Tasha Alexander - A Fatal Waltz

“Then I shall have to redirect your imagination in a more acceptable direction.” He started to kiss me, but pulled back at the sound of footsteps.

“You should be more careful with your fiancée’s reputation, Colin,” Kristiana said, her voice low and rich, seductive. “What would people say if they knew you two were skulking about hallways in country estates?”

“Very little, I’m sure,” I said, meeting her stare. She smiled, the most dazzling, patronizing smile I had ever seen, and laid an elegant hand on Colin’s arm.

“Enchanting, an enchanting little darling. I’m so glad you’ve found her. You really ought to bring her to Vienna sometime. The count is already excessively fond of her.”

5 December 1891

Darnley House, Kent

My dear daughter,

News as good as that which I have is worth sending express.

Your father and I have just returned from spending several days at Balmoral with Her Majesty, and she has decided to bestow upon you and Mr. Hargreaves a great honor. She graciously offered to allow you to be married from St. George’s Chapel at Windsor Palace. I, as you well know, was instrumental in facilitating the engagement between Prince Eddy and May of Teck, and the queen wishes to thank me for my service by taking particular note of your wedding.

I told Her Majesty I think it best that the wedding take place during the Season, perhaps in June. This gives you plenty of time to make arrangements and organize your trousseau. The queen went so far as to suggest fireworks for the night before.

Before I forget, I must mention that Lady Londonderry tells me you’ve written to ask her if you may catalog the art and antiquities at her husband’s estate. Surely you know this is not the sort of activity in which you should be involved. I have no intention of addressing the issue again.

I shall keep you abreast of plans for the wedding as they are made.

Your very affectionate mother,

C. Bromley

My mother’s letter had arrived while I was dressing for dinner, and I spent much of the meal brooding over the thought of her taking over my wedding plans. Colin had been seated next to the countess at the opposite end of the table from me, so I’d not yet been able to give him the bad news. I did not doubt that he had even less interest in a society wedding than I did. Neither of us had wanted one in the first place, and the only bright spot in having to cancel the one we’d originally planned was that it gave us the chance to be married in a quiet, private fashion.

The count—Karl, as he kept insisting I call him—was my dinner partner, and I did my best to make the right sort of nonsensical noises of approval while I half listened to the stories he told to amuse me. Lord Fortescue and Flora were next to each other, heads bent close as they laughed over some private joke, something they would not have been able to do had Lady Fortescue been at the table. Her headache had grown worse, and she’d taken to her bed.

“Damn smart woman you married, Fortescue,” Sir Thomas said. “I’d go to bed myself if I could. I’m exhausted. Bloody bore, sitting around like this.”

“Yes, but you must eat, Father,” said Gerald, who appeared to take no notice of his wife’s friendliness towards our host. “And I think we can all agree that pleasant conversation while dining can only enhance—”

“That’s quite enough, boy. Let’s make it through dinner without prattling on about a lot of nonsense. Are we ready for the port, Fortescue? I don’t think I can stay awake much longer.”

This was the cue for the ladies to retire to the drawing room. Flora caught my eye, and I looked at Ivy, whose porcelain brow was furrowed. As I was the highest-ranking lady in the room, the rules of precedence dictated that I should leave first, but I didn’t move. I looked above the fireplace at three golden statues of angels beneath Gothic canopies. They seemed to be staring down at me with looks of pained amusement. In my own house, I would never have left the gentlemen to the port, not only because it was my favorite beverage, but also because I disliked being excluded from what, typically, was the most interesting conversation of the evening. I glanced at Robert, who was incapable of masking the panic on his face, and decided that tonight, at least, I would join the ladies.

I rose from my chair and saw the countess smiling at me. “What a disappointment,” she said. “I thought Lady Ashton was quite opposed to ladies being excluded from port. I shall have to soldier on without her, as I have no intention of being exiled to coffee in the sitting room.”

My face grew hot. I stammered, trying and failing to form a pithy reply. Ivy took my arm. “Lady Ashton is kind enough to accompany me because she knows I cannot do without her.”

“She is quick, then, to abandon her principles. Perhaps they only hold when she is in the familiar surroundings of her own home. But if one is to be an iconoclast, one must expect to live with some measure of discomfort.”

“It is an admirable thing to put the needs of a friend before one’s own personal agenda,” Colin said, his gaze fixed on me.

“I find, Countess, that there are some things more important than blindly following one’s principles. There are situations where the concerns of others ought to take precedence,” I said.

“I couldn’t agree more.” She looked at Colin as she said this. Before I could reply, Ivy steered me through the door.

“I can’t believe he ever cared for her,” she whispered as we left. I did not reply, and instead silently wondered how deep his feelings for her had run.

We entered the great parlor, a room the family used only after dinner and, to my mind, the loveliest in the house. Somehow having escaped Mrs. Reynold-Plympton’s attentions, it had been left in the style of the seventeenth century, curved wood beams crossing the ceiling, and white plaster on the walls at two ends. In the center of the roof was a charming frieze depicting the tragic story of Orpheus and Eurydice. The walls were lined with display cases of beautifully simple blue-and-white china. A soft Oriental carpet covered part of the wide, polished planks of the floor, and chandeliers emitted a soft, flattering light. The only failing was that the room was so cold I wondered if a window had inadvertently been left open. Many country estates are notorious for being drafty, but Beaumont Towers elevated what might have been a failing of architecture to the level of political statement.

An obliging footman had left on a table the stack of books I’d chosen from the library. I selected one of them and sat on a couch tucked into the inglenook, eager to be as close to the small fire as possible. Soon I was fully distracted by the wit of Aristophanes. I’d brought along my copy of Mary Elizabeth Braddon’s The Doctor’s Wife for Ivy. She sat opposite me, engrossed in the story of Isabel Gilbert, who, by marrying too early, missed having for her husband a man sprung from her dreams—dreams that had been fueled by novels. Robert, no fan of popular fiction, would have found both the premise and the execution unconscionable. A quarter of an hour passed in relative silence. Then another. Then, a commotion in the hall: raised voices—one obviously Lord Fortescue, the other more difficult to identify—the sound of someone striking the wall, and a door slamming.

Curious, I darted into the hallway, hoping to see who was the object of our host’s ire, but there was no one there. I went back into the parlor, where I found it increasingly difficult to concentrate on Aristophanes.

Ten minutes later the gentlemen finally joined us. The countess entered with Lord Fortescue, who was all smiles. Apparently not all strong-willed women troubled him; his displeasure was selective. Mr. Harrison stood by himself in a corner; Colin was nowhere to be found.

“Have you settled on a scene?” the countess asked, looking over my shoulder at the book I was holding. The room had lit up around her, her evening gown fashioned from an iridescent silk that clung to the curves of her perfect hips.

“I think something from The Frogs.”

“Greek, of course. You’re like an eager schoolgirl. It’s so sweet. But I think you should choose something more modern.” The emerald choker around her neck drew out the green of her eyes.

“Funny you should suggest that. Do you know the story of The Frogs? The god Dionysus, the patron of theaters, has grown utterly disgusted with the current crop of tragedies being produced in Athens. He decides there’s no hope for modern plays, and that the only thing to do is to go to Hades and bring back to earth one of the great playwrights from what he considers the golden days.”

“And this is meant to be amusing?” the countess asked, idly twirling one of the dark curls that framed her face. Her hair shone like satin.

“It’s vastly amusing. When he gets to Hades he sets up a competition between Aeschylus, Sophocles, and Euripides. They battle for the title of best tragedian. First—”

“Oh, please don’t tell me, Lady Ashton. It will make it all the more difficult to sit and watch if I already know what is to happen.”

“Watch? I’m counting on you to take part. I’d hoped you’d play Euripides,” I said. Being this near to her, I felt utterly inadequate, washed out in the face of her brightness—too thin where she was curvy, my youth and inexperience paling next to her sophisticated wisdom.

“Is that so?” The corners of her mouth twitched. “Well, perhaps I’ve misjudged you. Even I know that Euripides is the greatest of the tragedians.”