I heard him honk the car horn before he pulled into my driveway. His car was all washed and shiny and he wore a new blue suit, his tie loose around his collar. His chatlin hair glittered when he stepped out of the car, the strands still wet from brushing.

"Good morning," he said. We were both so nervous, it was as if we were about to embark on our first date. "Let's get going. Father Antoine in Breaux Bridge is expecting us." He opened the car door for us. "You look very pretty."

"Thank you, but I don't feel pretty. I feel . . . anxious."

"You're supposed to," he said. He took a deep breath, started the engine, and drove out.

A light drizzle began and the windshield wipers went from side to side, resembling two long forefingers wagging warnings and predicting shame. I heard it in the rhythm . . . shame, shame, shame.

"Well, the house is ready for us to move into it. Of course, I just have the most basic furnishing right now. I thought after a day or so, you and I would take a trip to New Orleans."

"New Orleans! Why?"

"So you could shop in the best places and have more choices. I don't want you to worry about cost either. Your job is to make Cypress Woods into something very special, a house and grounds that even the rich Creoles in New Orleans will envy.

"You should set up your studio as soon as possible," he continued with a smile. "As soon as we return from New Orleans, we'll interview prospective nannies to help you with Pearl so you can have the time you need for your work."

"A nanny? I don't think I'll need one, Paul."

"Of course you will. The mistress of Cypress Woods will have all sorts of servants. I have already hired our butler. He's a quadroon named James Humble. He's a man about fifty and he's worked in the finest homes."

"A butler?" It didn't seem that long ago when he and I poled in his pirogue through the swamp and fantasized about the very things we were about to do.

"And our maid. Her name is Holly Mixon. She's half Haitian, half Choctaw Indian, and in her mid-twenties. I got her from an agency, too. I know you are going to enjoy our cook the most," he said with his impish eyes twinkling.

"And why is that?"

"Her name's Letitia Brown, but she wants to be called Letty. She'll remind you of your Nina Jackson. She won't say her exact age, but I think she's somewhere around sixty. She practices voodoo," he said, lowering his voice to make it sound ominous.

"You've done all this already?" I asked, amazed. He blushed as if he had been caught naked.

"I've been planning for this day from the moment you returned to the bayou, Ruby. I just knew it would happen."

"What about your family, Paul? Did you tell your parents this morning?" I asked.

He was quiet for a moment. "No, not yet," he said. "I thought it would be better to tell them afterward. Once it's a fact of life, they'll be quicker to accept it all. It will be all right. It will be fine," he assured me, but that didn't quiet my thumping heart.

Although the rain stopped completely by the time we arrived in Breaux Bridge, the sky remained dark and ominous. Father Antoine lived in the rectory beside the church with his housekeeper, Miss Mulrooney. He was a man about sixty-five with thin gray hair cut so short, the strands popped up like a paintbrush on the sides, but he had gentle, blue-eyes and the sort of soft smile that would make someone relax and be at ease in his presence. Miss Mulrooney, a tall thin woman with dark gray hair, looked stern and disapproving. I knew why.

Paul had told Father Antoine that Pearl was his child and he wanted to marry me to do the right thing, only he wanted the marriage to be a quiet one, away from the disapproving eyes of his neighbors and his family's friends. Father Antoine was understanding and happy Paul had decided to go through with the marriage and uphold his moral responsibilities.

Our wedding ceremony was as quick as a religious one could be. When it came time for me to recite my vows, I did what might have been a sinful thing: I conjured up Beau, and I told myself I was pledging my heart and my soul to him.

Getting married had all been so much easier and quicker than I had imagined it would be. I didn't feel any different, but I knew from the beaming smile on Paul's face every time he looked at me that everything had changed. For better or for worse, we had gone ahead and bound ourselves and our destinies.

"Well, that's that," he said. "How do you feel, Mrs. Tate?"

"Terrified," I said, and he laughed.

"You have no reason to be terrified anymore. Not as long as I'm around," he vowed. "So what, if anything, do you want from the shack?"

"I have Pearl's and my clothes, the painting of Grandmère Catherine, and her rocker," I said. "Maybe her old chest and the armoire her father had made for her. She was so proud of that."

"Fine. I'll send some of my men over with a truck this afternoon and they'll get the furniture. It looks like the rain has stopped for a while. You can follow in your car," he added nonchalantly.

"My car? What car?"

"Oh, didn't I tell you? I bought a little convertible for you to get around in . . . for your errands and such," he added. I could tell from the way he was behaving that it was more than just a little convertible, and sure enough, when we pulled up to Cypress Woods, I saw a candy-apple red Mercedes with a white ribbon around the hood parked in the driveway.

"That's mine?" I exclaimed.

"Your first wedding present. Enjoy," he said.

"Oh, Paul, this is too much," I cried, bursting into happy tears. Here was the grand house with our servants awaiting us, our beautiful grounds, our oil fields in the background, and my new studio waiting. Had we defied Fate, blown smoke in the face of Destiny? Would Paul's newfound wealth be enough to keep the howling winds and cold rains of misery outside our doors? For the moment, at least, I couldn't help but be as optimistic and as happy as he was.

Maybe I was Alice in Wonderland, I thought. Maybe this was what was meant to be all along and I had had no business in the rich Creole world of New Orleans, and that was why all the terrible things had happened there, things to drive me back to the bayou where I belonged. Paul took Pearl into his arms.

"Instead of carrying you over the threshold, I‟ll carry Pearl," he said. "After all, she will be the princess."

I noticed the white powder sprinkled on the front steps. Paul noticed too.

"Letty's work, I imagine," he said.

The large, tall door was opened by our butler, James Humble. He was at least six feet two inches tall, a lean man with curly brown hair, caramel skin, and bright hazel eyes. He looked like the proper butler with his perfect posture, awaiting our beck and call.

"This is James," Paul said. "James, Madame Tate."

"Welcome, madame," he said with a small nod and bow. He had a deep voice with a cultured French pronunciation.

"Thank you, James."

When I entered the hallway, I found Holly Mixon standing to the side, waiting for us. She was a large-boned woman with stout arms and shoulders.

"And this is Holly," Paul said. "Holly, Madame Tate." She curtsied.

"Hello, Holly."

"How'd ja do, ma'am," she said.

"Where's Letty?" Paul asked.

"She's in the kitchen, monsieur, preparing for tonight's dinner. She don't want none of us in there when she works," she added.

"I see," Paul said, winking at me. "Why don't you take Pearl up to the nursery first then, Ruby. I want to go over to my parents and inform them myself. That's probably best. If you agree, that is."

"Yes, Paul," I said. The thought of their reactions put something hard and heavy in my chest.

"As soon as I return, we'll see about getting your things, okay?"

"Yes," I said, taking Pearl into my arms.

He leaned over, kissed me quickly on the cheek, and then hurried out.

"Now then," I said, turning to Holly. "Why don't you lead the way to the nursery and we'll see what has to be done."

"Yes, ma'am," she said.

If I hadn't lived in the House of Dumas with its servants around me, I would have felt uncomfortable having a maid and a butler and a cook. I was hardly one to put on airs and act like some grand lady, but Paul had really built a mansion and it required household help. There was nothing to do now but assume my place and become the mistress of Cypress Woods.

Letty did remind me of Nina Jackson. She wore the same sort of red kerchief with seven knots whose points all stood straight up, a tignon; but she was much taller and much thinner, surprisingly thin for a cook, with long hands ribbed with veins against her chocolate skin. She had a narrow face with a slender mouth and a thin nose. She told me her eyes were too close together because her mother had been surprised by a rattlesnake the day she became pregnant. I saw she wore a camphor lump around her neck, which I knew was to keep germs away.

Letty was a more formal cook who had learned from educated chefs. The first meal she was preparing for us proved it. We were to begin with oysters Bienville for an appetizer, followed by turtle soup. The main dish was filet de boeuf aux champignons with yellow, squash with peas. For dessert she had prepared an orange crème brûlée.

"I noticed you put white powder on our front steps," I told her after we were introduced and had spoken awhile. Her small dark eyes grew smaller.

"I be not workin' in a house without it," she replied firmly.

"I don't mind, Letty. My Grandmère Catherine was a traiteur woman," I said, and she brightened, impressed.

"You be holy child, then."