There was barely any light left by the time Ian paused, pushing his foot down several times on the ground. Francesca heard a hollow, thumping noise.

“This is it,” Ian said, his gruff voice in the cold, still air causing a shiver to course down her spine. She and Lucien drew near the flashlight and Ian’s shadowed form. He knelt and moved his hand over the dead leaves, his gloved fingers seeming to stick on something.

“Back up a bit,” he instructed. Lucien and she stepped back, and he lifted. The forest floor opened like a two-by-three-foot lid. Ian pointed the flashlight downward, revealing a dark hole and a wooden ladder. Francesca could barely make out his shadowed face as he peered downward, but she saw that he was scowling. He flashed a glance at her, and she knew he was deliberating on how best to proceed . . . undoubtedly wishing she wasn’t there so he didn’t have to worry about her.

“I’ll go first, and call up to you if I think the coast is clear,” he told Lucien.

“We’re going with you, Ian. We’re not going to stand up here in the freezing cold with no light,” Francesca stated.

Ian gave her a repressive glance. Without another word, he shoved the flashlight in Lucien’s direction and lowered into the hole.

* * *

“Holy Jesus,” Lucien muttered in awe several minutes later. The three of them stood at the mouth of a large underground chamber that was lit by electrical lamps. The room had been at the end of a long tunnel, the floor earthen, the walls reinforced by wooden timbers. After only several seconds of being underground, they’d been able to see the light in the far distance and follow it unerringly.

“What is it all?” Francesca muttered dubiously, staring at table after table filled with odd, intricate mechanical devices, computers, and scattered tools. Many of the devices were moving, tiny metal cogs spinning, pendulums swinging. The sound of dozens of muted ticking noises resounded in the silence. Some of the mechanisms were large, but one table near them held tiny metal objects and delicate tools along with an electrical magnifying-type lens that reminded Francesca of something she’d seen in an eye doctor’s office.

“They’re all clockwork mechanisms, aren’t they?” Lucien asked, approaching one of the tables and examining its contents in fascination.

“Different types of escapements,” Ian said. Francesca looked at him in bewilderment. “The basic mechanism of a clock or watch. There are different kinds,” Ian said, peering around the room. “Gaines was considered to be a mechanical genius. He patented several electronic and mechanical devices, many of them associated with clockworks. Reardon has stolen a lot of this from Gaines’s workshop, I think. But I don’t understand some of these things. It’s like something I’ve never seen before—”

“I didn’t steal anything!” Francesca jumped at the harsh male shout. “He left it to me. Left me that house you say belongs to you, too, only I didn’t have the tax money and they took it from me,” a deep, rough voice rang out from the shadows at the far end of the room. Francesca started at the vision of a tall, broad-shouldered figure coming at them with alarming speed. He was carrying a shotgun. Ian moved in front of Francesca, so that she had to look around his arm to see. She heard the innocuous, cheerful sound of eager paws and tinkling metal. She glanced down in amazement when a beautiful, well-groomed golden retriever approached her and Ian’s legs and sniffed at them with friendly interest. There was a small, sophisticated-looking electronic device strapped on the dog’s right leg. It looked, oddly enough, like a very expensive watch.

“Get back Angus,” the man bellowed, startling Francesca. Kam Reardon’s face was twisted in a fury. He paused when he noticed her peering around Ian, his frown fading. His light gray eyes ran over her face. Ian seemed to sense him studying her, because he put his hand back on her hip and pushed, urging her farther behind him.

Kam Reardon had Lucien’s eyes. She leaned out again, her curiosity trumping her fear.

The man’s frightening scowled returned. “Get the hell out of here,” he growled.

“I’m sorry for trespassing,” Ian said levelly. “We don’t mean any harm, Kam. I came to talk to you. So did Lucien, here,” he said, nodding at Lucien, who looked very wary eyeing Kam’s pointed shotgun. “Lucien is our . . . brother as well,” Ian said, seeming to hesitate at saying the word.

“And her?” Gaines said, nodding in the direction behind Ian. “Is she one of us?”

“No,” Ian said harshly. Kam’s gaze lowered to where Ian palmed the side of her hip.

“I said to get the hell out,” Kam yelled suddenly, white teeth flashing in his dark beard. He cocked the gun.

“Go on,” Ian said tersely, turning and pushing Francesca in front of him. Lucien followed. Ian handed her the flashlight. “Lead the way. Hurry,” he ordered.

Francesca jogged down the dark tunnel, her heart pounding in her chest, highly aware that it wasn’t just Lucien and Ian who were behind her. Kam Reardon was bringing up the rear. She could hear his footsteps grinding in the stony dirt, but imagined she could feel his simmering anger behind them as he followed, assuring himself they well and truly left his underground territory. The dog Angus frolicked next to them, an unlikely escort to such a tense eviction.

* * *

After they returned to the manor, Ian insisted upon searching for the suspected underground entrance where Reardon entered Aurore. Francesca went with them into the gloomy, musty basement that seemed to stretch forever in each direction. Ian and Lucien did, indeed, after much searching, discover a hidden door that led to a tunnel.

“It looks like it was built fairly recently, at least in comparison to the house,” Lucien observed, running his hand over the wood timbers that enforced a different branch of the tunnel system than the one they’d been in earlier.

“I’m thinking it might have been constructed during World War II, during the German occupation. There was fighting in this vicinity. The owners might have wanted an escape route or a hideout if troops ever tried to occupy. Look at this,” Ian said, running the flashlight along a plastic tube that contained multiple electrical wires. “Bloody bastard has me paying for his electricity,” Ian said, his tone a strange mixture of annoyance, amusement, and respect.

Afterward, they all retired to the parlor. The fire was dying in the hearth, but still gave off sufficient heat to warm Francesca.

“How old do you think he is?” Lucien asked after they’d talked a while about the idiosyncratic Reardon.

“Hard to tell with that bloody beard and all the grime. Around our age, maybe younger,” Ian said. “He’s got a story to tell.”

“He’s clearly more than a wild tramp,” Lucien said, standing and stretching. “He’s organized and methodical . . . and brilliant, if I don’t miss my guess.”

“A chip off the old block,” Ian muttered.

“Didn’t the townspeople give you any idea of his background?” Lucien asked.

“I only got some of the newer residents to open up and talk,” Ian said, the low flames of the fire flickering in his eyes as he stared. “They all seemed to be of the belief that he’s a homeless, wild tramp.”

“Why wouldn’t the people who have lived here for longer talk to you?” Francesca asked.

She flinched inwardly when his gleaming eyes met hers. He’d hardly met her gaze at all since she’d arrived.

“Because I spook them,” Ian said, his mouth slanting into a mirthless smile. “They think I’m Gaines’s ghost.” Her heart seemed to jump against her breastbone. She blinked when he stood abruptly from the couch.

“I’m going to bed,” he said.

Lucien gave her a half-apologetic, half-compassionate glance when Ian stalked out of the room without another word.

* * *

Lucien indicated which room Ian slept in before he bid her good night, and opened a door at the other end of the long hallway.

She rapped on the designated door quietly before she entered, but Ian didn’t reply. He stood unmoving next to an ancient four-poster bed with a drooping canopy of dusty, faded crimson velvet. She gave him a questioning, worried look when he just stared at the bed without looking around at her.

“I don’t know where to put you to sleep,” he said starkly, surprising her.

“I don’t know what you mean,” she said slowly, confused. Was he going to insist she sleep separately from him? Was he still that angry that she’d come?

“I mean I don’t know where to put you. There’s no place suitable,” he waved at the sagging mattress on the old relic. “The beds are all like this.”

She gave a soft bark of laughter when she recognized the direction of his concern. “Don’t be ridiculous. I’ll be fine. I’ve been camping before. It can’t be much worse than . . .”

She faded off when he turned to her and she saw the utter bleakness of his expression.

“Ian,” she whispered, her throat going tight. She rushed to him, hugging him tight, her cheek pressed against his chest. “I don’t care where I sleep. I just want to be wherever you are. I just want to be with you, and know you’re okay.”

For a wretched few seconds, he didn’t return her fervent embrace. Slowly, his arms encircled her waist. Then he was pulling her tight against him, his face pressing to the top of her head.

“You smell so good,” he mumbled next to her hair. “If I kept my nose buried here, if I kept myself buried in you, I could forget this disgusting old house . . . all of it. You have no idea how much the idea appeals.”