Yet they were mine, as my children were mine.

I didn't think of their monetary value as I took them out, held them in my hands and watched them gleam in the light of the lamp. They would be a legacy for my children, and their children, a symbol of freedom, and of hope. And with Christian, of love.

As dawn broke, I decided to put them, together with this journal, in a safe place until I joined Christian again.

Chapter Ten

The woman seemed ancient. She sat, looking as frail and brittle as old glass, in the shade of a gnarled elm. Close by, pert young pansies basked in a square of sunlight and flirted with droning bees. Residents made use of the winding stone paths through the lawns of the Madison House. Some were wheeled by family or attendants; others walked, in pairs or alone, with the careful hesitance of age.

There were birds trilling. The woman listened, nodding to herself as she plied a crochet hook and thread with fingers that refused to surrender to arthritis. She wore bright pink slacks and a cotton blouse that had been a gift from one of her great–grandchildren. She had always loved vivid colors. Some things don't fade with age.

Her skin was nut–brown, as creased and lined as an old map. Until two years before, she had lived on her own, tending her own garden, cooking her own meals. But a fall, a bad one that had left her helpless with pain on her kitchen floor for nearly twelve hours, had convinced her it was time to change.

Stubborn and set in her ways, she had refused offers by several members of her large family to live with them. If she couldn't have her own place, she'd be damned if she would be a burden. She'd been comfortably off, well able to afford a good home and good medical care. At the Madison House, she had her own room. And if the days of puttering in her garden were past, at least she could enjoy the flowers here.

She had company if she wanted it, privacy if she didn't. Millie Tobias figured that at ninety–eight and counting, she'd earned the right to choose.

She was pleased that she was having visitors. Yes, she thought as she worked her needle, she was right pleased. The day had already started off well. She'd awakened that morning with no more than the usual sundry aches. Her hip was twitching a bit, which meant rain on the way. No matter, she mused. It was good for the flowers.

Her hands worked, but she rarely glanced at them. They knew what to do with needle and thread. Instead, she watched the path, her eyes aided by thick, tinted lenses. She saw the young couple, the lanky young man with shaggy dark hair; the willowy girl in a thin summer dress, her hair the color of October leaves. They walked close, hand in hand. Millie had a soft spot for young lovers and decided they looked pretty as a picture.

Her fingers kept moving as they walked off the path to join her in the shade.

"Mrs. Tobias?"

She studied Max, saw earnest blue eyes and a shy smile. "Ayah," she said. "And you'd be Dr. Quartermain." Her voice was a crackle, heavy with down–east. "Making doctors young these days."

"Yes, ma'am. This is Lilah Calhoun."

Not a shy bone in this one, Millie decided, and wasn't displeased when Lilah sat on the grass at her feet to admire the crocheting.

"This is beautiful." Lilah touched a fingertip to the gossamer blue thread. "What will it be?"

"What it wants to. You're from the island."

"Yes, I was born there."

Millie let out a little sigh. "Haven't been back in thirty years. Couldn't bear to live there after I lost my Tom, but I still miss the sound of the sea."

"You were married a long time?"

"Fifty years. We had a good life. We made eight children, and saw all of them grown. Now I've got twenty–three grandchildren, fifteen great–grandchildren and seven great–great–grandchildren." She let out a wheezy laugh. "Sometimes I feel like I've propagated this old world all on my own. Take your hands out of your pockets, boy," she said to Max. "And come on down here so's I don't have to crane my neck." She waited until he was settled. "This here your sweetheart?" she asked him.

"Ah...well..."

"Well, is she or isn't she?" Millie demanded, and flashed her dentures in a grin.

"Yes, Max." Lilah sent him an amused and lazy smile. "Is she or isn't she?"

Cornered, Max let out a little huff of breath. "I suppose you could say so."

"Slow to make up his mind, is he?" she said to Lilah and winked. "Nothing wrong with that. You've got the look of her," she said abruptly.

"Of whom?"

"Bianca Calhoun. Isn't that what you came to talk to me about?"

Lilah laid a hand on Millie's arm. The flesh was thin as paper. "You remember her."

"Ayah. She was a great lady. Beautiful with a good and kind heart. Doted on her children. A lot of the wealthy ladies who came summering on the island were happy to leave their children to nursemaids and nannies, but Mrs. Calhoun liked to see to them herself. She was always taking them for walks, or spending time in the nursery. Saw them off to bed herself, every night, unless her husband made plans that would take her out before their bedtime. A good mother she was, and nothing better can be said of a woman than that."

She gave a decisive nod and perked up when she saw that Max was taking notes. "I worked there three summers, 1912, '13 and '14." And with the odd trick of old age, she could remember them with perfect clarity.

"Do you mind?" Max took out a small tape recorder. "It would help us remember everything you tell us."

"Don't mind a bit." In fact, it pleased her enormously. She thought it was just like being on a TV talk show. Her fingers worked away as she settled more comfortably in the chair. "You live in The Towers still?" she asked Lilah.

"Yes, my family and I."

"How many times I climbed up and down those stairs. The master, he didn't like us using the main staircase, but when he wasn't about, I used to come down that way and fancy myself a lady. Aswishing my skirts and holding my nose in the air. Oh, I was a pistol in those days, and not hard to look at either. Used to flirt with one of the gardeners. Joseph was his name. But that was just to make my Tom jealous, and hurry him along a bit."

She sighed, looking back. "Never seen a house like it, before or since. The furniture, the paintings, the crystal. Once a week we'd wash every window with vinegar so they'd sparkle like diamonds. And the mistress, she'd like fresh flowers everywhere. She'd cut roses and peonies out of the garden, or pick the' wild orchids and lady's slippers."

"What can you tell us about the summer she died?" Max prompted.

"She spent a lot of time in her tower room that summer, looking out the window at the cliffs, or writing in her book."

"Book?" Lilah interrupted. "Do you mean a journal, a diary?"

"I suppose that's what it was. I saw her writing in it sometimes when I brought her up some tea. She'd always thank me, too. Call me by name. 'Thank you, Millie,' she would say, 'it's a pretty day.' Or. 'You didn't have to trouble, Millie. How is your young man?' Gracious, she was." Millie's mouth thinned. "Now the master, he wouldn't say a word to you. Might as well have been a stick of wood for all he noticed."

"You didn't like him," Max put in.

"Wasn't my place to like or dislike, but a harder, colder man I've never met in all my years. We'd talk about it sometimes, me and one of the other girls. Why did such a sweet and lovely woman marry a man like that? Money, I would have said. Oh, the clothes she had, and the parties, the jewelry. But it didn't make her happy. Her eyes were sad. She and the master would go out in the evenings, or they'd entertain at home. He'd go his own way most other times, business and politics and the like, hardly paying any mind to his wife, and less to his children. Though he was partial to the boy, the oldest boy."

"Ethan," Lilah supplied. "My grandfather."

"A fine little boy, he was, and a handful. He liked to slide down the banisters and play in the dirt. The mistress didn't mind him getting dirty, but she made certain he was all polished up when the master got home. A tight ship he ran, Fergus Calhoun. Was it any wonder the poor woman looked elsewhere for a little softness?"

Lilah closed a hand over Max's. "You knew she was seeing someone?"

"It was my job to clean the tower room. More than once I looked out that window and saw her running out to the cliffs. She met a man there. I know she was a married woman, but it wasn't for me to judge then, or now. Whenever she came back from seeing him, she looked happy. At least for a little while."

"Do you know who he was?" Max asked her.

"No. A painter, I think, because there were times he had an easel set up. But I never asked anyone, and never told what I saw. It was the mistress's secret. She deserved one."

Because her hands were tiring, she let them still in her lap. “The day before she died, she brought a little puppy home for the children. A stray she said she'd found out on the cliffs. Lord, what a commotion. The children were wild about that dog. The mistress had one of the gardeners fill up a tub on the patio, and she and the children washed the pup themselves. They were laughing, the dog was howling. The mistress ruined one of her pretty day frocks. After, I helped the nanny clean up the children. It was the last time I saw them happy."

She paused a moment to gather her thoughts while two butterflies danced toward the pansies. "There was a dreadful fight when the master came home. I'd never heard the mistress raise her voice before. They were in the parlor and I was in the hall. I could hear them plain. The master wouldn't have the dog in the house. Of course, the children were crying, but he said, just as cold, that the mistress was to give it to one of the servants and have it destroyed."