"I understand."

"Things happen for the best," Coco put in. "And it was really very exciting and romantic. We were on the brink, the very brink, of being forced to sell, when Trent fell in love with C.C. Of course he understood how much the house meant to her, and came up with this marvelous plan of converting the west wing into hotel suites. That way we can keep the house, and overcome the financial difficulty of maintaining it."

"Everyone gets what they want," Sloan agreed.

"Exactly." Coco leaned forward. "With your heritage, I imagine you also believe in spirits."

"Aunt Coco—"

"Now, Mandy, I know how practical minded you are. It baffles me," she said to Sloan. "All that Celtic blood and not a mystical bone in her body."

Amanda gestured with her glass. "I leave that for you and Lilah."

"Lilah's my other niece," Coco told Sloan. "She's very fey. But we were talking about the supernatural. Do you have an opinion?"

Sloan set his glass aside. "I don't think you could have a house like this without a ghost or two."

"There." Coco clapped her hands together. "I knew as soon as I saw you we'd be kindred spirits. Bianca's still here, you see. Why at our last sйance I felt her so strongly." She ignored Amanda's groan. "C.C. did, too, and she's nearly as practical minded as Amanda. Bianca wants us to find the necklace."

"The Calhoun emeralds?" Sloan asked.

"Yes. We've been searching for clues, but the clutter of eight decades is daunting. And the publicity has been a bother."

"That's a mild word for it." Amanda scowled into her glass. "It might turn up during the renovation," Sloan suggested.

"We're hoping." Coco tapped one carefully manicured finger against her lips. "I think another sйance might be in order. I'm sure you're very sensitive."

Amanda choked on her wine. "Aunt Coco, Mr. O'Riley has come here to work, not to play ghosts and goblins."

"I like mixing business and pleasure." He toasted Amanda with his glass. "In fact, I make a habit of it."

A new thought jumped into Coco's mind. "You're not from the island, Sloan."

"No, Oklahoma."

"Really? That's quite a distance." She slid her gaze smugly toward Amanda. "As architect for the renovations, you'll be very important to all of us."

"I'd like to think so," he said, baffled by the arched look Coco sent her niece.

"Tea leaves," Coco murmured, then rose. "I must go check on dinner. You will join us, won't you?"

He'd planned on taking a quick look at the house then going back to the hotel to sleep for ten hours. The annoyed look on Amanda's face changed his mind. An evening with her might be a better cure for jet lag. "I'd be mighty pleased to."

"Wonderful. Mandy, why don't you show Sloan the west wing while I finish things up?"

"Tea leaves?" Sloan asked when Coco glided from the room.

"You're better off in the dark." Resigned, she rose and gestured to the doorway. "Shall we get started?"

"That's a fine idea." He followed her into the hall and up the curving staircase. "Which do you like, Amanda or Mandy?"

She shrugged. "I answer to either."

"Different images. Amanda's cool and composed. Mandy's...softer." She smelled cool, he thought. Like a quiet breeze on a hot, dusty day.

At the top of the stairs she stopped to face him. "What kind of image is Sloan?"

He stayed one step below her so that they were eye to eye. Instinct told him they'd both prefer it that way. "You tell me."

He had the cockiest grin she'd ever seen. Whenever he used it on her she felt a tremor that she was certain was annoyance. "Dodge City?" she said sweetly. "We don't get many cowboys this far east." She turned and was halfway down the hall when he took her arm.

"Are you always in such a hurry?" "I don't like to waste time."

He kept his hand on her arm as they continued to walk. "I'll keep that in mind."

My God, the place was fabulous, Sloan thought as they started up a pieshaped set of steps. Coffered ceilings, carved lintels, thick mahogany paneling. He stopped at an arched window to touch the wavy glass. It had to be original, he thought, like the chestnut floor and the fancy plaster work.

True, there were cracks in the walls—some of them big enough that he could slide his finger in to the first knuckle. Here and there the ceiling had given way to fist-sized holes, and portions of the molding were rotted.

It would be a challenge to bring it back to its former glory. And it would be a joy.

"We haven't used this part of the house in years." Amanda opened a carved oak door and brushed away a spider web. "It hasn't been practical to heat it during the winter."

Sloan stepped inside. The sloping floor creaked ominously as he walked across it. Somewhere along the line heavy furniture had been dragged in or out, scarring the floor with deep, jagged grooves. Two of the panes on the narrow terrace doors had been broken and replaced with plywood. Mice had had a field day with the baseboard. Above his head was a faded mural of chubby cherubs.

"This was the best guest room," Amanda explained. "Fergus kept it for people he wanted to impress. Supposedly some of the Rockefellers stayed here. It has its own bath and dressing room." She pushed open a broken door.

Ignoring her, Sloan walked to the black marble fireplace. The wall above it was papered in silk and stained from old smoke. The chip off the corner of the mantel broke his heart.

"You ought to be shot." "I beg your pardon?"

"You ought to be shot for letting the place go like this." The look he aimed at her wasn't lazy and amused, but hot and quick as a bullet "A mantelpiece like this is irreplaceable."

Flustered, she stared guiltily at the chipped Italian marble. "Well, I certainly didn't break it."

"And look at these walls. Plasterwork of this caliber is an art, the same way a Rembrandt is art. You'd take care of a Rembrandt, wouldn't you?"

"Of course, but—"

"At least you had the sense not to paint the molding." Moving past her, he peered into the adjoining bath. And began to swear. "These are handmade tiles, for God's sake. Look at these chips. They haven't been grouted since World War I."

"I don't see what that's—"

"No, you don't see." He turned back to her. "You haven't got a clue to what you've got here. This place is a monument to early-twentieth-century craftsmanship, and you're letting it fall apart around your ears. Those are authentic gaslight fixtures."

"I know very well what they are," Amanda snapped back. "This may be a monument to you, but to me it's home. We've done everything we could to keep the roof on. If the plaster's cracked it's because we've had to concentrate on keeping the furnace running. And if we didn't worry about regrouting tiles in a room no one uses, it's because we had to repair the plumbing in another one. You've been hired to renovate, not to philosophize."

"You get both for the same price." When he reached out toward her, she rammed back into the wall.

"What are you doing?"

"Take it easy, honey. You've got cobwebs in your hair."

"I can do it," she said, then stiffened when he combed his fingers through her hair. "And don't call me 'honey.'"

"You sure fire up quick. I had a mustang filly once that did the same thing." She knocked his hand aside. "I'm not a horse."

"No, ma'am." In an abrupt change of mood, he smiled again. "You sure aren't. Why don't you show me what else you've got?"

Wary, she eased to the side until she felt safe again. "I don't see the point. You haven't got a notebook."

"Some things stick in your mind." His gaze lowered to her mouth, lingered, then returned to her eyes. "I like to get the lay of the land first before I start worrying about...details."

"Why don't I draw you a map?"

He grinned then. "You always so prickly?"

"No." She inclined her head. It was true, she wasn't. She could hardly have made a success in her career as assistant manager in one of the resort's better hotels if she was. "Obviously you don't bring out the best in me."

"I'll settle for what I've got." He curled a hand around her arm. "Let's keep going."

She took him through the wing, doing her best to keep her distance. But he had a tendency to close in, blocking her in a doorway, maneuvering her into a corner, shifting unexpectedly to put them face-to-face. He had a slow and economical way of moving, wasting no gestures that would tip her off as to which way he was going to turn.

They were in the west tower the third time Amanda bumped into him. Every nerve was on edge when she stepped back. "I wish you wouldn't do that."

"Do what?"

"Be there." Annoyed, she shoved aside a cardboard box. "In my way."

"It seems to me you're in too much of a hurry to get someplace else to watch where you are."

"More homespun philosophy," she muttered, and paced to the curved window that overlooked the gardens. He bothered her, she was forced to admit, on some deep, elemental level. Maybe it was his size— those broad shoulders and wide-palmed hands. His sheer height. She was accustomed to being on a more even level with most men.

Maybe it was that drawl of his, slow and lazy and every bit as cocky as his grin. Or the way his eyes lingered on her face, persistent, with a halfamused gleam. Whatever it was, Amanda thought with a little shake, she would have to learn how to handle it.

"This is the last stop," she told him. "Trent's idea is to convert this tower into a dining room, more intimate than the one he wants on the lower level. It should fit five tables for two comfortably, with views of the garden or the bay."