‘I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.’

She had on the back of her left hand the same small brown spot that marked his right one. She was sure, she said — either disingenuously or giddily — it descended from a birthmark Marina had had removed surgically from that very place years ago when in love with a cad who complained it resembled a bedbug.

On very still afternoons one could hear the pre-tunnel toot of the two-two to Toulouse from the hill, where that exchange can be localized.

‘Cad is too strong,’ remarked Van.

‘I used it fondly.’

‘Even so. I think I know the man. He has less heart than wit, that’s a fact.’

As he looks, the palm of a gipsy asking for alms fades into that of the almsgiver asking for a long life. (When will filmmakers reach the stage we have reached?) Blinking in the green sunshine under a birch tree, Ada explained to her passionate fortuneteller that the circular marblings she shared with Turgenev’s Katya, another innocent girl, were called ‘waltzes’ in California (‘because the señorita will dance all night’).

On her twelfth birthday, July 21, 1884, the child had stopped biting her fingernails (but not her toenails) in a grand act of will (as her quitting cigarettes was to be, twenty years later). True, one could list some compensations — such as a blessed lapse into delicious sin at Christmas, when Culex chateaubriandi Brown does not fly. A new and conclusive resolution was taken on New Year’s Eve after Mlle Larivière had threatened to smear poor Ada’s fingertips with French mustard and tie green, yellow, orange, red, pink riding hoods of wool around them (the yellow index was a trouvaille).

Soon after the birthday picnic, when kissing the hands of his little sweetheart had become a tender obsession with Van, her nails, although still on the squarish side, became strong enough to deal with the excruciating itch that local children experienced in midsummer.

During the last week of July, there emerged, with diabolical regularity, the female of Chateaubriand’s mosquito, Chateaubriand (Charles), who had not been the first to be bitten by it… but the first to bottle the offender, and with cries of vindictive exultation to carry it to Professor Brown who wrote the rather slap-bang Original Description (‘small black palpi… hyaline wings… yellowy in certain lights… which should be extinguished if one keeps open the kasements [German printer!]…’ The Boston Entomologist for August, quick work, 1840) was not related to the great poet and memoirist born between Paris and Tagne (as he’d better, said Ada, who liked crossing orchids).


Mon enfant, ma sœur,

Songe à l’épaisseur

Du grand chêne a Tagne;

Songe à la montagne,

Songe à la douceur —


— of scraping with one’s claws or nails the spots visited by that fluffy-footed insect characterized by an insatiable and reckless appetite for Ada’s and Ardelia’s, Lucette’s and Lucile’s (multiplied by the itch) blood.

The ‘pest’ appeared as suddenly as it would vanish. It settled on pretty bare arms and legs without the hint of a hum, in a kind of recueilli silence, that — by contrast — caused the sudden insertion of its absolutely hellish proboscis to resemble the brass crash of a military band. Five minutes after the attack in the crepuscule, between porch step and cricket-crazed garden, a fiery irritation would set in, which the strong and the cold ignored (confident it would last a mere hour) but which the weak, the adorable, the voluptuous took advantage of to scratch and scratch and scratch scrumptiously (canteen cant). ‘Sladko! (Sweet!)’ Pushkin used to exclaim in relation to a different species in Yukon. During the week following her birthday, Ada’s unfortunate fingernails used to stay gamet-stained and after a particularly ecstatic, lost-to-the-world session of scratching, blood literally streamed down her shins — a pity to see, mused her distressed admirer, but at the same time disgracefully fascinating — for we are visitors and investigators in a strange universe, indeed, indeed.

The girl’s pale skin, so excitingly delicate to Van’s eye, so vulnerable to the beast’s needle, was, nevertheless, as strong as a stretch of Samarkand satin and withstood all self-flaying attempts whenever Ada, her dark eyes veiled as in the erotic trances Van had already begun to witness during their immoderate kissing, her lips parted, her large teeth lacquered with saliva, scraped with her five fingers the pink mounds caused by the rare insect’s bite — for it is a rather rare and interesting mosquito (described — not quite simultaneously — by two angry old men — the second was Braun, the Philadelphian dipterist, a much better one than the Boston professor), and rare and rapturous was the sight of my beloved trying to quench the lust of her precious skin, leaving at first pearly, then ruby, stripes along her enchanting leg and briefly attaining a drugged beatitude into which, as into a vacuum; the ferocity of the itch would rush with renewed strength.

‘Look here,’ said Van, ‘if you do not stop now when I say one, two, three, I shall open this knife’ (opening the knife) ‘and slash my leg to match yours. Oh, please, devour your fingernails! Anything is more welcome.’

Because, perhaps, Van’s lifestream was too bitter — even in those glad days — Chateaubriand’s mosquito never cared much for him. Nowadays it seems to be getting extinct, what with the cooler climate and the moronic draining of the lovely rich marshes in the Ladore region as well as near Kaluga, Conn., and Lugano, Pa. (A short series, all females, replete with their fortunate captor’s blood, has recently been collected, I am told, in a secret habitat quite far from the above-mentioned stations. Ada’s note.)

18

Not only in ear-trumpet age — in what Van called their dot-dot-dotage — but even more so in their adolescence (summer, 1888), did they seek a scholarly excitement in establishing the past evolution (summer, 1884) of their love, the initial stages of its revelations, the freak discrepancies in gappy chronographies. She had kept only a few — mainly botanical and entomological — pages of her diary, because on rereading it she had found its tone false and finical; he had destroyed his entirely because of its clumsy, schoolboyish style combined with heedless, and false, cynicism. Thus they had to rely on oral tradition, on the mutual correction of common memories. ‘And do you remember, a tï pomnish’, et te souviens-tu’ (invariably with that implied codetta of ‘and,’ introducing the bead to be threaded in the torn necklace) became with them, in their intense talks, the standard device for beginning every other sentence. Calendar dates were debated, sequences sifted and shifted, sentimental notes compared, hesitations and resolutions passionately analyzed. If their recollections now and then did not tally, this was often owing to sexual differences rather than to individual temperament. Both were diverted by life’s young fumblings, both saddened by the wisdom of time. Ada tended to see those initial stages as an extremely gradual and diffuse growth, possibly unnatural, probably unique, but wholly delightful in its smooth unfolding which precluded any brutish impulses or shocks of shame. Van’s memory could not help picking out specific episodes branded forever with abrupt and poignant, and sometimes regrettable, physical thrills. She had the impression that the insatiable delectations she arrived at, without having expected or summoned them, were experienced by Van only by the time she attained them: that is, after weeks of cumulative caresses; her first physiological reactions to them she demurely dismissed as related to childish practices which she had indulged in before and which had little to do with the glory and tang of individual happiness. Van, on the contrary, not only could tabulate every informal spasm he had hidden from her before they became lovers, but stressed philosophic and moral distinctions between the shattering force of self-abuse and the overwhelming softness of avowed and shared love.

When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of an impeccably narrowing corridor. Ada saw herself there as a wonder-eyed waif with a bedraggled nosegay; Van saw himself as a nasty young satyr with clumsy hooves and an ambiguous flue pipe. ‘But I was only twelve,’ Ada would cry when some indelicate detail was brought up. ‘I was in my fifteenth year,’ sadly said Van.

And did the young lady recall, he asked, producing metaphorically some notes from his pocket, the very first time she guessed that her shy young ‘cousin’ (their official relationship) was physically excited in her presence, though decently swathed in layers of linen and wool and not in contact with the young lady?

She said, frankly no, she did not — indeed, could not — because at eleven, despite trying numberless times to unlock with every key in the house the cabinet in which Walter Daniel Veen kept ‘Jap. & Ind. erot. prints’ as seen distinctly labeled through the glazed door (the key to which Van found for her in a twinkle — taped to the back of the pediment), she had still been rather hazy about the way human beings mated. She was very observant, of course, and had closely examined various insects in copula, but at the period discussed clear examples of mammalian maleness had rarely come to her notice and had remained unconnected with any idea or possibility of sexual function (such as for example the time she had contemplated the soft-looking beige beak of the Negro janitor’s boy who sometimes urinated in the girls’ water closet at her first school in 1883).