despite the fact that Killigrew said he wanted the audience to see her, but now because of her late entrance she stood in the front, closer to the audience than any of them.

She heard a man’s voice from nearby, in the pit. “Who’s that glorious creature, Orange Moll?”

Another one spoke up. “That must be the new wench. By Jesus, but she’s handsome, I swear she is!”